The Great American Trailer Park Musical debuted at the New York Theater Festival in 2004 and opened off-Broadway in September 2005. Today, the two-act musical, written by David Nehls and Betsy Kelso—which examines the relationships between the tenants at the Armadillo Acres Trailer Park in Starke, Fla.—has made its way to the desert, thanks to the efforts of Desert Theatreworks.
There’s not much of a plot; some of the characters need more fleshing out; and many of the songs are weak, but the show has enjoyed moderate success over the past 10 years. If you’re a Jeff Foxworthy fan and like your humor on the crass side, this show is right up your alley.
If the only criterion for reviewing a show was the earnest effort of the cast, Desert Theatreworks’ production would get five stars. Director Lance Phillips-Martinez has assembled a group of energetic actors with great comic timing who do their best to keep the audience smiling throughout the production.
So what’s the downside? The show is a musical, and many of those onstage lack the necessary singing ability.
As the show opens, we meet Betty (Adina Lawson), Pickles (Briana Taylor) and Lin (Kitty Garascia)—whose name is short for linoleum, since she was born on the kitchen floor. The rousing first musical number, “This Side of the Tracks,” sets the tone of the narration and the commentary on trailer-park life that the trio provides. Though it’s one of the better songs, right away, issues of pitch and shrillness became apparent. Excess volume is also a problem. Nearly everyone in the cast seems to follow the “if in doubt, sing louder” mantra—something director and vocal coach Phillips-Martinez should have nipped in the bud. (I once had a fabulous musical theater instructor who said: “Loud does not equal better; it’s just loud.”)
Lawson fares the best. She hits the notes a bit more often than her cohorts, and her street-smart, cigarette-puffing Betty keeps us laughing, especially during the talk-show-spoofing The Great American TV Show. Taylor is amusing as the not-too-bright Pickles, and Garascia has her moments as the wife of a death-row inmate (who tries to postpone his execution by sabotaging the prison’s electricity).
The strongest pipes in the cast belong to Ashley Hernandez, as stripper-on-the-run Pippi, who arrives at Armadillo Acres and promptly starts an affair with tollbooth-collector Norbert Gastecki (Shawn Abramowitz). Norbert’s wife, Jeanne (Stacy Casaluci), is devoted but agoraphobic, and hasn’t stepped out of their trailer in years. Hernandez has a strong, pleasing voice, and has clearly had vocal training—but even she occasionally pushes too hard. Abramowitz captures the essence of Norbert, who feels guilty about cheating on his wife, but is also frustrated by her neurosis. Sadly, he is not a singer. His duet with Casaluci (“Owner of My Heart”) just did not work, because the harmonies seemed off. Though she has a pretty voice well-suited to the quiet solo numbers, Casaluci becomes shrill at times.
Rounding out the ensemble, Stephen McMillen delivers a nice comic turn as Pippi’s marker-inhaling ex-boyfriend, Duke.
Kudos go to Ron Phillips-Martinez for the sets and costumes, which are quite good. The lighting, sound and choreography are all fine.
The opening-night audience seemed to enjoy The Great American Trailer Park Musical at the Joslyn Center’s Arthur Newman Theatre, though applause following many of the musical numbers was not always very enthusiastic.
The show is loud, colorful, tacky and, most important, fun. If you don’t go expecting beautiful singing, or songs you can whistle on your way home, you just might like it.
The Great American Trailer Park Musical, a production of Desert Theatreworks, is performed at 7 p.m., Friday and Saturday; and 2 p.m., Saturday and Sunday, through Sunday, March 23, at the Joslyn Center’s Arthur Newman Theatre, 73750 Catalina Way, in Palm Desert. Tickets are $25 general; and $23 for seniors and students. For tickets or more information, call 760-980-1455, or visit www.dtworks.org.