After a slow start, Only the Brave rallies to become a solid tribute to the Granite Mountain Hotshots, 19 of whom died battling the massive Yarnell Hill Fire in 2013.
The Hotshots were an elite Prescott, Ariz., crew led by veteran firefighter Eric Marsh, played here by Josh Brolin. This performance ranks among Brolin’s best, as he shows us a passionate man presiding over his crew like a father to his sons.
Marsh takes a risk on Brendan McDonough (Miles Teller), a former drug-user seeking redemption and a decent living to provide for his newborn daughter. The always-reliable Teller matches Brolin’s acting triumph every step of the way, making both Marsh and McDonough fleshed-out, complicated characters. The two seem right at home with each other onscreen.
Director Joseph Kosinski takes a solid step beyond his prior sci-fi blunders (Oblivion, TRON: Legacy) to deliver a movie that is technically sound and emotionally powerful, if a little hokey and overlong in spots. The movie is never bad, but it does drone on a bit during some of the melodramatic build up. It never goes wrong when the team is on the job and fighting fires; it just gets a little sleepy when folks are sitting around talking or bickering.
We see the team containing numerous fires throughout the film, giving us the sense that these guys were in full command of their trade. Of course, nature is an awesome and awful beast—and when the wind shifts and sends the Yarnell blaze toward the unsuspecting men, you get a true sense of how random and crazy the event was. These guys were the best of the best, and even they couldn’t predict what was going to happen.
Kosinski has assembled a cast that includes Brolin’s True Grit cast mate Jeff Bridges as Duane Steinbrink, Marsh’s supervisor. You can’t go wrong with Bridges; he delivers good humor, at one point busts out a guitar, and ultimately provides the movie with a solid emotional punch during the finale. Taylor Kitsch gets some good laughs as troublemaker Christopher MacKenzie; he gripes about handing over his new Vans to trainee Brendan, but winds up becoming his best friend over time.
As Amanda Marsh—Eric’s wife who takes care of injured horses when he’s away—Jennifer Connelly gets a chance to shine. Like Eric, Amanda has had a rough past, and problems bubble to the surface during some of his stop-ins between fires. Connelly does well with material that could seem played out in the hands of others. She adds angst to the mix with Amanda, and it works.
Knowing nothing about the art of firefighting, I can’t vouch for the authenticity of this film, but it sure does feel realistic. The Hotshots do controlled burns to protect landscapes, save historic trees and rescue neighborhoods. Additional supporting cast members, like James Badge Dale as Jesse Steed, Marsh’s second in command, give you a sense that the actors did a lot of ride-alongs for their roles.
Even though the fate of the men in the film is well-known, the depiction of the Yarnell Fire still blindsides you. Brolin’s Marsh figures it will be an easily contained fire, with the men home for dinner. Kosinski portrays the shock of the whole situation effectively; the men were working a situation which seemed to be completely under control.
The final sequences in the movie are so well done that you’ll feel kind of bad for groaning during the film’s more lumbering parts. By the time Kosinski shows the real-life firefighters alongside their Hollywood counterparts, the film has become a nice homage to these great, unselfish, all-giving men.
Parts of the country are going through some of the worst fire seasons in modern history. It’s not surprising this film didn’t have a big opening weekend; it’s a subject very close to home and truly painful for many. It’s a movie that will gain an audience over time.
Only the Brave is playing at theaters across the valley.