CVIndependent

Fri11242017

Last updateWed, 27 Sep 2017 1pm

Last weekend’s annual Desert Daze music festival offered music enthusiasts a supersize meal of indy, alt, psych, punk and crazy tunes at the Institute of Mentalphysics, with music replacing meditation, yoga and UFOs.

Three days in Joshua Tree offered an upgrade from the one-day edition at the Sunset Ranch Oasis. The traffic jam in Mecca was replaced with a good traffic flow. Also gone were the traffic challenges that occurred during a recent Childish Gambino gig, held at the Institute of Mentalphysics by another promoter, that stoked mislaid reservations about Desert Daze.

Safety was a priority, as every car was subjected to a detailed search, including the opening of trunks. According to one of the security staffers I spoke to, they did remove an ax and a sword from a car on the first day.

Yes, promoter Phil Pirrone of JJUUJJUU had the logistics down for this increasingly ambitious festival. Desert Daze was spread out over the 400 acres of the center. The Moon Stage, for example, was easy to find—you just looked for the harvest moon that was dead-center over the stage. But getting lost was part of the fun; that is how I found a shrine to bygone technology hidden in a path behind vendors.

Desert Daze also included local artists, including Sand and Suede, which features handmade creations by owner Jenn Starr. Joshua Tree clothing designer Totally Blown uses a shotgun to design one-of-kind pieces. I later ran into co-founder Sarah Harris, and she was not packing a 12-gauge—just some joy from the music.

The Death Valley Girls made another appearance in the desert featuring fast-paced macabre garage rock. I bumped into the queen of Joshua Tree, Jesika Von Rabbit, near the small Buddha temple; she was quickly joined by Brant Bjork and Sean Wheeler, two desert kings of rock, for a quick photo.

The Sonics played favorites like “Louie, Louie” and “The Witch,” rivaling Television as the longest-tenured performers at Desert Daze; the band was founded in 1960.

Toro y Moi came back to the high desert, bringing some psychedelic funk to the Moon Stage during a windy and dusty night. Fellow Pappy’s alum Deerhunter also played on the Moon Stage, wearing a hoodie while commenting: “I want to dedicate this next song to Hanna. … I just pissed on my fucking leg,” offering Dezert Daze’s foremost TMI moment.

Saturday brought the Los Angeles trio L.A. Witch, which has been moving up in popularity over the last few years; I first saw the group perform at a small gig at the Ace Hotel in Palm Springs.

Saturday’s lineup included another female fronted band—The Coathangers, from Atlanta, who previously opened for the Black Lips in Pioneertown. The Coathangers are a buzz-worthy band; after 10 years of grueling touring, the group has earned respect in the indie scene.

Cherry Glazerr’s animated midafternoon Saturday performance showed off fuzzy and dreamy songs, comparable to those from the defunct band The Like. Thee Oh Sees also played on Saturday; I was happy to have the safety and security of the photo pit barrier, because the last time I saw the band, at my favorite desert roadhouse, I almost broke my ankle trying to get a shot in a mosh pit. Thee Oh Sees bring fun musical proto punk chaos whenever the group appears.

Indie Danish rockers The Raveonettes played on the Block Stage, playing newer songs like “Sisters” and classics like “Love in a Trashcan.” The Raveonettes are releasing a new single every month this year.

Another high desert alum, The Black Angels, played the entire album Passover, a 2006 release; it was a true treat. I first saw Black Angels vocalist Alex Maas in 2013, playing a soldout set at Pappy and Harriet’s.

Primus headlined on Saturday, and Les Claypool’s six-string bass was magical during “My Name Is Mud.” Drummer Julie Edwards of Deap Vally was in the pit during the beginning of the set with her 10-month old baby, Mira, who was wearing giant ear protectors; the toddler got really excited during heavy drum beats, suggesting that Mira received Momma’s drumming genes.

Claypool got partisan by offering a tongue-and-cheek comment poking fun at Donald Trump’s claim “that he can grab a woman’s vagina,” adding, “I say ‘vagina’ because I’m a gentleman.” I presume Mr. Claypool was unable to borrow Roger Waters’ floating pig that featured anti-Trump comments at Desert Trip.

