If you’re looking for an entertaining evening full of music and laughs, head over to the Desert Rose Playhouse to see The Stops (A Fabulously Fundamental Musical), by Eric Lane Barnes and Drew Emery.
Directed by Jim Strait, The Stops—the name comes from knobs on an organ, which when pulled out create different musical sounds—is the tale of three lady organists: Rose Rabinowitz Rigdale, a former Jewess turned Unitarian who’s just divorced her Catholic husband; Ginny Dooley, a bleached-blonde Baptist who’s never without her chardonnay; and Euglena Belcher, a pious Nazarene from Branson. They have formed an Andrews Sisters-style musical group at the urging of legendary church musical director Dale Meadows. He believes they have what it takes to spread his musical message to the rest of the world.
However, there’s a big problem: Meadows has lost his job and is about to stand trial after being outed as a homosexual by an overly righteous congregation member. The members of this trio, who met at a meeting of NALOG (North American Lady Organists’ Guild), are on a mission to free Meadows from jail and debut his songs. Though they have very different religious views, the three women are united in their determination.
A director friend of mine once said, “Knowing how to cast well is really the key.” Well, Jim Strait hit this one out of the ballpark: His cast is superb. All three have strong acting chops, excellent comic timing and great musicality. Their vocal harmonies are stellar.
As the holier-than-thou Euglena, Mark Ziemann is believable as a woman. His breakdown and dramatic solo toward the end of the show is actually quite moving. Terry Huber delivers as Rose, the wittiest and most down-to-earth of the characters. At one point, she asks what happens when you cross and agnostic with a dyslexic. The answer? “Someone who sits up all night wondering if there is a dog.” Valley favorite Raul Valenzuela nearly steals the show as the slutty, wine-guzzling Ginny. When Euglena goes on and on about her body being a temple, Ginny replies, “Well, mine’s an amusement park!” Her sexually charged “It’s All in Your Mind,” which includes onstage participation by two audience members, is one of the show’s highlights. Valenzuela’s simulated organ playing is also quite good. The real instrumental background is skillfully provided by musical director Steven Smith.
Men in drag can sometimes look overly cartoonish onstage, but not here. Mark Demry’s costumes and Art Healey’s wigs work well, and really help define each character. Kudos also to Phil Murphy (lighting), Steve Fisher (stage manager) and Paul Taylor (producer).
Desert Rose Playhouse bills itself as the “Coachella Valley’s LGBT and gay-positive stage company. It certainly is that, but even those who are new to LGBT theater will enjoy this production. Yes, it’s irreverent and bawdy, but not in an offensive way.
And the truth is, it’s a hoot!
The Stops, a production of Desert Rose Playhouse, is performed at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Saturday, July 19, at 69620 Highway 111, in Rancho Mirage. Tickets are $28 to $30, and the running time is just less than 2 hours, with one 15 minute Intermission. For tickets or more information, call 760-202-3000, or visit www.desertroseplayhouse.org.