Please welcome Paramount+ to the ever-bloodier streaming wars.
Before you go on an inner-monologue rant about “these new goddamned streaming TV thingies popping up all the goddamned time,” know that Paramount+ (yeah, another +) isn’t “new.” It’s just 7-year-old CBS All Access with a new paint job, so relax.
The CBS All Access name did the service no favors. It sounded like Boomer backwash aimed at the 60-to-Dead demographic looking to binge the entire NCIS franchise before ascending to that great “Whites Only” diner in the sky. But Paramount+? It’s sleek! It’s hip! It’s now!
It’s also way more inclusive, with a catalog of classic content that extends beyond just CBS: Comedy Central, BET, MTV, VH1 and Nickelodeon are in the mix, too. For ’90s kids, that means hours of retro-lounging with Beavis and Butt-Head, Invader Zim, and Ren and Stimpy (the Gen-X Mount Rushmore).
Here are 11 more comedies that you may have missed the first time around that you can check out now on Paramount+. Or get your NCIS on—you do you.
Another Period (3 seasons, 2015-18): Natasha Leggero and Riki Lindhome created and star in a mashup of Downton Abbey, Keeping Up With the Kardashians and Drunk History that sounds ridiculous in theory, but is hilariously ridiculous in execution. Leggero, Lindhome and a sprawling comic cast double down on the class discord and casual misogyny of 1902 Rhode Island aristocracy, going for taboo laughs where straight period pieces just swell the forlorn music. Another Period could not be made in 2021.
Detroiters (2 seasons, 2017-18): Best friends Tim (Tim Robinson) and Sam (Sam Richardson) are creatives at Tim’s father’s Detroit ad agency, producing cheap-o TV commercials for local businesses. Detroiters has a warmth and goofy zing that are missing from most Comedy Central series, and the guest stars are left-field AF (including Jason Sudeikis as a Chrysler exec, wrestler Kevin Nash as Tim’s dad, and Detroit newscaster Mort Crim as himself). Way better than Robinson’s I Think You Should Leave.
Corporate (3 seasons, 2018-20): The exact opposite of Detroiters, Corporate is a cold, dystopian wallow in the mundanities of office life that’ll make you reconsider ending your work-from-home exile. Desk drones Matt (Matt Ingebretson) and Jake (Jake Weisman) work at megacorporation Hampton DeVille, constantly under the heels of micromanagers and a magnificently malevolent CEO (Lance Reddick). Somehow, Corporate is as funny as it is brutal, nihilistic and well-dressed.
Review (3 seasons, 2014-17): Professional critic Forrest MacNeil (Andy Daly) “reviews” life experiences on a five-star scale for his show-within-the-show, Review. The reviews begin benignly (eating 15 pancakes, going to prom) but then get weirder and darker (trying drug addiction, leading a cult, putting a pet to sleep—four stars for that one, surprisingly). Underrated comic actor Daly sells the concept with subtlety and sincerity, and Review surprises at every turn. (A half-star for proms and drugs, BTW.)
Moonbeam City (1 season, 2015): Moonbeam City was a neon-saturated anomaly among animated Comedy Central series in that it actually looked good and had an all-star voice cast. A send-up of ’80s cop dramas (very specifically, Miami Vice) colorfully splashed like Nagel pop art gone anime, MCPD detectives Dazzle (Rob Lowe), Pizzaz (Elizabeth Banks), Chrysalis (Kate Mara) and Rad (Will Forte) … well, suck. Given more seasons, maybe Moonbeam City could have been the next Archer. Maybe.
Broad City (5 seasons, 2014-2019): Just because Broad City was a big hit for Comedy Central doesn’t mean it shouldn’t be revisited—or experienced for the first time. Twentysomething New Yorkers Abbi (Abbi Jacobson) and Ilana (Ilana Glazer) joke and toke their way through misadventures of daily minutiae. Like a two-woman Seinfeld with subtle layers of feminism and overt layers of 420 enthusiasm, Abbi and Ilana never really learn anything, but their friendship is pure Goals material.
Time Traveling Bong (1 season, 2016): Speaking of 420 enthusiasm, this Ilana Glazer solo album is as gloriously weird and stoopid as any Cheech and Chong classic, with a side of Bill and Ted timeline-jumping (or stumbling). Cousins Sharee (Glazer) and Jeff (Paul W. Downs) discover a bong that, when smoked, sends them back in time. From the Salem Witch Trials to caveman times to ancient Greece, the lessons here are: Weed is cool; no time period was great for women; and attending an orgy with your cousin is a bad idea.
BrainDead (1 season, 2016): Political satire BrainDead, which inexplicably aired on CBS broadcast TV, laid out a comic sci-fi tale that had the brains of D.C. congressmen and staffers penetrated and controlled by alien bugs—months before the 2016 election. It’s not a documentary, but a documentary filmmaker (Mary Elizabeth Winstead) is the first to discover the alien plot, but few believe her because it’s bizarro biz as usual on the Hill. BrainDead just may have been as prescient as Idiocracy.
The State (4 seasons, 1993-95): Like an American answer to Canada’s Kids in the Hall, MTV’s The State uncorked a firehose of Gen-X sketch comedy and a troupe that went on to dominate underground and mainstream comedy for decades (most notably with Reno 911!). It’s impossible to believe when looking at the Teen Mom/Floribama Shore reality shitshow it is now, but MTV was a citadel of creativity and experimentation in the ’90s—and no, we’re not doing the “when it played music” thing.
Daria (5 seasons, 1997-2002): Beavis and Butt-Head isn’t the ultimate ’90s MTV animated series—its spinoff Daria is. Everything from the dissonant opening chords of “You’re Standing on My Neck” to news-show-within-the-show Sick, Sad World still feels fresh. Terminally unimpressed high-schooler Daria Morgandorffer carried the weight of the D-U-M-B world on her slouched shoulders for all of us. Sure, the animation and pacing are stiff, but there’s no snarky power couple like Daria and Jane.
Clone High (1 season, 2002-03): OK, MTV’s creative streak didn’t completely end with the ’90s: Early-2000s cult hit Clone High satirized teen dramas though the animated angst of the young clones of Abraham Lincoln, Joan of Arc, Cleopatra and John F. Kennedy—it’s like Dawson’s Creek, but not shit. An HBO Max revival of Clone High is in the works, but the 13-episode original is pretty much perfect as is, and Abandoned Pools’ terrifically tormented theme song will never, ever be topped.