The Lego Movie is a most welcome surprise. Fast-paced, frequently hilarious and visually fun, this is the sort of movie we’ve come to expect from Pixar—one that appeals to both kids and adults on many levels.
However, this isn’t a Pixar film; instead, it’s a product of the formidable but inconsistent Warner Bros. animation wing.
Sure, it’s a big commercial for Lego toys, but the product placement is more of a sly wink than a hammer over the head. I’m more offended by, say, frequently placed Subway sandwiches in an Adam Sandler movie than the constant presence of Legos in this one. Lego has developed its own universe over the years, especially with its video games, so I never felt like I was watching a commercial.
Instead, we get a movie that hurls jokes at breakneck speed, to go along with its super-kinetic visuals. The voice talent is a who’s-who of subversive humor, including Will Ferrell, Chris Pratt, Will Forte, Will Arnett, Elizabeth Banks, Jonah Hill and Charlie Day. It also has Morgan Freeman as a God-like character—and he is given some of the movie’s greatest lines. It’s co-written and directed by Christopher Miller and Phil Lord, the guys who did Cloudy With a Chance of Meatballs and the decidedly non-kid-friendly 21 Jump Street.
The plot follows Emmet (Pratt), a “generic” builder who goes about his homogenized life, building structures under strict deadlines and listening to the same song (Tegan and Sara’s terrific “Everything Is Awesome”) every minute of the day, while following the rules of the omnipotent President Business (Ferrell). President Business demands conformity in a decidedly socialistic way—but he keeps everybody at bay by promising Taco Tuesdays.
Things change instantly when Emmet meets Wyldstyle (Banks), who reveals to Emmet that there’s the possibility for real life beyond the walls of his pre-programmed world. (There are echoes of The Matrix and Terry Gilliam’s Brazil.) Emmet joins forces with Wyldstyle and her extremely cool boyfriend, Batman (Arnett), to take down the establishment and restore freewill.
I confess to being totally blindsided by the ending, which warmed my heart in a way that is on par with the wonderful endings of Pixar’s Up and Toy Story. It is, without giving anything away, brilliant, ingenious and wholly satisfying. It also manages to tie the whole movie together in a way that is beautifully mindboggling.
There are terrific cameos along the way, including members of the Star Wars universe, other heroes from the Justice League, Gandalf and others. Liam Neeson is killer funny as Bad Cop/Good Cop—and even his father, Pa Cop, who is constantly breaking and kicking things. (He’s this movie’s Darth Vader.)
The film relishes random humor. At one point, a cowboy in a saloon asks quite earnestly, “Are zeppelins a good investment?” (I laughed out loud to an extent that was a little embarrassing.) Arnett’s Batman is arguably on par with those played by Christian Bale and Michael Keaton. Stick around for the credits, and Arnett’s Batman theme, “Untitled Self Portrait,” which repeatedly touches upon Batman’s dead parents and penchant for dark things.
The Lego Movie is a bit exhausting at times, but the constant stream of activity is super-intelligent. It’s a cliché, but I’ll say it: “Fun for the whole family!” Sorry to be so cookie-cutter here, but it’s the truth.
The Lego Movie is playing at theaters across the valley.