CVIndependent

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Last updateTue, 18 Sep 2018 1pm

Some of the biggest names in electronic dance music are coming to the Hard Rock Hotel Palm Springs during Coachella.

The hotel, in conjunction with Coachella promoter Goldenvoice, is hosting a series of pool parties during both Coachella weekends. The big names include Skrillex, Tiesto and David Guetta.

The Hard Rock Hotel recently celebrated its official grand opening, and this will be its first Coachella season. Vice president and general manager Hector Moreno said these LED Day Club parties are only the beginning of the great stuff to come.

“We have a great partnership with Goldenvoice and LED,” said Moreno via email. “I believe this will be the first of many epic events at the Hard Rock Hotel Palm Springs.”

Their events surrounding Coachella are already generating a lot of buzz.

“The response has been overwhelming (from) music-lovers all over the world who know our lineup. Our locals have shown amazing support to us, and we look forward to an amazing month.”

The doors open at 11 a.m. for each party.

On Thursday, April 10, Dirty South will play. The DJ from Australia is one of the world’s top DJs and should kick off this series of pool parties in style. Tickets are $40.

On Friday, April 11, A-Trak will be bringing his hip-hop style grooves. The Canadian turntablist has worked with Travis Barker, and he was the tour DJ for Kanye West in 2004. While he’s more known for his hip-hop collaborations, he has also done some nu-disco. Tickets are $40.

On Saturday, April 12, Disclosure will be returning with a DJ set after playing Coachella last year. The English duo has been on fire ever since releasing its debut album, Settle, last year. They two were also nominated for a Grammy. Tickets are $100.

On Sunday, April 13, David Guetta will be bringing his nightclub style of DJ’ing to the Hard Rock. He has turned in hit collaborations with people such as Sia, Nicki Manaj, Snoop Dogg and many others. If you have the time and/or funds to attend just one LED Day Club party, this is it, in our humble opinion. Tickets are $100.

Brace yourself on Thursday, April 17: Skrillex will be bringing his infamous hardcore dub-step sound to the Hard Rock. What will the neighbors think? Tickets are $60.

On Friday, April 18, Dutch DJ and Tiësto protégé Martin Garrix will be performing. His electro-house style should provide a nice vibe for the pool. If you haven’t heard his track “Animals,” be sure to check it out. Tickets are $100.

On Saturday, April 19, superstar DJ Tiësto will be performing. He’s known for his performance at the 2004 Olympic Games in Athens, as well as his spectacular live show. This should be one hell of a performance. Tickets are $125.

On Sunday, April 20, Showtek will close things out. The techno and electro-house duo will put on an insane show that should whip people into a dancing frenzy. Tickets are $40.

For tickets or more information, visit leddayclub.com.

Published in Previews

If you’re going to Coachella, and you’ve never been before, consider yourself warned: It can be a frustrating experience.

Coachella has so many bands, with numerous acts playing all at once, that it can be tough to choose where to go, and who to see. You’ll probably wind up missing some bands that you wanted to enjoy—and don’t be surprised if you don’t realize that one of your favorite artists is playing with a solo/side project you haven’t heard about until it’s too late.

Yes, it can be overwhelming—but we’re here to help, with this list of Coachella performers worth checking out.

Friday, April 11 and 18

Dum Dum Girls: Independent contributor Guillermo Prieto—a fine judge of music, if you ask me—is a big fan of this all-female foursome from Los Angeles. The Dum Dum Girls are on the up and up after getting noticed by indie critics and signing with Sub Pop Records. Now it appears they’re ready for the mainstream. Their single “Rimbaud Eyes,” from Too True, released back in January, is starting to pick up steam. If you like Siouxsie and the Banshees and the Yeah Yeah Yeahs, you’ll love Dum Dum Girls.

Anti-Flag: If you’re pissed off at the establishment, and angry about having to stand out in the sun and buy bottled water—yet you’re cool with spending $375 to get into Coachella—you’ll love Anti-Flag. The Pittsburgh punk outfit is known for its sentimental punk tracks such as “Your Daddy Was a Rich Man,” “Your Daddy’s Fucking Dead,” “Captain Anarchy,” “Angry, Young and Poor,” “The Economy Is Suffering” and their best-known anthem, “Die for Your Government.” If you question what they’re being paid to play at Coachella, shut your dirty mouth! They’re being paid in anarchy!

Goat: This Swedish outfit put out World Music, one of my favorite records of 2012. The band wears freaky costumes, offers a hilarious back story about being from a cursed village destroyed by Christian crusaders, and turns in bizarre stage performances—so you probably shouldn’t miss them. Oh, and the music is great, too: A psychedelic-rock sound is combined with Afrobeat cuts. You’ll truly enjoy this band—I promise.

Chromeo: Chromeo is the one EDM act you should catch at Coachella—even if you don’t care for EDM. Dave 1 and P-Thugg will make sure you’re having a good time with their electrofunk anthems such as “Night by Night” and “Fancy Footwork.” These guys are a throwback to the cheesy disco/pop periods of the ’70s and ’80s—in a good way. It’s hard to guess where in the lineup and on which stage these guys are going to be, so figure it out and claim your spot early.

