A scene from Motherhood Out Loud.

When a reviewer puts down her pen because what’s happening onstage is just too darned riveting to take any more notes, you know you’ve got a hit—and such was the case with opening night of Motherhood Out Loud, the final show of the season for Dezart Performs.

Conceived by Susan R. Rose and Joan Stein, the show consists of 19 short stories about the trials, tribulations and exquisite joys of being a mom. Starting with the painful, messy birthing process itself (“Fast Birth Fugue” by Michele Lowe), the play covers just about every aspect of parenthood imaginable, including foreign adoption, surrogacy, step-parenting and dealing with autism.

This was one of those magical nights at the theater when everything worked. First, artistic director Michael Shaw (who also directs this production) has once again chose a superbly written play—and then he cast it extraordinarily well. Finally, he seemed to find just the right touch as a director … not too heavy-handed, but not too laid-back, either. Obviously, the audience knows a director was involved, but the performances seemed to flow from each actor organically.

Desiree Clarke gets to show off her comic chops early in the show while sharing advice on how to minimize the damage childbirth can do to a woman’s body and her sex life (“Squeeze, Hold, Release,” by Cheryl L. West), and then much later, when her grown-up daughter brings home a questionable suitor for Thanksgiving dinner: “Sierra says Conrad is vegan, so we’ll have to carve the turkey in the mud room, under a sheet.” (“Thanksgiving Fugue” by Michele Lowe).

The always-impressive Melanie Blue shines brightest as a Muslim mother helping her daughter deal with her first menstrual period (“Nooha’s List” by Lameece Issaq), and a mom driving her 15-year-old autistic son to the movies with his new girlfriend (“Michael’s Date” by Claire LaZebnik).

Leanna Rodgers has great stage presence, and really draws us in as an elderly woman being interviewed about motherhood by her 12-year-old great-grand-daughter (Melanie Blue). When asked what she likes best about being a mother, Rodgers replies, “I never really liked being a mother,” and admits to loving some of her children more than others.

James Owens, the one male in the cast, mostly pops in here and there to support the female scenes. But he provides one of the evening’s highlights with “If We’re Using a Surrogate, How Come I’m The One With Morning Sickness?” by Marco Pennette. It’s a funny, moving look at what gay men must go through to become parents. Owens commands the stage and handles the scene with great skill.

The cast is superb across the board, but if I had to pick one standout, it would be Theresa Jewett. She is most memorable portraying the conflicted mom of a young boy who likes to dress as a girl (“Queen Esther,” by Michele Lowe), and breaking our hearts with the maternal anguish over a son sent off to war (“Stars and Stripes” by Jessica Goldberg). Jewett is an exceptional actress. Every emotion rings true, and you can’t take your eyes off her.

The other vignettes are penned by Leslie Ayvazian, Brooke Berman, David Cale, Beth Henley, Lisa Loomer, Theresa Rebeck, Luanne Rice and Annie Weisman. Thomas L. Valach’s minimalist set works very well here, as do the costumes (Frank Cazares), the lighting (Phil Murphy) and the sound (Clark Duggar).

Motherhood Out Loud runs just more than 90 minutes with no intermission. The outstanding acting and the seamless flow of one scene to the next makes the production fly by. It never drags, which is always a blessing for a theater-goer. Congratulations to Michael Shaw and his company for ending their 10th season on such a high note.

If you are a mother, there are sure to be many relatable moments in this show. If, like me, you chose not to have kids, it may evoke a few twinges of regret. Dezart Performs’ Motherhood Out Loud will make you laugh and cry—and it will also make you want to go call your mom. Do yourself a favor … go see it.

Motherhood Out Loud, a production of Dezart Performs, is performed at 7:30 p.m., Friday and Saturday; and 2 p.m., Saturday and Sunday, through Sunday, April 8, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $28 to $32. For tickets or more information, call 760-322-0179, or visit www.dezartperforms.org.

Bonnie Gilgallon, a theater reviewer for the Independent since 2013, is an award-winning stage actress and singer who performs at many venues around the valley. She also hosts “The Culture Corner,”...