If you missed this one in theaters, you missed one of the year’s best big-screen experiences. Director Rian Johnson’s time-travel thriller is startlingly good-looking film.
It’s also a great brain-twister, featuring a bravura performance by Joseph Gordon-Levitt as Joe, a hired assassin killing people sent back from the future the instant they pop up in front of him. Things get a little kooky when the person sent back to be offed is actually an older version of himself (a strong Bruce Willis).
Gordon-Levitt wears makeup to achieve a look more akin to Willis, but it’s the smirk and airy voice that really nail it down. Gordon-Levitt had a blockbuster year with this and The Dark Knight Rises, with this being the best screen work he has done to date.
A supporting cast including Paul Dano, Noah Segan and Jeff Daniels is top-notch. Dano is especially good as a fellow assassin (or “looper”) who loses his nerve at the wrong time—and pays a grisly price.
In a role that isn’t getting the notice it deserves (although she has gotten a nomination from the Broadcast Film Critics Association), Emily Blunt takes a break from funny stuff to deliver stellar work as a mom protecting a strange son (played by talented child actor Pierce Gagnon). Blunt holds her own with Gordon-Levitt, matching him at every turn.
Willis gets a chance to do some seedy stuff as his character goes on an unfortunate crusade. He does a good job of making his version of Joe a sympathetic character, even as he does unspeakable things.
As time-travel movies go, this is one of the best. The moment when future Joe sits down in a diner with present Joe is a real winner. (The universe does not end, as Doc Brown predicted would happen inBack to the Future Part II.) If you missed this on the big screen, don’t fret: The Blu-ray will look mighty good in your living room.
Let it be noted that this movie cost $30 million to make, according to IMDb.com. That’s a pretty low budget considering the look Johnson has achieved. It seems like the movie would’ve cost five times that amount, at least.
Special Features: A great commentary with the director, Gordon-Levitt and Blunt. It’s actually one of the year’s better commentaries, a truly fun listen. You also get deleted scenes, a couple of featurettes on the making of the film, and a short doc about the film’s score.