The Replacements: As far as the big names and reunions go, this is the best, in my book. This Minneapolis band (right) formed in 1979 and did great things before breaking up in 1991. They’re being inducted into the Rock and Roll Hall of Fame this year for leaving their mark on college radio and the post-punk scene. If that’s not enough to convince you to see them, the song “Can’t Hardly Wait” inspired a film by the same name in 1998, about a high school graduation party during which Ethan Embry tries to give a letter to Jennifer Love Hewitt. (OK, maybe that isn’t very convincing. Just go see them, dammit.)

Saturday, April 12 and 19

Drowners: Make sure you arrive early on Saturday to catch Drowners. If you’re a fan of The Cure, The Smiths or any other ’80s Brit-Pop band, you’ll love them. They’re out to make the ’80s cool again! Since forming in 2011, Drowners have toured with the Arctic Monkeys, The Vaccines, and Foals, and have a new self-titled album to their credit.

Ty Segall: Ty Segall has come a long way since he started his solo recording career in 2008. With his psychedelic-fuzz-fused garage rock, you can expect a noisy and crazy performance that will make the eclectic-music-lover in you feel right at home.

Bombay Bicycle Club: Bombay Bicycle Club is pure fun. Their songs get easily stuck in your head, and you can’t help but smile when listening to many of their songs. If you’re having a bad day at Coachella, Bombay Bicycle Club might be all you need to turn that frown upside down.

Mogwai: This Scottish instrumental rock group will definitely offer a unique experience to those who have never heard of them. Their songs have no real vocal tracks—just some distorted lyrics here and there in the background on a few of their songs. Still, make no mistake: Mogwai is one of the best bands on Saturday’s bill.

Nas: Nas became one of the more-prolific of MCs of the ’90s after coming out of the Queensbridge housing projects in Queens. Prodigy of Mobb Deep mentioned Nas extensively in his autobiography, My Infamous Life; as the story goes, Prodigy and Nas once had a rap battle that ended in a draw. He’s one of NYC’s most-legendary rappers, so Nas will probably shine the brightest among Coachella’s rap/hip-hop performers. 

Sunday, April 13 and 20

Preservation Hall Jazz Band: This is a rather strange, if welcome, inclusion on the Coachella lineup. The Preservation Hall Jazz Band is the musical jewel of New Orleans’ French Quarter, and has been going since 1963. They are the house band of New Orleans’ Preservation Hall, so if you want to experience something different at Coachella, they are the one act on Sunday you won’t want to miss. If you enjoy them, check out Trombone Shorty and Orleans Avenue, who are performing later in the day.

J. Roddy Walston and the Business: Ever since Kings of Leon hit the mainstream, the whole Southern-rock-meets-blues thing has been ruined for me. However, J. Roddy Walston and the Business have restored some hope: There are some genuine blues influences in their music, with some lively Southern-rock touches here and there, too. These guys rock, and I’d imagine they’ll put on a great live show.

Frank Turner: While folk music already hooked up with punk rock due to work by artists such as Billy Bragg, Frank Turner is the folk-meets-punk artist of today. Unlike Bragg, Turner isn’t all that political; however, Turner did get some unwanted attention in his native United Kingdom after The Guardian ran an erroneous story about him being a right-winger; it reportedly led to death threats. In any case, Turner’s music is great, and he’ll offer an enjoyable live experience for those who wish they could have attended Coachella last year to see The Lumineers.

The 1975: The members of The 1975 (below) have been playing music together since 2002, and in 2012 (Enough years for ya?), they signed with an indie label called Dirty Hit. Since then, they’ve released a series of EPs, as well as a self-titled LP in September 2013. They’re a hit in their native UK—and are gaining attention here in the States, too. Their electro-pop sound is catchy, and they manage to include some unique themes in their lyrics. This is one band that will definitely be talked about at Coachella.

Published in Previews

Whatever you do, don’t call the Jon Spencer Blues Explosion—playing at Coachella on Friday, April 11 and 18—a “nostalgia” act.

Jon Spencer began his music career as the guitarist and vocalist for the Washington, D.C.-based psychedelic/punk band Pussy Galore. (Pussy Galore also included guitarist Cristina Martinez, who would go on to become Jon Spencer’s wife.) Pussy Galore dissolved in 1990, and the Jon Spencer Blues Explosion surfaced in 1991. Shortly thereafter, a 15-song bootleg titled A Reverse Willie Horton started making the rounds.

A Reverse Willie Horton—now considered by many to be the Jon Spencer Blues Explosion’s debut album—featured a cover with a reverse-negative picture of Supreme Court Justice Clarence Thomas kissing his wife as President George H.W. Bush looked on, at Thomas’ swearing-in ceremony in 1991.

During a recent phone interview, Spencer said he had nothing to do with either the album cover or the album’s release.

