State of Affairs (Monday, Nov. 17, NBC), series debut: Katherine Heigl was great in Grey’s Anatomy, and then Knocked Up. Let’s pretend she joined the Peace Corps in 2007 and is just now returning to acting, OK? In State of Affairs, she plays a CIA analyst/adviser with a special relationship with the president (Alfre Woodard): She was engaged to POTUS’ son before he was killed in a terrorist attack (as depicted in the pilot’s intense, straight-outta-Zero Dark Thirty cold opening). Now she drowns her pain in booze and random hookups by night, and helps set foreign policy by day. Of course, as we’ve seen with Madam Secretary’s middling ratings, this couldn’t be just a straight-up political drama, so there’s some Blacklist-y conspiratorial intrigue about the fiancé not being what he seemed (or seems—yeah, it’s like that). As long as Heigl isn’t called upon to “banter” with her co-workers, as she is in a particularly awkward first-episode scene (set to Skynyrd, no less), State of Affairs could stick.

The Hollywood Film Awards (Friday, Nov. 14, CBS), special: Is this really necessary? Another excuse to hand out trophies to celebrities for doing their damned jobs, after harassing them about “who they’re wearing” on the obligatory red carpet? Apparently, the imaginatively titled Hollywood Film Awards was launched in 1997 by a marketing “genius” who’s so good that it took him 17 years to get it televised … on a Friday night. Now, I’m not against recognizing quality work in movies—although I do oppose it for music, because none is being produced in the mainstream anymore—but after the Academy Awards, the Golden Globes, the Screen Actors Guild Awards, the Independent Spirit Awards and, hell, the AVN Awards, there’s no need for another dress-up dog and pony show. And 22 Jump Street is just gonna get snubbed, anyway.

Aaliyah: The Princess of R&B (Saturday, Nov. 15, Lifetime), movie: While you’d be right to suspect anything co-produced by Wendy Williams, at least biopic (or telefilm, depending which TV-fabricated word you prefer) Aaliyah: The Princess of R&B has some solid biographical roots in best-seller More Than a Woman, by ex-Time music editor Christopher John Farley. In other words, The Princess of R&B has more in common with VH1’s fun and lively CrazySexyCool: The TLC Story than recent Lifetime hackjobs like The Brittany Murphy Story, Anna Nicole, Prosecuting Casey Anthony and, probably by next weekend, The Life and Death of Brittany Maynard. “Street but sweet” Aaliyah was only 22 when she was killed in a plane crash in 2001, but she racked up a staggering number of hits that still hold up today—most of which star Alexandra Shipp delivers with eerie accuracy and verve. Remember “hits” and platinum records? Those were the days …

Country Buck$ (Wednesday, Nov. 19, A&E), series debut: Do we have the space for me to go off on another rant about A&E’s creative shortsightedness and their gawdawful, over-scripted redneck-reality shows? Or at least how Country Buck$ is just a shameless, beardless clone of Duck Dynasty? No? OK, here’s this: #SaveLongmire.

Lucha Underground (Wednesdays, El Rey), new series: TNA Impact attempted to do it, but eventually just became a pale imitation of the WWE enemy itself—thankfully, Lucha Underground has arrived to show ’Merica what a bloated corporate bore into which gringo pro-wrestling has devolved. Part backstage infotainment, part telenovela and all high-flying ring action, Lucha Underground feels and looks (it’s filmed, not videotaped) like no other ’rassling show north of the border; the emphasis is squarely on the sport, and male and female wrestlers often face off as equals. They’re coming for your jobs, American beefcake.


Sin City: A Dame to Kill For

Screw the critics: The only dame who kills the sequel to 2005’s Sin City is Jessica Alba; her storyline (and “acting”) is the only weak link in this solid follow-up carried by Joseph Gordon-Levitt, Josh Brolin and, especially, Eva Green. Don’t miss it again. (Photo below; Anchor Bay)

22 Jump Street

Cops Jenko (Channing Tatum) and Schmidt (Jonah Hill) go back undercover—this time in college, to take down a drug dealer named Ghost (Peter Stormare); bromance, a thousand inside jokes about sequels and even some spring-break antics ensue. Boom! (Sony)

Isis Rising: Curse of the Lady Mummy

A group of college archeology students accidentally awaken the spirit of Isis (porn star Priya Rai), who then resumes her ancient quest to raise her husband Osiris from the dead to rule the world with their zombie army. Upside: Course passed. (MVD)


Santa and Mrs. Claus’ (Robert Wagner and Jill St. John!) magical city of Northpole, powered by holiday cheer, is in seasonal-stress trouble, and only a boy and his journalist mom (Tiffani Thiessen) can save it! A very co-dependent cycle. (ANConnect)

Rise of the Black Bat

When a city DA (Jody Haucke) is blinded with acid by a local crime boss, he gains the power to see in the dark and thus becomes superhero The Black Bat, because “Justice is blind … no more!” Any similarity to Batman or Daredevil is purely obvious. (MVD)

More New DVD/VOD Releases (Nov. 18)

And So It Goes, Automata, Collar, Everywhen, A Free Bird, Housebound, If I Stay, Into the Storm, Not Another Celebrity Movie, Rangarok, Reclaim, Robot Chicken: Christmas Specials, The Turnpike Killer.″
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Bill Frost

Bill Frost has been a journalist and TV reviewer since the 4:3-aspect-ratio ’90s. His pulse-pounding prose has been featured in The Salt Lake Tribune, Inlander, Las Vegas Weekly, Salt Lake City Weekly...

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