Furious 7 says goodbye to Paul Walker while taking car chases to seriously outlandish and fantastical extremes. In some ways, the film is more of a science-fiction offering than a car-chase movie.
That’s fine by me.
I have to admit: Part of me was uncomfortable watching Paul Walker racing around in cars after he died in a fiery car crash. You can say Walker died doing something he loved, but I’m thinking irresponsible and reckless speeding dropped way down his “favorite things” list during the final moments of his life. That said, Furious 7 does spark some life into a tired franchise by going totally bananas—and it’s pretty remarkable how Walker, who had only filmed half of his scenes before he died, is inserted into the movie posthumously.
Yes, you can spot some of the moments when his face is grafted onto one of his brothers’ bodies, or when archival footage is inserted, but it still looks pretty darned good. It’s not too distracting, like when Ridley Scott sloppily pasted Oliver Reed’s face onto a stunt double in Gladiator.
Director James Wan, primarily known for horror movies like Saw and The Conjuring, has delivered the franchise’s best offering since the first film. He goes balls-out crazy with stunts and scenarios. It’s still a task to watch and listen to Vin Diesel, but the addition of Jason Statham as a seriously bad guy helps balance things out.
This movie gets my blessing for the sequence involving Vin Diesel’s Dominic Toretto and Walker’s Brian O’Conner jumping a car through not one, but two skyscrapers in Abu Dhabi. There’s no way in hell that anything like this could actually happen without people getting creamed, but you won’t care once you see how Wan and friends present this nuttiness. Logic doesn’t matter when the special-effects choreography is this good. While Wan won’t necessarily make you believe that cars can fly, he will put a stupid smile on your face as you watch watch cars fly.
While the skyscraper sequence is far and away the franchise’s high-water mark, the film contains a couple of other sequences that garner second and third place: A car chase in the mountains that ends with Walker’s character trying to escape a truck teetering on a cliff is epic, as is a parking-garage street fight.
The film also features Dwayne “The Rock” Johnson battling a helicopter with a really big gun, Rambo-style, and Toretto avoiding capture by driving his muscle car off a mountain. This is a movie that gets a big rush out of continuously topping itself, and it could care less about things like reality.
On the bad side, there’s a stupid subplot involving Letty (Michelle Rodriguez) having amnesia (Christ, I hate amnesia subplots!) and another stupid one involving the home life of Brian and Mia (Jordana Brewster). Then there are the moments when Diesel is required to emote, which is always a sketchy affair.
In Diesel’s defense, he does look pretty badass during his street fight with Statham. Statham, who I can only take in small doses, is used perfectly in Furious 7. He’s this franchise’s equivalent of the liquid metal Terminator in Terminator 2: Judgment Day.
Throw in Kurt Russell as a craft-beer-loving federal agent named Mr. Nobody, and you really can’t go wrong, even with the dopey and sluggish moments. For the first time in a long time, the good outweighs the bad in a Furious movie.
Will there be an eighth film, even though Walker is no longer with us? Um, given that the movie made nearly $144 million during its opening weekend, I think it’s a foregone conclusion that Universal will find a way to keep the engines running.
The bigger question: How will they ever manage to top that skyscraper-jumping sequence? I think they are going to have to add dinosaurs or rampaging gorillas to keep things interesting.
Furious 7 is playing at theaters across the valley.