Anyone who’s worked as an office receptionist knows it can be a thankless job, but it’s not normally all that dangerous.
Well, danger certainly lurks in Dezart Performs’ current production, The Receptionist, a dark comedy by Adam Bock.
In the first part of the play, the title character, Beverly (Deborah Harmon), goes about her daily duties with great efficiency. It’s a seemingly normal day at the North East Office, as Beverly cheerfully handles the phones, relegating unwanted callers to the voicemails of co-workers. She sorts mail, tidies her desk and dishes out romantic advice to officemate Lorraine (Theresa Jewett). Beverly’s maternal warmth is clear as she calms her upset daughter over the phone—as is her irritation when her husband announces he has spent the money allocated for the family phone bill on yet another collectible teacup. It’s the boss’ birthday, so Beverly takes on the job of ordering a cake, and proudly shows Lorraine the card she’s purchased, which features a pony smoking a pipe.
Everything seems to be running smoothly until Martin Dart from the Central Office arrives to see the boss. Dart (Lou Galvan) appears to be a likable guy. He chats amiably with Beverly and responds to Lorraine’s blatant flirting with gusto. When the boss, Mr. Raymond (Hal O’Connell), finally shows up, the two men disappear into his office. After several minutes of shouting behind a closed door, the grim-faced pair emerges—and Dart escorts Mr. Raymond out of the building.
Apparently Mr. Raymond did not follow proper procedure when torturing and interrogating a client. He’s now facing the consequences.
As Act I ends, the audience is left wondering whether Beverly and Lorraine might also be marched down to the Central Office for questioning. And just what does this company do? It certainly seems ominous. Given the threat of worldwide terrorism (especially with opening night coming on the same day as the horrific attacks in Paris), this play seems quite timely.
Under the masterful direction of Dezart’s artistic director, Michael Shaw, the cast is uniformly excellent. Like an evenly matched tennis foursome, they volley the dramatic ball back and forth with great skill. As Beverly, Deborah Harmon is perfect. There is not one false note in her performance. Early on, she’s funny, witty and totally in control of the kingdom that is her reception desk. Later, as the reality of what her fate might be sets in, we see her composure melt away into a puddle of fear.
Theresa Jewett is fabulous as Lorraine. Vampy and flirty, yet insecure, she reminds us of that one woman we’ve all worked with who just can’t get it together in the romance department.
Lou Galvan is spot-on as the mysterious Martin Dart. After initially coming across as a friendly guy, he sends a chill up our spines when his menacing side emerges. Equally as good is Hal O’Connell as the beleaguered Mr. Raymond. He also strikes us as a nice guy who got caught up in his company’s dark business, and is ultimately resigned to his fate.
Thomas L. Valach’s set is superb, while Phil Murphy’s lighting and Clark Dugger’s sound are just right.
The Receptionist is a relatively short play—just 75 minutes—but it will keep you pondering its themes for days.
The Receptionist, a production of Dezart Performs, will be performed at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Sunday, through Sunday, Nov. 22, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $28, or $24 for matinees. The show runs just less than 90 minutes, with a 15-minute intermission. For tickets or more information, call 760-322-0179, or visit www.dezartperforms.org.