On Sunday, Warpaint’s Jenny Lee took her dog, Ludo, onstage as she performed songs from her 2015 solo record Right On! I love the way Jenny Lee drops the bass lines; she was very impressive as a solo act, dominating the stage as she marched to her interpretation of true rock. She was one of the highlights of Sunday.

La Luz had an early set on Sunday; the group has been building a fan base by opening for bands like the Entrance Band and playing at the taste-making Echo Park Rising fest. La Luz is the only doo-wop surf band whose fans like to mosh—a true mystery.

Deap Vally was a highlight of Sunday’s afternoon, featuring Julie Edwards, the co-organizer of Desert Daze and the spouse of promoter Phil Pirrone. Deap Vally starred the howling vocals of lead singer Lindsey Troy, and the set featured “Gonnawanna” from September release Femejism.

METZ’s heavy punk sound was mosh-pit worthy, as the noise-rock group plays traditional punk that sparked a small circle pit in front of the otherwise mellow Block Stage.

On Sunday night, I hurried to catch Foxygen at the Block Stage set for a 7:30 p.m. scheduled start; attendees could see the stage crew trying to identify an unknown sound issue that finally resolved for a start time around 8.

Television headlined the Moon Stage. An apology came from Tom Verlaine, as he explained the band was asked to start a half-hour late. Verlaine asked for the spinning lights to be turned off, stating, “We’re going to have seizures if you keep those twirling discs on.” The lighting person complied, making it darker on stage. Fans in the front row sang along to “Prove It,” a detective story-themed tune from the 1977 release Marquee Moon.

I have followed Desert Daze since it began at Dillon’s Roadhouse in North Palm Springs. Little by little, this festival has grown to the point where music fans now have an opportunity to hear a lot of progressive music in a setting that’s not too large. Desert Daze is a place to hear great music—not a place just to be seen. Hopefully, the community embraces this DIY festival that has just one purpose: to rock.

Published in Reviews

The Coachella 2016 lineup will most likely be remembered as one of the weakest in years. While last year’s lineup at least offered variety, this year’s slate somehow seems … limited.

Still, with a little searching, you can find some great acts, both unheralded and well-known.


Friday, April 15 and 22

Volbeat

This Danish metal band is of the more surprising additions to the Coachella lineup, although metal isn’t entirely shunned by Coachella, considering Mastodon played in 2009, and Motorhead played in 2014. Volbeat combines rockabilly, rock ’n’ roll and metal to create an interesting sound. I’ll be the first to admit that Michael Poulsen’s voice is hard to take in, but former Anthrax guitarist Rob Caggiano helps make it all work. Volbeat might be the thing you’ll need to shake off the EDM/electropop vibes on Friday and prepare yourselves for Guns N’ Roses on Saturday.

Mavis Staples

At the age of 76, Mavis Staples (pictured above) has been enjoying a career rebirth thanks to collaborations with Jeff Tweedy of Wilco and a new album, Livin’ on a High Note, produced by M. Ward. Staples was part of the Staple Singers with her father, her brother and her two sisters. At The Band’s last live concert in 1978, she sang “The Weight.” While she’s been singing gospel for most of her life, and you’ll definitely hear some in her set, never fear: She’s got a powerful voice and will be a delight of your first afternoon at Coachella.

G-Eazy

G-Eazy is a rising star in the hip-hop world. The Oakland native has toured with 2 Chainz, Lil Wayne and Snoop Dogg. He also was part of the Vans Warped Tour in 2012. His most recent album, When It’s Dark Out, features collaborations with Big Sean, E-40, Chris Brown, Kehlani, Grace and others. Check out his recent track “Me, Myself and I.”

M83

M83 has been around since 2001, but it took a decade for the band to reach is critical and commercial peak to date, thanks to the concept album Hurry Up, We’re Dreaming. This French electronic band records music that’s catchy, ambient and haunting. The group will soon be releasing the follow-up to Hurry Up, titled Junk, which is sure to be a smash-success. Fun fact: The new album is inspired by ’70s and ’80s shows such as Punky Brewster and Who’s The Boss?