“It’s a bootleg. I didn’t put it together,” Spencer said. “That record is the Blues Explosion’s first recording session that we did with (Mark) Kramer. I sent it to somebody, and it got bootlegged. I think the Reverse Willie Horton album came from Philadelphia.”

Throughout the ’90s, the Jon Spencer Blues Explosion recorded and toured with big names—all while developing a sound that’s impossible to describe. Many people have labeled them as a blues band; others have used the term “nostalgic”—and neither is even close. While the sound includes elements of blues, it also contains bits of rock ’n’ roll and a punk influence.

The band’s proper, self-titled debut album, released in 1992, included some tracks from Reverse Willie Horton; few copies were produced and released. It was the release of Orange, in 1994, that led to critical acclaim, an appearance on MTV’s The John Stewart Show, and a tour with the Beastie Boys.

Orange also featured an appearance by Beck on the track “Flavor.” Beck was a rising star at the time, and he invited the Jon Spencer Blues Explosion on a tour of Australia and New Zealand.

“That first experience was fine,” Spencer said about working with Beck. “But later on, Beck became not so good to work with. ‘Loser’ was just starting to happen, and Beck would talk about my old band Pussy Galore being an influence on him. Around that time, I was mixing Orange in the studio in Manhattan, and we had the song ‘Flavor,’ and I thought, ‘Well, what about asking Beck to rap on this song?’ I got his number from someone at Geffen, called him up, and he was a good sport and said he’d do it. I let him write for 20 minutes and called him back, and we recorded over the phone.”

After Orange, the band recorded A Ass Pocket of Whiskey with blues legend R.L. Burnside. The album was recorded during one afternoon in February in Holly Springs, Miss.

“The guys from Fat Possum Records rented a hunting lodge, and it was out in the country,” Spencer said. “We just spent four or five hours that afternoon. It was bitterly cold; there was an ice storm a couple of days beforehand, and snow and ice are very rare down there. It was in a house, and it wasn’t a proper recording studio. The Fat Possum people brought in some recording equipment, and there was no heat. There was a big fire going in the fireplace. The Blues Explosion and R.L. had been touring together, and we’d been playing songs together more and more during encores. Matthew Johnson at Fat Possum thought, ‘Why don’t you go in the studio with him and record?’ That’s what we did.”

In the fast-paced, DIY recording session, R.L. Burnside had no problems, Spencer said. “He was a farmer most of his life. He wasn’t a prima donna. It wasn’t like we were recording with Pavarotti or Elton John. (Burnside) was a guy who definitely had no problem with anything, really. He was tough in some ways, for sure.”

While Jon Spencer Blues Explosion songs and albums have made the charts in the United Kingdom, the band has not managed to do so here in the States; still, the band has enjoyed a great deal of success with indie- and underground-music lovers, and many critics have raved about the band’s live performances. The band also received some good music-video exposure back in MTV’s heyday.

Bands such as The White Stripes, The Black Keys and others have listed the Jon Spencer Blues Explosion as an influence.

“A lot of these bands that people will mention to me, I don’t think they sound close,” Spencer said. “We’ve always been more of a punk band and quite more experimental. We’re not very traditional. We are a rock ’n’ roll band, but we’re not recycling the early-’70s sounds and styles.”

Since 1991, the Jon Spencer Blues Explosion lineup has remained consistent, with Judah Bauer (lead guitar) and Russell Simins (drums) remaining in the fold. The band’s most-recent release, Meat+Bone, was well-received by critics.

As for playing at Coachella, Spencer was brutally honest in his assessment.

“I think the festivals we have in the States are modeled after the big European festivals,” Spencer said. “It’s nice to see a lot of festivals here in the States, and we’re very happy to be asked to play Coachella.”

Published in Previews

The band that arguably had the most influence in Los Angeles’ 1980s music scene was neither the Red Hot Chili Peppers nor Jane’s Addiction. It was a band called Fishbone—and that band will be playing at Coachella on Sunday, April 13 and 20.

While many contemporaries in the L.A. music scene went on to have great mainstream success, Fishbone struggled—but despite years of heartbreak and failure, Fishbone keeps on going.

The story of Fishbone goes back to 1979. John Norwood Fisher (bass), Phillip “Fish” Fisher (drums), Kendall Jones (guitar), Chris Dowd (keyboards and trumpet) and “Dirty” Walter Kibby (trumpet and vocals) were placed in a busing program that took them from South Central L.A. to a junior high school in the San Fernando Valley. In school, they met a local by the name of Angelo Moore (vocals), who would bring all of them together to start a band influenced by funk, punk, reggae and ska. In fact, they were the first band to bring the “funk to the punk,” according to the 2010 documentary Everyday Sunshine: The Story of Fishbone. The all-African-American band simultaneously enthralled and confused both white and black audiences.

During a recent phone interview, Norwood Fisher said that being bused to the San Fernando Valley definitely changed his perspective when it came to music.

