What a treat, going to my first Stagecoach.
I have many pleasant memories of past Coachella fests, and I was fortunate enough to attend the legendary Desert Trip, so the grounds were familiar to me—but here, they were just a little more country, as the Osmonds like to say.
I saw lots of guys wearing $21.95 straw cowboy hats from a company that makes tractor supplies … and I must confess that I bought one, too, solely for the UV protection. I only spotted one MAGA hat—worn by a college-age lad sporting his finest preppy look. But everyone was friendly and pleasant, even when I bumped into people rushing to the stage.
On Friday, Kane Brown started his 7:30 p.m. set with “Cold Spot”: “It’s 4:30 Friday; I get off at 5. I come into your place, you come into mine. Got a bottle of Jack and cheap red wine; yeah, our own little world. Wanna open ’em up, close all the doors, spin you around on that kitchen floor.”
Brown then pivoted: “This song goes back to the ’60s. Are you ready?” he asked as he introduced “Stand by Me.” He then changed gears again with “Insane in the Membrane” by Cypress Hill and “Jump” by Kriss Kross. “Used to Love You Sober,” the 2015 single that helped lead Brown to the Mane Stage, was followed by his wonderful song “Heaven.”
After his set, I moseyed on over to the Honky Tonk Hall—which was incredible. They had me at the ice-cold AC. Dancers two-stepped as DJs pumped tunes by Luke Bryan.
I then moseyed back to the Main Stage to see Luke Bryan himself. Kicking things off with “Country Girl” and a request for him to “shake it”—he obliged on the edge of the stage—Bryan then introduced the audience to the new delish song “Knockin’ Boots.”
Bryan shared fan favorite “All My Friends Say,” adding: “You gotta be kissing upon someone tonight.”
A jubilant Bryan bantered: “Stagecoach, what’s up? Good God, there’s a lot people here. Pace yourself; I don’t know how you drink. Raise your hands if you have to pee right now. … I played with Phil Mickelson today; he whipped my ass.”
A bit later, Bryan asked the audience: “Do you want to do some old-school country music tonight?” before performing a cover of Alabama’s “Mountain Music,” with the heartfelt words, “Oh play me some mountain music, like Grandma and Grandpa used to play. Then I’ll float on down the river to the Cajun hideaway.”
Clearly having fun, Bryan sang “Rain Is a Good Thing,” with those drunken lyrics: “Whiskey makes my baby feel a little frisky … we hunt our hunnies down; we take them into town.”
Luke’s headlining performance was a great way to end Stagecoach’s first day. As I left the grounds, I observed many fans in apparent physical distress due to their new cowboy boots—but they still had smiles on their faces.
Saturday was another great day—Sam Hunt put on a fine show, but the highlight was arguably Lynyrd Skynyrd’s likely final Stagecoach appearance, which you can read all about here.
On Sunday, Terri Clark informed her Palomino Stage audience: “This is a festival with lots of beer, so if you are not involved now, you will be by the end of the night.”
She continued: “I get letters about this song. A husband made a headboard out of wood with the title of this song,” before performing hit “Now That I Found You.”
Illness-related cancellations by Mark Chesnutt on the Palomino Stage and Jordan Davis on the Mane Stage led to some schedule changes. Danielle Bradbery moved into Jordan Davis’ time slot—and she wound up being one of the weekend’s highlights. Just 22, she dominated the Mane Stage with her magnetism and vocal talent. “Red Wine + White Couch” was fantastic, as was her cover of “Shallow” from A Star Is Born.
Whitey Morgan personified the music your grandpa or grandma would play back in the golden age of country. Stage props included an old Valvoline oil can—and I suspect the gents on the stage were very capable of changing their own oil.
I ran over to see Lauren Alaina on the Mane Stage; she has a popish country sound and is an incredible performer—still true to her country roots.
Oh … and then there was Tom Jones performing on the Palomino Stage. As I walked over, two women sitting on a planter asked me to their picture. They said they saw Tom Jones back when they were 19, a few decades ago.
I was worried about going into the photo pit and suffering a possible injury caused by thrown undergarments—but this was Jones’ gospel-musical act, and fans restrained themselves. After talking about singing with Elvis, he sang Johnny Cash’s “God’s Gonna Cut You Down.” He has not lost his touch; the women in the audience were all eyes and ears as his voice launched musical love arrows with his original song “Sex Bomb.”
Old Dominion was awesome on the Mane Stage, featuring popular songs such as “Be With Me, “Hotel Key” and “Not Everything’s About You.”
Jason Aldean headlined on Sunday, to a sea of people in every direction. His set included “Rearview Town,” released as a single earlier this year. He also sang my favorite song of his, “Any Ol’ Barstool,” from his seventh studio album,They Don’t Know. But his song “Crazy Town” really hit home, because it reminded me of this festival with the words: “Hollywood with a touch of twang, to be a star you gotta bang, bang, bang.” It was a metaphor, perhaps, for the beauty and the glitz—but more importantly, it was a reminder that you have got to bang, bang, bang that hammer, or that computer, to pay your dues and make it in this thing we call life.
I literally ran into Diplo in the Mane Stage photo pit on Saturday—but I couldn’t really get close to him for his Sunday after-party. It got there early, and it was already packed. Access to the photo pit was closed to all media—which hinted at a few surprises, as VIPs replaced media photographers. An hour earlier, I’d run into a model from L.A. who said she’d heard Miley Cyrus was going to perform—but instead, we got her dad, Billy Ray Cyrus, with Lil Nas X. Diplo was enthusiastic, saying, “I can’t believe how many people stayed so late,” but the Palomino was packed with people wanting to party. As a light rain started to fall, everyone was dancing to the genre-bending remix of “Old Town Road.”
Stagecoach did it again—creating a joyous and well-organized festival that was inclusive to all.