There was so much buzz surrounding the Pappy and Harriet’s indoor show by Lukas Nelson and Promise of the Real that the crew cleared as much space in the adobe music venue as possible.
Of course, there was the normal droning on social media about how Pappy’s should have moved the show outside, where there’s more space. Never mind that it was hot as hell, plus the logistics of an outdoor show are immense.
Lukas Nelson and Promise of the Real, aka POTR, started performing live in 2008. One reason for all the buzz: Lukas Nelson is the son of Willie Nelson, and he has toured with his father.
One of his major influences is Neil Young. Lukas Nelson and Promise of the Real played on Neil Young’s 36th album, The Monsanto Years, and POTR just wrapped up a tour with Young. This may explain the demographic shift at Pappy’s that suggested some in attendance might have seen Buffalo Springfield live while in their teens. Even my hemp-fedora-wearing consigliore friend, who believes all music died when the Beatles left Candlestick Park, was in attendance.
The show was a family affair, with Insects v. Robots opening, with Micah Nelson, Lucas’ brother, at the helm. Insects v. Robots is a trippy band that jams the hell out of every tune while mixing genres and having a blast. At one point, Micah asked Lukas to join the set—but he was nowhere to be found, so Micah asked for help from the audience; a brunette with Catherine Wheel and Phil Collins tattoos volunteered to go bang on the tour-bus door. As they say, the show must go on, and Insects v. Robots got everyone harmonizing to the psychedelic vibe. On several occasions, Micah Nelson asked with a smirk: “Does anyone have any questions?”
Joshua Tree’s favorite cowgirl, Jesika Von Rabbit, was briefly front and center to get a picture of Lukas Nelson. POTR opened with a greeting from Lukas: “How are you guys doing? … I think I have a lot of friends here.” Nelson seems not cocky, but cool, when he smiles; he has natural charisma.
POTR’s set included “Don’t Take Me Back,” a authentic song about a breakup: “I was sittin’ in my daddy’s car, with a joint in both of my hands, smokin’ ’til the smoke wouldn’t stop, and the windows roll down, and I’m rolling around in my mind.” Lukas included a cover of “L.A. Woman” by the Doors that was an excellent way to showcase the band’s skills, before switching genres several times, with music including “Diamonds on the Soles of Your Shoes” by Paul Simon. In a nod to “Uncle Neil,” POTR included “Cowgirl in the Sand.”
Nelson guitar skills were hypnotic; at one point, he played the guitar with his mouth as he kneeled on the stage.
POTR was getting ready to head out the side door—until a chant of “five more songs!” started from frenzied fans. To pump up the audience, Lukas turned out an excellent cover of “Sympathy for the Devil” by the Rolling Stones. Then he remarked: “This is a song we wrote a while ago, ‘The Joint.’”
Lukas Nelson and Promise of the Real showed why they more than held their own onstage with Willie Nelson and Neil Young.
As the show ended, I bumped into Jesika Von Rabbit at the bar. She was excited that her favorite Neil Young song had been played.