“It absolutely had an impact on a certain level,” Fisher said. “It brought me closer to the conversation of punk rock. In the hood back in ’79 to ’83, no one was playing punk rock. Plus, when we would sit around and talk about who was the best guitarist in the world, we’d be like, ‘JIMI HENDRIX!’ Some white dude would say, ‘JIMMY PAGE!’ And then one time, somebody said, ‘FRANK ZAPPA!’ I didn’t own any of (Zappa’s) records, so I had to find Dr. Demento on the radio, who would play Frank Zappa, and I was like, ‘THAT’S THAT GUY!’ I was really able to dig in to Frank Zappa that way.”

The band began playing shows in the Los Angeles punk scene, and formed close bonds with local musicians including the members of the Red Hot Chili Peppers and Thelonious Monster, both of which started in 1983. They would later befriend the members of Jane’s Addiction, too. It was a time when the Los Angeles music scene having an impact on the world.

“It really looked like a pinnacle point for underground music,” Fisher said. “Looking back, everything in L.A. was on fire. The dance clubs, the live music of all kinds—hip hop, reggae, punk, the East L.A. sound, and East L.A. punk—and Fishbone were mixing it all up; so were the Chili Peppers. There was this rockabilly scene that was vibrant, and there was just a lot going on. It was the time when you could go to any club, and fall in, and hear some really good music.”

Although Fishbone was influencing numerous musicians and playing epic live shows, the record labels didn’t know what to do with the band. Columbia Records was the first of many labels to sign the group, in 1983. The label first released a self-titled EP—which featured the track “Party at Ground Zero”—in 1985.

“Even through the confusion, I can see where Columbia Records was doing its best,” Fisher said. “They were used to a cookie cutter, easy-to-understand world. The fact that we confused them didn’t mean they didn’t work their asses off.”

Much later, representatives of a record label came clean about their feelings regarding Fishbone.

“We were with Hollywood Records and did The Psychotic Friends Nuttwerx (in 2000), and they told us, ‘We were always afraid of the Fishbone project.’”

In the late ’80s and early ’90s, the band members began to add a metal sound to their music; for example, listen to their cover of Curtis Mayfield’s “Freddie’s Dead,” and tracks such as “Fight the Youth” and “Sunless Saturday.” Fishbone’s 1991 album, The Reality of My Surroundings, was critically acclaimed and earned them their biggest commercial success. Perry Farrell of Jane’s Addiction also invited the band to play on the Lollapalooza tour in 1993.

However, things began to fall apart right before Lollapalooza, when Kendall Jones joined a Christian religious cult led by his estranged father, who was in Northern California. Fisher, along with some of Jones’ siblings, went to try to bring Jones back. A scuffle ensured; Jones and his father later filed attempted-kidnapping charges against Fisher. Fisher assembled a top-notch legal team and was eventually acquitted, but only after a costly trial; many people contributed to Fisher’s legal fund, and bands such as Tool and Alice in Chains played benefits for him.

“Believe me when I say my life would be so different today if people didn’t do that for me,” Fisher said. “It’s hard for me to grasp the words on the level of gratitude. I was a guy facing nine to 11 years in prison! That’s pretty deep. I kept my composure, for the most part, but god damn! If it would have gone the other way, it would have been a tragedy, especially when I think about if I were represented by a public defender.”

Fisher said the incident was an unfortunate and trying mistake.

“The situation to me was that (Kendall) was my brother, and he needed help,” Fisher said. “That was all that was in my mind. It fucking had nothing to do with the band continuing. It was just Kendall was my best friend—he was my drinking buddy. We wrote tons of songs together, and we did all kinds of shit. So, that’s what that was about.”

The attempted-kidnapping debacle began what may have been Fishbone’s most-trying period. Some original members left; they were dropped by another label. Soon thereafter, the third-wave ska revival hit full swing, thanks in part to No Doubt, a band with whom Fishbone once shared the stage. Other ska-based bands such as the Mighty Mighty Bosstones and Sublime were also making it big—yet Fishbone was largely left out in the cold. Not even the band’s 1996 album, Chim Chim’s Badass Revenge, would help.

“We were not even wanted, and that was it,” Fisher said. “We made Chim Chim’s Badass Revenge, and we had to go make another record that never got released. The material was right; the production was right; and that was aiming us in the perfect direction for us to join in and be a part of that. Unfortunately, our producer, Dallas Austin, got into it with Clive Davis, and it became a record that never got released.”

Still, Fishbone has drawn a devout niche audience over the years. Meanwhile, Fisher has been involved in a few side projects and even played on a tour with Clarence “Blowfly” Reid. Angelo Moore, under the moniker of Dr. Madd Vibe, and has released solo material, including books of poetry.

Kendall Jones has since left the religious cult, and was shown in Everyday Sunshine playing a show with Fishbone as a surprise guest. Fisher said he has forgiven Jones for what happened—but a return to the band is unlikely, given Jones is not currently in contact with the other members.

