Last updateMon, 24 Aug 2020 12pm

1. Brick Mansions* (20th Century Fox)

2. Captain America: The Winter Soldier (Disney)

3. Blended* (Warner Bros.)

4. The Amazing Spider-Man 2 (Sony)

5. Moms' Night Out (Sony)

6. Oculus (20th Century Fox)

7. Need for Speed (Touchstone)

8. Divergent (Lionsgate)

9. Draft Day (Lionsgate)

10. A Good Man (Lionsgate)

* Available for rental before Redbox and Netflix

Published in Video Top 10

1. Blended* (Warner Bros.)

2. The Amazing Spider-Man 2 (Sony)

3. Oculus (20th Century Fox)

4. The Other Woman (20th Century Fox)

5. Need for Speed (Touchstone)

6. Draft Day (Lionsgate)

7. A Haunted House 2 (Universal)

8. Moms' Night Out (Sony)

9. Heaven Is for Real (Sony)

10. Divergent (Lionsgate)

* Available for rental before Redbox and Netflix

Published in Video Top 10

1. The Amazing Spider-Man 2 (Sony)

2. The Other Woman (20th Century Fox)

3. A Haunted House 2* (Universal)

4. Divergent (Lionsgate)

5. Need for Speed (Disney)

6. God's Not Dead (Pure)

7. Noah (Paramount)

8. Rage (Image)

9. Oculus* (20th Century Fox)

10. The Quiet Ones (Lionsgate)

* Available for rental before Redbox and Netflix

Published in Video Top 10

1. Divergent (Lionsgate)

2. Need for Speed (Disney)

3. A Haunted House 2* (Universal)

4. Oculus* (20th Century Fox)

5. Noah (Paramount)

6. Sabotage (Universal)

7. The Other Woman* (20th Century Fox)

8. Heaven Is for Real (Sony)

9. God's Not Dead (Pure)

10. Rage (Image)

* Available for rental before Redbox and Netflix

Published in Video Top 10

1. Divergent (Lionsgate)

2. Noah (Paramount)

3. Heaven Is for Real (Sony)

4. The Other Woman* (20th Century Fox)

5. Need for Speed (Disney)

6. Oculus* (20th Century Fox)

7. Sabotage* (Universal)

8. God's Not Dead (Pure)

9. Rio 2 (20th Century Fox)

10. Transcendence* (Warner Bros.)

* Available for rental before Redbox and Netflix

Published in Video Top 10

The Quest (Thursday, July 30, ABC), series debut: The biggest fantasy of The Quest is that the producers think they’ve invented a whole new genre by combining reality TV and scripted storytelling—that’s Every! Reality! Show! Ever! Made! Still, a Dungeons and Dragons/Big Brother mashup is a shift from the usual reality-TV tropes, and The Quest will have an instant, built-in audience of LARPers, fantasy nerds and others who actually use words like “trope.” The setup: 12 contestants are named Paladins (“defenders of a noble cause”) and dressed up like Lord of the Rings extras to “compete to save the besieged kingdom of Everealm” until Only One remains. The ridiculousness of bartenders and MMA fighters in Frodo gear is offset by the sheer scope and design of the production: The Quest looks as expensive as Peter Jackson’s catering budget, another departure from cheap-o reality standards. In other words, it’s the least-terrible idea ABC has had all summer.

The Killing (Friday, Aug. 1, Netflix), season premiere: Apparently, The Killing can’t be killed—sure, they say this is the absolute last season, but what else is new? The series’ first two much-hailed-then-whined-about seasons on AMC chronicled a single murder case of a teen girl; Season 3, back from cancellation, found detectives Linden (Mireille Enos) and Holder (Joel Kinnaman) searching for another girl; this six-episode “final” season on Netflix follows a multiple-homicide case at an all-boys military academy—no girls allowed. The Killing has since been surpassed by True Detective and The Bridge in atmospherics and dark edge, but Enos’ Linden is still one of the most unique characters on TV, or whatever we’re calling Netflix now.

Sharktopus vs. Pteracuda (Saturday, Aug. 2, Syfy), movie: As we all know by now, the Sharktopus is a hybrid of shark and octopus, as originated in director Roger Corman’s 2010 Syfy film of the same name. In this long-long-long-overdue sequel, the Sharktopus meets its match in the Pteracuda, a half pterodactyl/half-barracuda mis-created in a lab inconveniently located adjacent to a beach full of bikini babes and hard-body bros (and, in a brief, violent and Emmy-lock guest performance, Conan O’Brien). Who will emerge victorious, besides lovers of exemplary cinema? The title of Corman’s next sequel may contain the answer/spoiler: Sharktopus vs. Mermantula. You’re on deck, Jimmy Fallon.

Bachelor in Paradise (Monday, Aug. 4, ABC), series debut: How is Bachelor in Paradise different from Bachelor Pad? On Bachelor Pad, pathetic, desperate excuses for human beings who were rejected by Bachelors and Bachelorettes in prior seasons were herded together to exchange STDs and further annoy America. Bachelor in Paradise is set in Mexico.

