Guillermo Prieto/Irockphotos.net
David Lowery performs on the Saturday of Campout 14. Credit: Guillermo Prieto/Irockphotos.net

Campout 14 came to Pappy and Harriet’s over Labor Day Weekend—with a new and well-received format.

Thursday night featured Jim Dalton, Johnny Hickman and the Hickman-Dalton Gang. Prior to the start, Hickman was being his genuine self, talking to longtime fans who have now become friends. A constant at Campout is the level of inclusion: The Crumbs (Cracker fans) and Campers (Camper Van Beethoven fans) make you part of the family.

Hickman spoke with pride about his teenage son, a young entrepreneur selling used shoes online. He pointed to a pristine pair of Timberlands his son sold him at a discount, because he grew out of them.

The song “In My Head,” by Dalton, is fun: “Today’s my birthday; I’m turning 30. I’m perfectly healthy, independently wealthy, in my head—and that’s Bill Murphy; I’m his best friend. He’s at my party pouring shots again; we’re having a good time in my head.”

In reality, everyone was having a blast. The evening progressed with a hilarious song about falling in love with a serial killer, and “Dick Bird” about a bird going No. 2 on a shoulder. “Pantalones,” a song about the loss of pants while in Mexico, is a cautionary tale about pacing yourself when drinking tequila south of the border.

“Papa Johnny’s Arms,” sung by Hickman, is the reason most music venues have security barriers—to keep swooning fans off the stage. However, attendees maintained their composure.

Hickman introduced the unreleased “Poor Life Choices”: “It’s a new song, and it’s a sing-along.” However, it was already in the memory of fans—since it was a hit at last year’s Campout 13.

The theme for Thursday was “Bad Tattoos,” and Hickman shared a story about a bad cover-up tattoo a few relationships ago. Dalton, not to be undone, talked about the alleged tattoo he has on his penis; he said he got it because he use to be a big Pearl Jam fan.

Super fan Jennifer Smyth shouted out a request for a cover of “She Wore Red Dresses,” and Hickman obliged. The Hickman-Dalton Gang worked in a cover of the Violent Femmes’ “Blister in the Sun”, and the cliché concert heckle from the crowd of “Free Bird” was met with an acoustic jam of the song. Thursday night at Campout is always a highlight, because it showcases the intimacy of Pappy’s indoor stage.

Cracker and Camper Van Beethoven played both Friday and Saturday nights, with David Lowery the lead vocalist of both. Cracker celebrated the 20th anniversary of the album Gentleman’s Blues by performing one half of the album one night, and the other half on Saturday.

The dress-up theme for Friday night was “Night of the Living Dead v. Big Lebowski.” I should have re-watched the movies in advance so I could better identify all of the characters beyond the Dudes and a whole bunch of Liams; for example, CVB fan Kit Hickman was dressed as an Irish Monk. Kudos to Kit for his originality.

Crumb chatter centered on the retirement of a longtime male member of Cracker, and his replacement, a much younger, slimmer woman. Would this lead to a change in sound? The change was not human: Johnny Hickman’s No. 7 1977 Les Paul Standard was replaced by what Hickman described on Facebook as “his (female!) replacement … this BEAUTIFUL girl of a Fender Stratocaster. … She is a bit more temperamental, yet SO very glorious in tone.” Frankly, I could not tell the difference; the new band member was well-received.

Cracker played the hits both nights including “Low,” “Eurotrash Girl” and the lovely “Almond Grove.”

Camper Van Beethoven headlined Friday and then opened for Cracker on Saturday. CVB once again played the hits over the two nights, including theh cover of “Pictures of Matchstick Men,” “Northern California Girls” and “Take The Skin Heads Bowling.” Ben and Jenny Wariner from Utah went a little crazy when CVB went off the set list and added “History of Utah.”

Saturday’s dress theme was “Monochromatic Colors” and Cracker/CVB songs. David Lowery was in all-white denim. Johnny Hickman later commented on Facebook in response to a photograph I posted of the show: “David looks resplendent in his all white denim … a throwback salute to the ‘Eurotrash Girl’ video … magnificently filmed and directed by Carlos Grasso decades ago about 100 yards from this very spot.”

Jesika Von Rabbit, the Queen of High Desert Rock, returned to the Campout on Saturday with a new band and a new record, Dessert Rock, through Dionysus Records. Her new music was well-received, and she was a joy to hear.

Traditions are sacred at Campout—and this means Victor Krummenacher and Jonathan Segel jammed together Saturday on the indoor stage.

Ike Reilly closed out Saturday; he’s a prior performer at Campout who was splendid with his stripped-down acoustic set.

As Saturday ended and became Sunday morning, long goodbyes changed into planning for the next Campout, and the next Camp In, back East in Georgia in January.

If you are not a Crumb or a Camper or perhaps a secret member of the Royal Order of Rabbits, you may not understand the longevity of this dusty little music festival … but that’s OK. A family reunion is held every year.

Lastly, Margaret Lowery, you would have been proud of your son at this year’s Campout. The joy he brings to Campers and Crumbs every year is immense. I toast you with Tetley Tea; rest in peace.

Guillermo Prieto is a graduate of the University of California, Irvine. That also happens to be the location of his first concert—which cemented his love of live music. A desert dweller for a quarter-century,...

One reply on “Live: Campout 14, Pappy and Harriet’s Pioneertown Palace, Aug. 30-Sept. 1”

  1. GReat article on one of the high deserts continuing traditions 14 years of Cracker and Camper at Pappy and Harriet’s, truly my favorite way to end the summer. Anyone who hasn’t attended you should join the fun and become a crumb. As my wife states every year “there are no assholes at this party… ever! Great bands great fans equal a great time!

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