Meanwhile, the working relationship between Fisher and Moore has been strained at times. Fisher explained what keeps them working together.

“It’s the love of the music,” Fisher said. “We’ve been playing music together since 1979, so it’s like a family affair. We both have other projects and stuff, but I’m very aware and attached to the legacy of the band and trying to preserve that.

“At my core, I just feel like the world needs a Fishbone. As long as there is some fun to be had with it, it’s working for me. If it’s too much of a chore, maybe we need to take a break.”

Published in Previews

Not going Coachella? You’re far from alone; most of us can’t afford the cash or the time it takes to go to the festival.

However, that doesn’t mean you can’t experience a taste of what Coachella has to offer: A number of local venues throw affordable parties and events before, during and between the Coachella weekends.

We asked representatives of a variety of venues what they had planned. Some declined to tell us, at least as of our late-March press deadline—perhaps because they didn’t want to let the cat out of the figurative bag too early, or perhaps because the details had not yet been finalized. For example, we’ve heard rumors that venues including Bar, Clinic Bar and Lounge and others may hosting some great parties and events, but we couldn’t get the details. (Watch CVIndependent.com for news.)

Here are four great events about which we have the details.

Coachella Valley Brewing Co’s Pre-Coachella Warehouse Party

We admit we’re a little biased about this one, because we’re sponsoring it: On Saturday, April 5, from 3 to 8 p.m., Coachella Valley Brewing Co. will host a party featuring two stages of music, live art, great food and—of course—delicious beer.

Independent contributor All Night Shoes (Alex Harrington), with the help of with Phonetix Entertainment Group, has assembled an impressive DJ lineup that includes Synthetix, Ivanna Love, Femme A, RowLow and CreamSFV. Caitie Magraw and Michael B. Perez will create a live work of art in the midst of the festivities, too. The $35 ticket includes four CVB beers, and proceeds will go to EcoMedia Compass, a group working to restore and promote awareness of the Salton Sea.

Coachella Valley Brewing Co. is located at 30640 Gunther St., in Thousand Palms. Get tickets at www.brownpapertickets.com/event/594166.

Pappy and Harriet’s Pioneertown Palace

Pappy and Harriet’s has announced a fantastic series of events going on before and during Coachella, and there may be more to come: Robin Celia, one of the owners of Pappy’s, told me one additional event may be announced in April; watch the Independent Facebook page for details.

Here’s what we already know: At 7 p.m., Thursday, April 10, the Afghan Whigs will play an outdoor show on the eve of their Coachella appearance. The Afghan Whigs announced their reunion earlier this year, along with news that they are recording new material. The show’s opener is Brody Dalle, the former frontwoman of the Distillers, and Queen of the Stone Age frontman Josh Homme’s wife; she’s currently working on her debut solo album. Both of these acts should bring the house down! Tickets are $30.

Later that night, at 11:30 p.m., Goat and Holy Wave will be playing an indoor show; tickets are $15.

The good news: At 7 p.m., Wednesday, April 16, Little Dragon and The Internet will play an outdoor show. The bad news: The event is already sold out.

Pappy’s is located at 53688 Pioneertown Road, in Pioneertown. Call 760-365-5956, or visit pappyandharriets.com.

The Hood Bar and Pizza’s Coachella Kick-Off Party

The Hood Bar and Pizza has scheduled two shows by Mickey Avalon, at 9 p.m., Thursday, April 10 and Thursday, April 17. Avalon is a white dude from Hollywood who raps about drugs, prostitutes and his sexual escapades; he has a rather strange appearance that includes eyeliner and makeup. If you’re feeling brave enough to check this one out, and you’re 21 or older, tickets are $15. There are no pre-sales, so it’s first-come, first-serve.

The Hood Bar and Pizza is located at 74360 Highway 111, in Palm Desert. Call 760-636-5220, or visit www.facebook.com/thehoodbar.

Desert Gold at the Ace Hotel and Swim Club

Desert Gold is returning for 2014—even though we reported just the opposite in our print edition, due to incorrect information we had received. The festival will take place Thursday through Monday, April 10-14 and April 17-21

The free mini-festival will feature events curated by Festival NRML, described by the Ace as “a crucial convergence point between emerging artists from Latin America and the rest of the world.” Kindness will be doing a DJ set at a pool party from noon to 6 p.m., Friday, April 11. Later that day, Stronghold with Jonas Acunas will take place in the Amigo Room at 10 p.m. Festival NRML will hold pool parties on Saturday and Sunday both weekends from noon to 6 p.m. From noon to 6 p.m. on both Sundays, The Do Over will take over the Commune with barbecue, booze, and a lineup of mystery musical guests. (You need to RSVP on The Do Over’s website at www.thedoover.net/dodesert14 for these parties.)

DJ Day will be doing his usual Reunion shows in the Amigo Room on both Thursdays, and there’s no doubt he’ll have some special guests in what they are referring to as “Reunion Kickback.”

