CVIndependent

Tue11122019

Last updateTue, 18 Sep 2018 1pm

I’ve been fortunate enough to attend the twice-per-summer Splash House festival for at least five years. While the venues have changed over the years, it’s almost always hot as hell—and a great time for all.

The June festivities kicked off at the Palm Springs Air Museum. Thousands attended the almost-sold-out preparty, allowing visitors to get acclimated to the heat and learn a better understanding of the necessary hydration levels. Sometimes I wonder: Does music drive the party, or is the party a reason for the music? The music was somewhat mellow on Friday night, but the audience is always entertaining. I overheard a couple of large, athletic guys trying to start a chant in the VIP section, yelling, “Twist the knob!” over and over again. Perhaps it was a cynical observation on their part regarding the the EDM genre?

The highlight of Saturday was definitely Englishman Pete Tong, one of the elder statesmen of EDM music. “Hey, Splash House. How are you doing out there?” he said in his greeting, followed up by a guy directly behind me yelling: “I love you, Pete!” Tong fans were all ears as he melded different decades of music together effortlessly—even impressing old-timers like me.

Justice was up next on Saturday, and the French duo played dance classics, starting with a “Welcome to the Jungle” sample. “Do the Hustle” blended with “YMCA,” which was perfect.

The afterhours festivities returned to the Palm Springs Air Museum. Lee Wells went into the wayback machine and plucked out “Heart of Glass” by Blondie. Wells got plenty of love from the audience members, who gobbled up every beat.

For those of you unfamiliar with Splash House: The promoter has a shuttle system with The Renaissance as the hub; attendees can pick up a shuttle from there to The Saguaro or The Riviera, and vice versa. On Sunday, a typical 105-degree June day, the driver announced as I got on that the air conditioning was out. Eek.

Five minutes and 59 seconds later, I arrived at the Saguaro, to check out the balconies and the party scene (since most of the top-tier acts were playing at the Renaissance). I have a tradition where I try to capture a dive into the pool—which is quite a challenge, since the pool is usually filled with too many people. However, I got lucky and saw a woman diving in—with a perfect 10 for effort, and quite a bit less than that for form. She introduced herself on the shuttle back to The Renaissance. The shuttle is always an interesting place to talk to fans and get tips on who to see. I was told to catch Pluko’s set at Riviera—and he really pleased the fans on Sunday. He is signed to Odesza’s label, and he played on the same stage the group did a few years ago.

Last up on Sunday at The Renaissance was DJ Armand van Helden and Canadian DJ A-Trak. They had their own sets scheduled, but attendees went crazy when they played as Duck Sauce, their collaboration, best known for the hit—which, of course, they performed—“Barbra Streisand.” This led to probably the only sing-along of the weekend.

Splash House keeps getting bigger and better. The August edition can’t come soon enough.

Published in Reviews

Our big April Music Issue will start hitting newsstands next week—and to celebrate, we're releasing April's Coachella-themed FRESH Sessions mix a bit early!

The Coachella Valley Music and Arts Festival has been around since 1999, and has grown—massively—ever since. This year’s lineup features a diverse collection of performers from all over the world. To celebrate the festival, for this month’s FRESH Sessions, I've compiled a set of tracks that includes some music by up-and-coming artists at the festival, as well as songs by some more well-known acts.

I like Coachella because it showcases a wide variety of performers and genres. Everything from indie rock to trance is represented under various tents, all with an atmosphere that is electric. While the festival has lost a bit of its local element, unfortunately, it still seems to carry a strong sense of culture and creativity.

As for my appearances in April: Watch my Facebook page (www.facebook.com/ansofficial) for an updated list of gigs—but make sure you don’t miss the Pre-Coachella Warehouse Party, at Coachella Valley Brewing Co. (30640 Gunther St., Thousand Palms), starting at 3 p.m., Saturday, April 5. Tickets are $35, and that includes four CV Brewing Co. beers, lots of music, live art and tons more. Get your tickets now at brownpapertickets.com!

In the meantime, here’s the April FRESH Sessions. Enjoy—and watch out for a surprise!

  • Chromeo featuring Toro Y Moi, “Come Alive”
  • Duck Sauce, “Barbara Streisand”
  • Anna Lunoe and Touch Sensitive, “Real Talk”
  • Flight Facilities featuring Elizabeth Rose, “I Didn't Believe”
  • Chromeo, “Bonafied Lovin’”
  • DJ Topsider, “Mast (Yale x Classixx)”
  • Anna Lunoe “Up and Down”
  • Alf Alpha x All Night Shoes, “Deep End”
  • Justin Timberlake, “Suit and Tie” (Aeroplane Remix)
  • Flume featuring Chet Faker, “Left Alone”
Published in Subatomic