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30 Apr 2018

Stagecoach 2018, Day 3: At Long Last, Stagecoach Gets Garth—and He More Than Lives Up to the Hype

Written by 
Garth Brooks. Garth Brooks. Kevin Fitzgerald

What do Beyoncé and Garth Brooks have in common? They both brought something amazing to this year’s world-renowned local music festivals.

On Sunday afternoon, Garth Brooks and his wife, Trisha Yearwood, appeared in the Rose Garden at the Empire Polo Club for a press conference, where Stacy Vee of Goldenvoice announced this year’s Stagecoach had set a record with 75,000 attendees.

Brooks started off by thanking Goldenvoice CEO Paul Tollett and Vee, Goldenvoice’s festival talent-buyer, for the invite to play at Stagecoach. He also mentioned that Yearwood had played the festival 10 years prior in 2008—its second year.

I asked Brooks during the press conference how many times he had been approached to play the festival, and what made him finally decide to say yes this year.

“We’ve been very lucky that Stagecoach has asked for us to be here,” Brooks said. “We retired back in 2001 and raised our babies, and that’s when the festivals really started to take off. We went from places like Jamboree in the Hills … that were just kind of thrown together, so the art of the festival is still somewhat new to me. But they were sweet enough to ask every year, and every year we’d say, ‘Thank you, but we’re raising our babies right now.’ Once we stopped having to raise them and got them off to college, we were on tour for three years and just couldn’t do it. So I promised them that the first available chance we had that we’d play here, and this year was the first available chance we had.”

Brooks was asked how he prepared to play Stagecoach after performing in Vegas and on tours.

“The main thing is this: If it’s five people or it’s 500, it’s still about connecting one-on-one,” he said. “It just always is. Getting to play the presidential inauguration, you’re lucky to step out in front of crowds of that size, and what I have found is that the larger the size, the more (the crowd acts) as one.”

Later in the evening, Brooks’ Stagecoach debut came with the same high winds that Saturday headliner Keith Urban endured. Steve Earle’s “Copperhead Road” played over the house music system; the lighting team apparently decided to distract the crowd by synching the lighting to the song—before Brooks suddenly appeared onstage.

Brooks’ choice of a headset microphone caused some technical difficulties—the wind could be heard blowing into his microphone. The wind also caused a wardrobe malfunction: His cowboy hat blew off, exposing his head before someone quickly ran out and gave him a blue baseball cap that he wore backward for the rest of his performance.

Wind-related problems aside, Brooks looked thrilled—and at times surprised—by the sight of the crowd. He told the crowd: “I know you’ve been here for three days, but you’re going to be here all night!”

The performance was billed as “Garth Brooks with Trisha Yearwood,” and close to an hour into the set—right after Brooks played “The Thunder Rolls”—Yearwood finally came onstage, after Brooks joked with the crowd: “I know I’m biased because I’m sleeping with her, but this woman has a voice like no other.”

While Brooks took a breather, Yearwood performed “XXX’s and OOO’s (An American Girl),” her big hit “How Do I Live?” and “She’s in Love With the Boy.” Brooks then returned to the stage and continued his performance until just before midnight—making it a marathon more than two hours long.

After years of rumors, Goldenvoice had finally triumphed and brought Garth Brooks to Stagecoach. One has to wonder where the festival will go from here.

Here are some other highlights from the day.

• Lukas Nelson (son of Willie Nelson) and his band, Promise of the Real, started off their set in the Palomino by dedicating their set to his father, who was celebrating his 85th birthday on Sunday, and performing “Turn Off the News.” Nelson at one point mentioned he had written a song about alien life; he said he really wanted to meet an alien, and that he’d written that song while watching an episode of Rick and Morty. Hmm. Anyway … Nelson’s performance was a combination of country, psychedelic rock and folk music—and it was fantastic. Fans were hanging on through every minute of it.

• Folk-icon Gordon Lightfoot was the final act to perform in the Palomino on Sunday. Unfortunately, it wasn’t loud enough. No matter where you stood, people talking were enough to drown him out—and right next to the stage, you could hear motorcycles revving from the nearby Harley Davidson exhibit over his voice. From what I could hear, the 79-year-old sounded as if he still had it. I wish I could have heard more.

Check out some images from Day 3 below, from Kevin Fitzgerald.

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