Coachella Valley Repertory and artistic director Ron Celona have a well-deserved reputation for offering first-rate theatrical productions—and the latest effort, Romance/Romance, does not disappoint.
To put it simply … the show is phenomenal.
With book and lyrics by Barry Harman and music by Keith Herrmann, Romance/Romance was first produced in 1987, and received five Tony nominations, including one for Best Musical.
The show consists of two one-act musicals. The first, The Little Comedy, is based on a short story by Arthur Schnitzler; it’s set in Vienna at the turn of the 20th century. Alfred and Josefine, both well-off but lonely, each decide that creating a less-affluent persona might increase their chances of finding true love. He pretends to be a nearly penniless poet, while her charade is that of a poor seamstress. They meet while walking in the park … and soon fall in love. The progression of their romance is detailed in letters each writes to friends. The question is: How long can they keep up the facade? And will their love endure if they come clean about their true identities?
Both Conchita Belisle Newman (Josefine) and Christopher Carothers (Alfred) are superb. Blessed with beautiful, robust singing voices, they take us on a lovely romantic journey. Their acting is quite good as well, and the onstage chemistry is palpable. The musical numbers, including the hopeful “It’s Not Too Late” and “I’ll Always Remember the Song,” are all memorable, but the highlight of the first act has to be Josefine’s poignant “The Night It Had to End,” exquisitely sung by Newman.
Supporting cast members Eric B. Anthony (Him) and Robyn Cohen (Her) add the perfect touch to the first act, performing lovely, skillful dances that take us from scene to scene and tie it all together.
Act II, Summer Share, is based on Jules Renard’s play Le Pain de Ménage. Set in modern times, it introduces us to best friends Monica (Newman) and Sam (Carothers), and their respective spouses, Lenny (Anthony) and Barb (Cohen), who are on vacation together. Though Lenny and Barb have always been fine with the platonic bond between Monica and Sam, things seem to shift on this trip. Suspicions (and other things?) are aroused after Barb and Lenny retire to bed, and the friends are left alone to chat in the wee hours. They wonder if their relationship is really platonic (“Let’s Not Talk About It”). Could their respective marriages survive an affair? Every long-married woman can relate to the yearning for sweet nothings in “Words He Doesn’t Say” (flawlessly delivered by Carothers).
In this act, the chemistry between Newman and Carothers is not just palpable—it is electric. The audience almost feels heat coming from the stage; it’s a terrific example of damn-good acting.
Anthony and Cohen are featured more in the second half, and they are both triple threats—fabulous actors, singers and dancers, with great comic timing. Their duet “Small Craft Warnings” is particularly notable.
There is much to like about this production, but what really stands out is how everything just flows together. Before the first note is played, one is struck by the gorgeous set. The cast is uniformly excellent; kudos to Ron Celona for both his spot-on casting and direction. The costumes, hair and makeup and lighting are wonderful.
Special mention has to be made of musical director Jaci Davis and the band, featuring Davis on piano, Daniel Gutierrez on keyboards, Bill Saitta on bass and Dave Hitchings on percussion. Their perfect blend supports the singers without being overpowering.
Whether you are a hopeless romantic, a theater aficionado or someone who simply wants an entertaining evening out, Romance/Romance is the ticket.
Romance/Romance is performed at 7:30 p.m., Tuesday through Saturday; and 2 p.m., Saturday and Sunday, through Sunday, Feb. 11, at Coachella Valley Repertory, 69930 Highway 111, in Rancho Mirage. Tickets are $53, and the running time is a little more than two hours, including a 15-minute intermission. For tickets or more information, call 760-296-2966, or visit www.cvrep.org.