The 2017 Warped Tour came to a close at the Pomona Fairplex, 80 miles west of Palm Springs, on Sunday, Aug. 6.
A cloud hung over much of the summer tour after The Dickies made some jokes that angered feminist punk band War on Women during a stop in Denver, dividing many fans over questions of free speech and political correctness. On the plus side, tour organizers included many of the old-school punk bands who had played the Warped Tour in the 1990s.
While entering the tour grounds on Sunday, we encountered a significant problem. If there’s one item that is a MUST-HAVE at a festival—an item that every festival I know of allows and even encourages—it’s sunblock. Well, when I walked up to security, a woman working the festival screeched: “NO SUNBLOCK! TAKE IT BACK TO YOUR CAR OR THROW IT AWAY!” I noticed a large trash barrel full of sunblock, into which I threw mine. Upon entering the festival, I found it hard to find sunblock for sale, and I was afraid what the price would be. Luckily, I found a booth selling small bottles of SPF 30 for $2 … but I’d already noticed by 2 p.m. that there were a lot of people getting sunburns. I was asked at one point if I could spare any sunblock for a young kid. What a terrible idea by festival managers.
As for the music: The Hard Rock stage featured performances by Sick of It All, TSOL, Municipal Waste, Adolescents and Strung Out. Jack Grisham, of TSOL—wearing a pink suit that is probably up for auction on the TSOL site by now, with proceeds going to charity—wasn’t shy about giving the finger or offering an amusing anecdote. Tony Reflex of Adolescents look sunburned to a crisp and ready to go home after playing the entire tour, pointing to the mountains in the background and saying, “I live in those mountains!”
At the Skullcandy stage, feminist punk band War on Women performed. Frontwoman Shawna Potter had a tank top on that stated, “I’m a fucking feminist,” and declared that if any woman felt uncomfortable at the Warped Tour, War on Women and their friends at the Safer Scenes were there and “had their back.” She then went on a rant about reproductive rights before singing a song with a chorus during which she screamed “GIVE ME THE PILL! GIVE ME THE PILL!” The song included lines about abortion and rape, and someone pretended to rip a baby out of her stomach. As a gay man in my late 30s who understands and respects the ideals of feminism, I feel that War on Women should write a song: “We Give Feminism a Bad Name.”
For attendees who love everything metal, the two Monster stages, which took up one whole side of the festival, offered delights all day long. One of the highlights of the afternoon was Hatebreed, who praised Sick of It All, TSOL and Adolescents for kicking the door down for bands like them. Hatebreed was returning to the Warped Tour for the first time since 1998.
At the opposite end of the festival, the two Journey stages featured performances in the afternoon by pop-punk band Goldfinger, rap metal band Attila and stoner-rock band CKY.
As the sun went down, it became time for the headliners, and the notorious costumed metal band GWAR took to one of the Monster stages. After the death of Cory Smoot (Flattus Maximus) in 2011 and frontman Dave Brockie (Oderus Urungus) in 2014, GWAR is continuing on with new frontman Blothar (Michael Bishop, who is also a history professor and software engineer; he was the original bass player, Beefcake the Mighty). As soon as GWAR came onstage, the band began spraying blood all over the crowd through hoses … and through all six of the penises on Blothar’s costume. At one point in between songs, Blothar said, “Hey baby, you’re pretty cute!” to one of the female attendees in front of the stage. When she acknowledged him, he said, “No, I wasn’t talking to you!” and then he said, “Yeah, you, hi!”
With all the controversy that surrounded the Dickies, one has to wonder how GWAR was given a free pass. GWAR was pretty misogynistic—but both the men and women who caught the band’s set seemed to be having a hilarious good time.