Saturday, April 16 and 23

BADBADNOTGOOD

The name is quite funny, but this Canadian group (right) has left a serious mark on the modern music world. While the group has recorded jazz instrumentals, it is also connected to the hip-hop world, and recently recorded an album with Ghostface Killah, Sour Soul. BADBADNOTGOOD is no stranger to Coachella; the band played the fest in 2012 and surprised the audience when it backed Frank Ocean. The jazzy instrumentals are fantastic, as is the collaborative spirit. Who knows what tricks the band members will have up their sleeves for Coachella 2016?

The Damned

If you call yourself a punk-rocker, and you aren’t familiar with The Damned, it’s time for school on Saturday. The Damned is one of the early British punk bands that formed in 1976 and defined the genre along with The Sex Pistols and The Clash. With goth, psychedelia and punk-rock attitude, The Damned was in a league of their own. Guitarist Captain Sensible struck out on his own in 1978 while The Damned were on hiatus and recorded a recover of “Jet Boy, Jet Girl.” He then went on to have hits with songs such as “Happy Talk” and a hilarious song titled “Wot,” as in, “You say Captain; I say ‘Wot.’” Be sure to make time for The Damned at Coachella; who knows when you’ll be able to see the group again?

Deerhunter

Hailing from Atlanta, Deerhunter is part of the awesome psychedelic rock scene you’ve been hearing thanks to a new group of bands. Frontman Bradford Cox identifies as gay; the title of the group’s debut album, Turn It Up Faggot, referenced what audiences used to scream when the band was first starting out. Few bands have been able to combine shoegaze and the indie-psych garage band sound together so well.

Ice Cube

While many people know Ice Cube for his horrible comedies, his hip-hop career is the stuff of legends. He penned most of NWA’s early material and then went on to a very successful solo career (even if a lot of his early material was in response to NWA’s diss tracks against him for leaving the group). Ice Cube was a straight-up gangsta rapper who had a voice and attitude that sounded like he was kicking in your door to come and get you if you were on his shit list; much of that attitude is still present when he performs live. While Ice Cube said he’d “try” to make a partial NWA reunion happen at Coachella on the heels of the biopic Straight Outta Compton, don’t expect Dr. Dre to show up; if anyone does appear with him, expect Yella, MC Ren, or possibly both.


Sunday, April 17 and 24

Pete Yorn

When you listen to Pete Yorn, not only do you hear some indie-rock; you also hear folk music and a bit of that Bakersfield country music sound from the ’70s. One of the best songs I’ve heard Yorn do is his cover of the Ramones’ “I Wanna Be Your Boyfriend.” Considering this guy has shared the stage with everyone from the Foo Fighters, to the Dixie Chicks, to Coldplay, take some time to check him out.

The Vandals

Along with Pennywise, the Descendents, Black Flag and Social Distortion, The Vandals are one of the bands people think of when it comes to Southern California punk. The band also has a humorous side, including hilarious takes on cowpunk, and a well-known Christmas album and song titled Oi to the World. Bassist Joe Escalante also well-known for being a lawyer, a radio show host and a conservative. Regardless of politics, nobody can deny that the Vandals kick ass.

Death Grips

The group Death Grips has a wild reputation. The experimental hip-hop trio from Sacramento has shunned the traditional ways of doing business and instead opted for shock value and performance art. The group used a picture of a member’s penis as the cover art for the album No Love Deep Webb. This was initially rejected (before later being used with a black slipcase over it); one of the alternative covers featured the legs of a man wearing khakis, white socks and black shoes. Written on the socks: “SUCK MY DICK.” One of Death Grips’ shows in 2013 ended quickly when the intro played, and a career suicide letter appeared onscreen—the group’s way of saying the show wasn’t happening. It seems Death Grips was never meant to be taken seriously, which is probably why it’s such a great group. Warning: Don’t get too close to the stage.

Major Lazer

I don’t think there’s a soul on this planet today who does not know who Diplo is. He’s been interviewed by Charlie Rose, produced a Madonna album, made a cartoon TV show … and made many infamous tweets. When Diplo gets together with Jillionaire and Walshy Fire for Major Lazer, it’s quite a spectacle. At Coachella in 2013, when they performed in the Mojave Tent, it was crammed beyond belief—and the energy drove the over-capacity crowd nuts to the point where I feared for my life. Major Lazer (below) will likely be performing at the same time as headliner Calvin Harris on the final night, but the group will bring the party. And remember: No Coachella story should end with the phrase, “and then I watched Calvin Harris.”

Published in Previews