The Ace Hotel and Swim Club is located at 701 E. Palm Canyon Drive, in Palm Springs. Call 760-325-9900, or visit www.acehotel.com/desertgold.

While music is a universal language, it can be difficult for bands to break through language and cultural barriers. However, Zoé has been breaking through both: The band from Mexico will be performing at Coachella on Sunday, April 13 and April 20.

The band began in Mexico City in 1994, and—like many new bands—it went through various lineup changes and identity crises at first, before finding a degree of consistency. The current lineup includes León Larregui (vocals), Sergio Acosta (guitar), Jesus Baez (keyboards), Angel Mosqueda (bass guitar) and Rodrigo Guardiola (drums).

During a recent phone interview, Sergio Acosta talked about Mexico’s small but powerful alternative-music scene.

“Mexico’s music scene is closer to traditional music,” he said. “The alternative-music scene in Mexico is there, but there is music from all around the world, and we have a lot of influences.”

Those influences include a variety of indie-rock and psychedelic-rock bands—but each album the band has put out since the self-titled debut in 2000 has had a different sound.

“The recording sessions for us are the joyful part of the process,” he said. “Experimentation has been a big cornerstone for us. It’s always been important for us to generate our own original sound. On our second album, we used a drill and typewriters, and any old piece of junk that we could find that could generate sound.”

Zoé has had a long working relationship with producer Phil Vinall, who has also worked with Pulp, Placebo and Elastica, just to name a few bands.

“Phil has worked with us since the mix of the first album in 2000,” he said. “When we started working with him, it was through e-mail and the tracking of our first album. Luckily for us, he was moved by the music, and we got to go to London to make our first album; since that day, he’s been our producer. He’s a very important part of the sound, and we have great communication with him.”

Zoé also has a friend in Nick McCarthy, of the Scottish band Franz Ferdinand. McCarthy was introduced to Acosta by a visual artist in Mexico.

“We met outside of the music environment,” he said. “We just became friends. Later on, Nick came for a holiday to Mexico City, and we were working on a show at the Palacio de los Deportes (Palace of Sports). We were just like, ‘Hey, why don’t you play a song with us?’ He came to the rehearsal room; we sung together; and we had a great show.”

McCarthy has also collaborated with Zoé in the recording studio.

“We have this great friendship. We always see each other when we’re in the same place, and we spent a holiday together a couple of months ago,” Acosta said.

Acosta claimed the band doesn’t think about the language and cultural barriers it faces. The band has recorded some songs in English and has managed to have success in a number of American markets; the band has also developed a degree of popularity in Europe. Acosta said it all comes down to the power of the music.

“We have some songs in English,” he said. “… We sang them in English because they sounded better. It can be frustrating having a language barrier, but we also believe that music is music. We used to listen to music that was mostly sung in English. I also love French music—and I speak very little French. We just think that people get into the music for the emotions that it creates. For about nine years, we’ve also toured the U.S., and each time we play, we see more American people who maybe speak Spanish, but maybe they also like the music. I think there are people who might not understand (all of the music), but they still like the band.”

Acosta said he and his fellow band members credit their camaraderie and friendship as the most essential element of their success.

“Zoé was founded in really good friendship, and we believed we had a good project,” he said. “For us, it’s just very natural for us to get together and make music. Nowadays, after so many years together, we still feel very creative together, and we have a lot in common. We just like to make music together, and we believe that’s what keeps us going.

“We’re very lucky to be a band who can do these kind of tours and play festivals like Coachella. We’re very happy, and we’re very proud of what we have.”

Published in Previews

Chino Moreno has a lot on his musical plate—and Coachella attendees will get to enjoy the intriguing work of one of the Deftones front man’s side projects, Crosses (†††), on Friday, April 11 and 18.

The Deftones busted out of the Sacramento music scene in the 1990s and were soon opening for prominent and established metal acts such as KISS and Ozzy Osbourne. The band also shared the stage with groups like Korn and Limp Bizkit, which went on to become their contemporaries. However, the Deftones captivated audiences in ways that Korn and Limp Bizkit never could, and were by no means a band that would be categorized as “nu-metal.” Not only could Chino Moreno scream a brutal assault of lyrics; he had a melodic voice and a fantastic stage presence. In fact, some have called him one of the best metal frontmen of all time.

Crosses is nothing like the Deftones (nor is it anything like Moreno’s alt-rock side project, Team Sleep). Crosses takes listeners on melodic, dark and hypnotic musical journeys, with a little electronica thrown into the mix. In Crosses, Moreno teams up with guitarist Shaun Lopez—who Moreno has known since childhood—as well as producer Chuck Doom. The band put out its first EP in 2011, and followed that up with another EP in 2012.

During a recent phone interview from Austin, where Crosses were slated to perform at SXSW, Moreno explained how Crosses came together.