Partners (Monday, Aug. 4, FX), series debut: This could have been something great, an oddball pairing of once-mighty sitcom actors in a single-camera, no-laugh-track, zero-frills setting à la Louie or Maron, wherein they could show off their veteran comic chops in a whole new setting. But no—we get Partners, a lazy, canned-laughs throwback in the creaky vein of TV Land and FX’s still-marching-toward-death Anger Management. (Charlie Sheen’s retirement package will now be airing after Partners, BTW.) Kelsey Grammer and Martin Lawrence play mismatched Chicago lawyers forced to team up because … does it really matter? What in the name of Franklin and Bash was FX thinking? The Only TV Column That Matters™ has a theory that FX schedules a dog once in a while so other networks won’t feel so overwhelmed and jealous of their otherwise perfect record of quality programming and critical acclaim. Or Grammer and Lawrence (and, previously, Sheen and George Lopez) possess some incriminating photos.


Californication: The Final Season

In the series’ third final season, Hank (David Duchovny) slums it as a TV screenwriter, learns he as a son with an old fling (Heather Graham), and makes one last play for the Love of His Life (drugs, er, Natascha McElhone). Go, Hank! (Paramount)

Childrens Hospital: Season 5

The hot medical action moves to an Army base in Japan, and the CH team faces the challenges of “old-fashioned day,” the loss of an Imaginary Friends ward, the return of Blake from the dead, and more. Important, important television. (Warner Bros.)

Community: Season 5

Showrunner Dan Harmon returns, and Community gets back to the business of being weird—which, naturally, led to NBC finally canceling it. So enjoy MeowMeowBeenz, G.I. Jeff, Pile of Bullets and the rest until Season 6 premieres on Yahoo! (Sony)

Need for Speed

Mechanic/street racer Tobey (Aaron Paul) is out of jail and out for revenge against the bastard who framed him for street-race manslaughter (Dominic Cooper), and this score can only be settled with … a street race! Lesson … learned? (DreamWorks)

Ping-Pong Summer

In 1985, outcast teen Rad Miracle (Marcello Conte) has an obsession with ping-pong and hip-hop that lands him in trouble with local bullies, but also an unlikely mentor (Susan Sarandon). The best ’80s homage since the last ’80s homage. (Millennium)

More New DVD Releases (Aug. 5)

Anna, Around the Block, The Birthday Boys: Season 1, Copper: The Complete Series, Divergent, Getting Go, God’s Not Dead, Haunting Sarah, I’ll Follow You Down, Ironclad: Battle for Blood, Ja’mie: Private School Girl, The Nanny: Seasons 1&2, Ninja Apocalypse, Oculus.

Published in TV

Aaron Paul takes his first post-Breaking Bad step into the limelight in Need for Speed, a big-screen adaptation of the popular video-game series.

Paul is a fine actor, but he’s miscast here as Tobey Marshall, a street racer looking for revenge after doing time for a crime he didn’t commit. Actually, for a crime he sort of didn’t commit.

Wait … now that I’m actually writing about this, I realize he’s pretty much guilty of the crime, even though the movie tries to pass him off as innocent. Man, this movie is stupid.

Tobey has an auto shop that tries to do big-payday racecar jobs. He also moonlights as a street racer—one of those jackasses who blaze around in hot rods on public streets, endangering the lives of other drivers and pedestrians. Yes, this film’s central character and supposed hero is a big moron. It’s hard to get behind a character with such a reckless disregard for others, whose joyriding causes major catastrophes while he cackles with glee—because he’s going really, really fast in a really, really neat car.

Tobey’s nemesis, Dino (Dominic Cooper), walks into his shop and offers Tobey the chance to build a super Mustang. Tobey hates Dino, but he needs the dough, so he takes the gig. When all is said and done, the two wind up drag-racing for the profit on the car, with Tobey’s Justin Bieber lookalike pal, Little Pete (Harrison Gilbertson), racing in his own car. Little Pete winds up wiping out and dying thanks to a high-speed bump from Dino, who then flees the scene.

Tobey winds up taking the heat for Little Pete’s death and does some serious time, and he’s looking for payback when he gets out of jail. Circumstances lead to him racing across the country in the Mustang he built; Imogen Poots is in the passenger seat. They do all sorts of crazy crap on their cross-country trek, including flying the car through the air to avoid police during one particular chase. (I must admit that impossible feat looked cool.)

I caught a 3-D screening, and the 3-D is put to rather good use. Many shots make the viewer feel engaged in a real race. When Little Pete meets his twisty end, the whole thing is shown from the inside of the car, and it’s a nifty trick. As for the plot, this one unfortunately ends up being only slightly better than your average Fast and Furious movie—a franchise I have grown to despise over the years.

Paul has done some decent big-screen acting in the past, with his part as an alcoholic in Smashed being his best. His future slate—including a film called Fathers and Daughters, a role in Ridley Scott’s Exodus, and possible involvement in the Breaking Bad spinoff Better Call Saul—looks promising.

That’s good, because his attempt to become the new Vin Diesel or Nicolas Cage has fallen flat. Need for Speed might look cool during some of the race scenes, but it stalls when anybody opens their mouths.

Need for Speed is playing at theaters across the valley. 

Published in Reviews