Coachella Valley Repertory Theatre has added yet another feather to its impressive artistic cap with its first world premiere, Happy Hour, by George Eastman. The play tells the story of Harry Townsend, a wise-cracking, 80-something widower, and his son, Alan, as both come to grips with the reality that Harry can no longer live on his own.
When Alan (John Hawkinson) comes to Vermont for the weekend to visit Harry (Gavin MacLeod), Alan’s goal is to convince his father to move into an assisted-living community. Since his wife’s death, Harry’s physical health and mental health have been slowly declining. He tends to put the coffee filters in the freezer and the coffee pot in the oven … and his falls after tripping over the rug are becoming more and more frequent. Alan’s twin sister, Sara, lives close by and takes good care of their father—but her husband has landed a job in New York, and the couple is planning to relocate. Sara cannot bring herself to break the news to Harry, so Alan decides to take on the task.
Father and son have always had an amicable, if not particularly close, relationship. They have never really had a fight, but they don’t seem to have really gotten to know each other, either. They never had the father-son talk about “the birds and the bees” … Alan got that information from his sister. Harry attempts to make up for that with a bit too much information about his sex life with Alan’s mother. While recalling a tryst they once had in a pottery store, Harry quips, “Risk always hardens a boner, my son.” Turns out the green carpeting on the boat dock (about which Alan was teased by his friends as a youngster) was installed to make romance for his parents more comfortable.
Alan’s busy real estate career in California has cost him his marriage and kept him from visiting his father very often, which Harry resents. Following an argument, Harry storms out and vanishes for several hours. When a worried Alan shouts, “You’ve been gone since breakfast!” Harry shoots back: “You’ve been gone since December!” The play’s title refers to the shots of Scotch consumed during each father-son debate.
It’s a classic case of a senior citizen desperately fighting against the ravages of age and the inevitable loss of independence. Harry absolutely refuses to consider leaving the home he shared with his wife for decades. His solution is for Alan to move to Vermont with his girlfriend, and to replace Sara as his caretaker. That, his son says, is just not feasible. The elder Townsend “feels violated” at the suggestion he move into a senior community. He still feels his wife’s presence in the house, and tells his son, “This is all I have, and you want to take it away from me.”
Harry is played to perfection by Gavin MacLeod, best known for his Golden Globe-nominated work as Captain Stubing on The Love Boat and as acerbic newswriter Murray Slaughter on The Mary Tyler Moore Show. MacLeod, 84 himself, is just right for the part. At times, I wondered how much of the slow shuffling with the cane and difficulty getting up from a chair was Gavin, and how much was the character.
A mutual friend of MacLeod and playwright George Eastman sent MacLeod the script for Happy Hour five years ago. He kept hoping to bring it to the stage, and eventually brought it to CV Rep’s artistic director, Ron Celona, after seeing the quality of work at the theater. (The theater held a couple successful staged readings of the play before mounting this full production.)
MacLeod says he considers the play to be a gift. I’d say his performance is truly the gift. When he’s onstage, it’s difficult to take your eyes off him. His Harry is funny, bawdy, sometimes gruff, sometimes angry and occasionally heartbreaking. You want to go up onstage and throw your arms around him and tell him it’s all going to be OK. There’s not one false note in MacLeod’s performance.
L.A.-based actor John Hawkinson holds his own as Alan. In the opening scene, he seemed a tiny bit stiff, but once he got rolling, it was smooth sailing. He captures the conflict of a son who needs to live his own life, but also wants the best for his father. The audience is with Hawkinson all the way as he walks on eggshells, trying to treat his dad with respect and love while forcing him to face the realities of his age. The rapport between the two actors is excellent.
As always, director Ron Celona does an excellent job. Kudos also go to set designer Jimmy Cuomo, costume designer Aalsa Lee, stage manager Louise Ross and the entire production crew.
Go see CV Rep’s production of Happy Hour; it officially opens tonight. (I arranged to review the second preview performance, with CV Rep’s blessing, due to schedule conflicts.) It’s nearly impossible not to be moved by this play, especially if you—like many of us—are dealing with aging parents. I went with my significant other, who recently spent two weeks in Indiana packing up the family home (and 50 years of memories) following the death of his father. My own 87-year-old dad is looking into assisted-living facilities, having realized he just can’t do it on his own any longer.
Happy Hour will make you laugh … and cry … and think. If your parents are still living, it might just inspire you to give them a call.
Happy Hour is performed at 7:30 p.m., Wednesday through Saturday; and 2 p.m., Saturday and Sunday, through Sunday, Nov. 22. (There is not a 2 p.m. matinee on Saturday, Oct. 31.) Coachella Valley Repertory is located at 69930 Highway 111, in Rancho Mirage. Tickets are $48; opening-night tickets are $58. Running time is just more than two hours, with a 15-minute intermission. For tickets or more information, call 760-296-2966, or visit www.cvrep.org.