“Shaun and I came up together early on in the Sacramento music scene,” Moreno said. “He was in a band called Far, and with me being in the Deftones, we played a lot of shows together early on. A few years ago, I ended up moving a couple of blocks away from him in Los Angeles, and he had a little studio in his pad, and I’d always cruise over to see what he was working on. One particular time, he was there working on stuff with Chuck (Doom), which turned into the Crosses stuff. I liked what I heard, and I was like, ‘Yo, let me get up on this.’ One song led to two, and then three and four.”

The first two EPs were offered to fans for free and promoted via social media. The experiment ended up being well-received, and led to a full-length, self-titled release in February. It reached No. 26 on the Billboard 200 chart.

Moreno cited a number of musical influences.

“The first time I heard Kraftwerk when I was a kid, that was something that really caught my attention more than anything. It sounded very futuristic at the time,” he said. “Around the time I was in the fifth-grade, I discovered Depeche Mode, and for me, that really changed the course of my taste in music. To me, that music had a lot of the low-fi electronics that the early rap music had. It had a really cool, sort-of dark melody that flowed throughout it. To me, that was the ultimate music.”

Moreno has said that his lyrics don’t necessarily address specific topics.

“At times, (the lyrics are) dark and desolate—but they’re also warm in places, too,” he said. “… I’m never trying to sell anything or any ideas. With whatever music it is … the music is presented to me, and what you get on there is my reaction to it.”

Moreno stressed that he doesn’t engage in side projects because he feels limited by the Deftones.

“Any of the side projects I do, I don’t do them because I feel like there’s something I can’t do,” he said. “It’s honestly just me working with different people. When you work with different people and do things in different ways, you actually learn from those experiences. I never had any sort of vocal training or music schooling, so playing with different people and playing in different projects has been how I’ve learned—and now, I continue to learn.”

Tragedy struck the Deftones in 2008, when bassist Chi Cheng was injured in a car accident that left him incapacitated up until his death in April 2013. Deftones fans contributed money to go toward Cheng’s health-care costs throughout, and the Deftones proceeded in the hopes that Cheng would perhaps one day recover and return to the band. Moreno said that in the end, the tragedy brought the band even closer together.

“I think it’s as simple as enjoying the people you’re around,” he said. “I’m lucky enough with the guys in the Deftones that we grew up together as kids, and we started in the garage in 1988 when we were 15 or 16 years old. There’s a bond there, and we actually still enjoy making music with each other. I’m most proud of that, and I know most people don’t have that. Chi’s passing was one thing that brought us closer together.”

He said he feels similarly close to his Crosses bandmates.

“I think that natural aspect of it keeps it inspiring,” Moreno said. “It’s not something that’s preconceived. This is what we do. We’re hanging out, and let’s make some tunes.”

Published in Previews

April is going to be one helluva month in the Coachella Valley.

I came to this somewhat obvious conclusion after a marathon editing and compiling session, during which I perused tens of thousands of words of copy—much of which details how and why, exactly, April is going to be so amazing.

First up: music. Brian Blueskye has been hard at work over the last month-plus, doing interviews, gathering information and writing his butt off in preparation for our special print Music Issue. The result: four profiles on bands playing at Coachella; two profiles on Stagecoach bands; stories on other bands not to miss at both Coachella and Stagecoach; and a rundown of information on Coachella-related parties occurring before and during the festival. He also did two Lucky 13 interviews, as well as his normal monthly Blueskye Report. All of this music coverage, by the way, is fantastic; some of it is already online at CVIndependent.com, and the rest of it will appear within the next week or so.

If you’re a music-lover, and you see Brian around town during the month of April, you should really buy him a drink for keeping you so well-informed.

Next up: everything else that’s going on around the Coachella Valley—and there is a lot going on, much of which is detailed in a brand-new feature we’ve added to the Independent: monthly events listings from ArtsOasis, the creative-resource center that’s a project of the Coachella Valley Economic Partnership. Head on over to ArtsOasis.org, and you can peruse a fantastic events calendar that contains all sorts of great information—or you can just look in our Arts & Culture section for a selection of these listings, which have been edited and compiled by the Independent staff. (Don’t see your event included in the ArtsOasis calendar? Head to the website and submit the information, dang it!)

And now, back to music: The Independent is proud to be sponsoring a great April event that benefits a fantastic cause. The Pre-Coachella Warehouse Party is taking place at Coachella Valley Brewing Co. in Thousand Palms from 3 to 8 p.m., Saturday, April 5. The party will feature two stages of DJ music, live art, yummy food and, of course, great beer. In fact, you’ll get four beers along with your $35 admission fee; click here to buy tickets. Proceeds from the event will go to EcoMedia Compass, a group that wants to save the Salton Sea by promoting awareness of the sea, the problems it is facing, and potential solutions. (Props to my friend Alex Harrington, aka All Night Shoes, for being one of the party’s organizers.)

Yep. April’s going to be a truly special month for the Coachella Valley. Let’s get it started, shall we?

Published in Editor's Note

Our big April Music Issue will start hitting newsstands next week—and to celebrate, we're releasing April's Coachella-themed FRESH Sessions mix a bit early!

