The strange and unprecedented saga of Anger Management is coming to an end this month.

In 2011, Charlie Sheen was fired from CBS’ Two and a Half Men for being, well, more Charlie Sheen than he had been during production of the sitcom’s previous seven seasons. He then went on a public-meltdown tour, including the infamous scorched-earth “Winning” carnival that eventually became the actual My Violent Torpedo of Truth/Defeat Is Not an Option Tour. To further prove that he was sane and sober-ish, he also hosted the Gathering of the Juggalos that year, and dated and/or married a succession of adult-film starlettes.

Naturally, this all led to another TV deal: FX, home to edgy comedies like It’s Always Sunny in Philadelphia, Louie, Archer, The League and Wilfred, set up an unusual deal for Sheen and Anger Management, a sitcom wherein he plays an anger-management therapist conveniently named, as he was on Two and a Half Men, “Charlie.” The network ordered 10 episodes with the option to buy 90 (!) more to take the series directly to $yndicationville, depending on the initial order’s reception.

Even though Anger Management turned out to be just another hacky, laugh-tracked sitcom of the CBS variety wedged oddly into FX, the June 2012 premiere episode became the highest-rated comedy debut in cable history—which was 23 million fewer people than who tuned in to see Ashton Kutcher replace him on Two and a Half Men. Different shades of Winning.

Even though Anger Management’s 100th and final episode airs on Monday, Dec. 22, you’d be hard-pressed to find anyone outside of FX who’s aware that it’s even still on. After the initial curiosity wore off, the show’s ratings dwindled week by week, to the point where it’s now barely pulling Pasta Boat infomercial numbers. FX has been blowing through back-to-back episodes for months now just to get it over with by Christmas. (By the way: To the exec who green-lit Anger Management’s back 90—your bonus this year is a Pasta Boat.)

The last time Anger Management made the news was when co-star Selma Blair threw herself off the money train last year by calling Sheen out on his supposedly lax work ethic—bam, fired, replaced overnight. Not to side with the “rock star from Mars” here, but can Blair really call a guy who’s cranking out 90 episodes in a year lazy? Making mediocre TV is hard work—just ask Ashton Kutcher and Jon Cryer.

As I pointed out when I reviewed the premiere episode in 2012, Anger Management is still a better comedy than Two and a Half Men. That’s like saying herpes is better than gonorrhea. However, Men is run by a Hollywood hack who hasn’t had a new idea since the ’90s (Chuck Lorre) and takes itself seriously as a continuance of the “artform,” while Anger Management is slowly suffocating the sitcom with a pillow. Most of the jokes never land (despite what the laugh track indicates); cast members and storylines disappear and reappear randomly (Shawnee Smith, as Charlie’s ex-wife, is always in the opening credits, but rarely appears anymore—you should have gotten her deal, Selma Blair); the show’s women are written so misogynistically that porn actresses would wince (the casting sheet probably just reads “Alcoholic Slut” and “Alcoholic Slut No. 2”); and the stench of We Don’t Care Anymore is thick (the last episode is actually titled “Charlie and the 100th Episode”).

Which is why I’ve watched Every. Single. Episode. From the beginning. My morbid fascination with this death-march is weird, for sure, but I have enjoyed watching the wheels fall off as it grinds toward its final destination. Anger Management may not have killed off the plague of the traditional sitcom, but I salute Sheen for trying (and for the adult-film starlettes, and the drug tolerance, and …). You’re a great American, Carlos Estevez.


Continuum: Season 3

The mission of timecop Kiera (Rachel Nichols) to stop the Liber8 terrorists from 2077 in 2014 becomes more dangerous than ever—unless an alternate timeline was created and none of it has happened … or will happen. Huh? (Universal, Dec. 23)

Banshee: Season 2

The most badass action series you’ve never heard of returns for a second season of sex, violence and Amish politics, as fake sheriff Hood (Antony Starr) and fake housewife Carrie (Ivana Milicevic) outwit real gangsters. Get it. Now. (HBO, Dec. 30)

The Brittany Murphy Story

Amanda Fuller stars in the not-at-all exploitative “true” story of actress Brittany Murphy, from Clueless in the ’90s to her death in 2009, as told through the Hollywood magic of terrible wigs and pure conjecture. (A&E, Dec. 30)

Hell Fire

After a robbery goes bad, things get even stranger for four desperate hookers when they realize they’ve inadvertently kidnapped the Antichrist (J. Scott Green), who actually turns out to be a relatively fun dude. Aw. (Maxim Media, Dec. 30)

Shameless: Season 4

It’s winter in Chicago. Lip’s in college, and Fiona’s steady job has almost elevated the Gallaghers to the middle class—so of course it’s all going to fall apart, just like Frank’s liver. Shameless is the American family TV series. (Warner Bros., Dec. 30)

More New DVD/VOD Releases (Dec. 23 and 30)

Dec. 23: Dominion: Season 1, Pride, Richard Pryor: Icon, Sanatorium, Traffickers, The Trip to Italy, Two-Bit Waltz. Dec. 30: Dance-Off, The Equalizer, Kelly and Cal, Reach Me.

Bill Frost has been a journalist and TV reviewer since the 4:3-aspect-ratio ’90s. His pulse-pounding prose has been featured in The Salt Lake Tribune, Inlander, Las Vegas Weekly, SLUG Magazine, and many...