Posted inFilm Reviews A Story Situation: With ‘The French Dispatch,’ Wes Anderson Has Missed the Mark With a Film for the First Time by Bob Grimm November 8th, 2021November 8th, 2021
Posted inFilm Reviews Inventive, Crazed, Beautiful: Edgar Wright’s ‘Last Night in Soho’ Tries to Do a Lot—and Partially Succeeds by Bob Grimm November 1st, 2021November 1st, 2021
Posted inFilm Reviews Sci-Fi Triumph: The New ‘Dune’ Looks Amazing, Is Well-Acted, and Actually Makes Sense by Bob Grimm October 25th, 2021October 26th, 2021
Posted inFilm Reviews Slasher Misfire: ‘Halloween Kills’ Looks and Sounds Great—but It’s Ruined by Bad Dialogue, Plot Choices by Bob Grimm October 18th, 2021October 18th, 2021
Posted inFilm Reviews End of a Bond Era: In ‘No Time to Die,’ Daniel Craig Cements His Status as the All-Time Best 007 by Bob Grimm October 10th, 2021October 10th, 2021
Posted inFilm Reviews Prequel Problems: ‘The Many Saints of Newark’ Has Too Many Characters and Not Enough Focus by Bob Grimm October 4th, 2021October 4th, 2021
Posted inFilm Reviews Ew, Evangelists! Jessica Chastain’s Amazing Performance Helps ‘The Eyes of Tammy Faye’ Succeed by Bob Grimm September 27th, 2021September 27th, 2021
Posted inFilm Reviews Come On, Clint: ‘Cry Macho,’ Eastwood’s Latest Film, Is a Ridiculous Mess by Bob Grimm September 20th, 2021September 20th, 2021
Posted inFilm Reviews Junk-Food Horror: If You’re a Fan of ’80s Camp Horror, You’ll Enjoy ‘Malignant’ by Bob Grimm September 13th, 2021September 13th, 2021
Posted inFilm Reviews Fake or Real? Compelling Documentary ‘The Lost Leonardo’ Proves That When It Comes to Big Money, Art Authenticity Doesn’t Matter by Bob Grimm September 9th, 2021September 9th, 2021
