Coachella 2018 will be remembered for a lot of firsts.
Beyoncé was the first black woman to headline at Coachella. This was the first year when there was no rock headliner—and a year when rock music took a backseat to rap.
It was also a year of change. The Sahara Tent—known in the past for featuring some of the biggest names in EDM—had a new layout and was in a new location. This Coachella introduced West Indio Market, a large food court.
Yeah, Coachella has come a long way since the first festival in 1999; in fact, my friend Courtney, who attended the first few incarnations of Coachella, said it’s totally unrecognizable compared to those first festivals.
However … let’s examine these aforementioned 2018 remembrances. Was there really less rock music at Coachella in 2018? I’m not sure that was the case, outside of the headliners. The Sonora Tent featured a long list of up-and-coming indie and garage bands, while A Perfect Circle drew a large crowd to the outdoor amphitheater on Sunday night, even though Eminem hitting the Main Stage about 15 minutes later. I also saw plenty of rock bands in the Mojave and Gobi tents.
If you love music, and you attend Coachella with an open mind, you’re sure to stumble across a new band or solo artist to love. I was exposed to many great new things over the weekend, like SuperDuperKyle—and I found myself adding a handful of new artists into my music library when I came home.
Here are some highlights from Sunday.
• Punk-band FIDLAR put on a wild show in the Mojave Tent on Sunday afternoon. For Coachella attendees who were trying to find something edgier, it was a welcome time, given the craziness of the mosh pit. Lead vocalist and guitarist Zac Carper was decked in hospital scrubs and said, “We’re going to try something new,” as he went went down into the crowd and started a new FIDLAR song called “Alcohol.” Carper also told the ladies later in the set that if anyone made them uncomfortable or inappropriately touched them in any way, they had permission from “Fidlar, LLC” to “punch them in the fucking face.” He told the men before starting one of their songs, “Dicks off the dance floor—we’re going to have a ladies-only mosh pit,” before actually ordering men away from the moshing area. “Dudes, don’t you dare try and gentrify this shit!” he said.
• The Do LaB remains a popular attraction. The small tented area back near the nice indoor bathrooms has always been a fun party, and I have talked to some people who actually spend most of their festival time back there. During my visit to The Do LaB on Sunday afternoon, the party was in full swing, with water hoses squirting down the crowd, outlandish outfits and nonstop dancing in the heat.
• Jazz saxophonist Kamasi Washington performed an early-evening set on the Outdoor Stage, drawing a small crowd that grew over time. He told the audience that he didn’t really want to talk much, but he did say he believed the diversity at Coachella “wasn’t meant to be tolerated; it’s meant to be celebrated.” Washington changed up his setlist for Weekend 2, playing mostly songs from his upcoming and still-unreleased new album for the first time. His backing orchestra and vocalists gave his set a real psychedelic feel, but the jazz created positive vibes the longer you watched. It was something attendees needed after a long day in the heat.
• Over the past few years, Goldenvoice has put at least one EDM act on the Main Stage. On Sunday night, ODESZA was that EDM group for this year—and the performance was beautiful. Atmospheric, uplifting and beautifully performed songs featured some vocalists, some guitar and even a full drum choir. The visuals accompanied the performance in a powerful way—and while ODESZA didn’t create its logo out of drones as the group did last week, it still delivered a hell of a performance that will be talked about for years to come.
• Despite lukewarm reviews of Eminem’s Weekend 1 set, I kept the Sunday headliner on my personal schedule. His set started out well, and Eminem had a lot of energy—but he was reluctant to perform any of his hits, and I soon realized why people had complained during Weekend 1 that his set was scattered and messy. He lost much of the crowd during the set. “Stan” (it would have been nice to have a Dido or Elton John cameo) and “Just Don’t Give a Fuck” were performed after the 30-minute mark, as was “Love the Way You Lie.” Also, a new rule needs to be created: If Dr. Dre is going to appear as a guest, he needs to perform something besides “The Next Episode” and “California Love.” I know Dre can do whatever he wants … but it’s starting to become a little too predictable.