The Coachella Valley Music and Arts Festival has been around since 1999, and has grown—massively—ever since. This year’s lineup features a diverse collection of performers from all over the world. To celebrate the festival, for this month’s FRESH Sessions, I've compiled a set of tracks that includes some music by up-and-coming artists at the festival, as well as songs by some more well-known acts.

I like Coachella because it showcases a wide variety of performers and genres. Everything from indie rock to trance is represented under various tents, all with an atmosphere that is electric. While the festival has lost a bit of its local element, unfortunately, it still seems to carry a strong sense of culture and creativity.

As for my appearances in April: Watch my Facebook page (www.facebook.com/ansofficial) for an updated list of gigs—but make sure you don’t miss the Pre-Coachella Warehouse Party, at Coachella Valley Brewing Co. (30640 Gunther St., Thousand Palms), starting at 3 p.m., Saturday, April 5. Tickets are $35, and that includes four CV Brewing Co. beers, lots of music, live art and tons more. Get your tickets now at brownpapertickets.com!

In the meantime, here’s the April FRESH Sessions. Enjoy—and watch out for a surprise!

  • Chromeo featuring Toro Y Moi, “Come Alive”
  • Duck Sauce, “Barbara Streisand”
  • Anna Lunoe and Touch Sensitive, “Real Talk”
  • Flight Facilities featuring Elizabeth Rose, “I Didn't Believe”
  • Chromeo, “Bonafied Lovin’”
  • DJ Topsider, “Mast (Yale x Classixx)”
  • Anna Lunoe “Up and Down”
  • Alf Alpha x All Night Shoes, “Deep End”
  • Justin Timberlake, “Suit and Tie” (Aeroplane Remix)
  • Flume featuring Chet Faker, “Left Alone”
Published in Subatomic

Music-promoter Goldenvoice puts on the Coachella and Stagecoach festivals here every year—but that’s not all that Goldenvoice does in the Coachella Valley.

Goldenvoice, in partnership with California CareForce, is holding another free health clinic at the Riverside County Fairgrounds in Indio, on April 3-6.

Last year, California CareForce and Goldenvoice provided free medical, dental and vision care to 2,770 people at a cost of just more than $1 million.

During a recent interview in La Quinta, CareForce president Pamela Congdon discussed the specifics of the four-day clinic.

“We’ll have 70 dental chairs and 10 vision lanes, and we can make about 300 prescription glasses per day,” Congdon said. “We give a full eye exam, and with the dentists, we can do extractions, restorative fillings and cleanings. We run it like a mini vision office and a mini dentist's office. Medical will also have acupuncture and a chiropractor.”

Congdon said that they hope to help at least 900 patients a day.

“It’s really the working poor,” she said. “It’s people who have jobs who are good people, and they’re down on their luck. The problem is that if people can afford medical insurance, it doesn’t include dental and vision. Eighty to 90 percent of the people who come through our clinic need dental and vision. Some of these people haven’t been to the dentist in 20 years, and some people have been using an old pair of glasses.”

She told one story about a college student who needed extensive dental work.

“He needed five implants and a bunch of other dental work,” she said. “Good kid, college student—and he had an estimate of $20,000. We weren’t able to do the implants at our clinic, but we were able to remove all of the teeth.

“These are people like you or me. It could be your neighbor coming through—you don’t know. When I went the first time, I thought it was going to be a bunch of homeless people, and it’s not.”

Goldenvoice’s involvement has been essential to providing these services. Congdon said that after noticing the income divide in the area, as well as the lack of medical services and the valley’s spread-out nature, Goldenvoice was eager to step in and give back to the community.

“I think they’ve been so grateful to the community for the Coachella festival,” she said. “They wanted to give back to the community and the people who can’t afford to come to their festivals.”

The people who line up to receive care are also very grateful, even though many of them face a long wait.

“They feel like you have given them hope and their dignity back,” she said. “They will come up to you and say, ‘We don’t know what we would have done without you.’”

Congdon had advice for how people should prepare if they need services at the clinic.

“It’s going to be a long night,” she said. “They need to bring their medication; they need to bring snacks and food, and nothing that’s sugared or anything like that. We want them not to feel stressed. They should also bring portable chairs. We’ll get them through the clinic as fast as we can. Unfortunately, we don’t know any other way for them to get in line and get the ticket.”

Congdon said that the medical professionals ask no questions related to citizenship.

“When they come through, we do patient registration. We just get emergency contacts and demographic information, and whatever of that they want to give us is fine. Then they need to go to triage; we need to make sure their blood pressure isn’t too high. We do diabetes testing; and we ask for their medical history.”

The California CareForce Clinic will take place at the Riverside County Fairgrounds, 82503 Highway 111, in Indio, from Thursday, April 3, through Sunday, April 6. Tickets will be issued to patients at 3:30 a.m. each day. Only one service number will be issued to each person in line. Patients will be let into the clinic at 5:30 a.m. for registration. For more information, call 877-811-6038, or visit www.californiacareforce.org.

Published in Local Issues