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Sun05192019

Last updateTue, 18 Sep 2018 1pm

After a 14-year hiatus, the Parr family is finally back for more superhero shenanigans in Pixar’s Incredibles 2, a sequel that retains the zippy, funny spirit of the original. It’s not as good as the first, but it is still Pixar’s best “sequel” since Toy Story 3.

The film picks up where the last one left off, with a criminal named Underminer (the voice of the ever-Pixar-present John Ratzenberger) looking to cause some trouble—just as teen Violet Parr (Sarah Vowell) is meeting a boy. Superheroes remain in hiding, but rich tycoon Winston Deavor (Bob Odenkirk) is looking to change that.

Winston has a plan to get superheroes back in the limelight, and that plan involves Elastigirl/Helen (Holly Hunter) fighting crime and gaining publicity on a crazy new motorbike. While she’s out getting her superhero groove on, Mr. Incredible/Bob (Craig T. Nelson) must stay at home and take care of the kids, including Violet, Dash (Huck Milner) and baby Jack-Jack (Eli Fucile).

To recap the children’s powers, Violet can go invisible and produce force fields, while Dash is really fast. Jack-Jack, as we found out near the end of the original, has emerging powers himself—and Bob is newly witnessing them all. Jack-Jack can do a lot of things: He can reproduce himself, journey to other dimensions, catch fire and turn himself into a demon baby. The Jack-Jack subplot gets a lot of laughs, most of them out of the baby’s sheer amusement with himself.

Of course, Bob’s superpowers will be needed again, and the whole family will eventually need to save the world from comical baddies. While the film feels a bit repetitive at times, the great voice work by Hunter, Nelson and Samuel L. Jackson as Frozone keep it consistently entertaining. Bird himself returns as the voice of fashion guru Edna Mode, who becomes Auntie Edna when Jack-Jack and his exhausted dad are in dire need of a baby sitter. Make no mistake: It’s Jack-Jack and his cookie-craving craziness that steal the show this time.

As with the original, it’s the little nuances that make the Incredibles so much fun. I still love how Elastigirl’s mouth curves when she talks—a direct ode to Hunter’s actual face—and Violet’s teen angst continues to be hilarious. The original Incredibles was groundbreaking for its onscreen action, and this one continues in that tradition. There’s also a memorable new villain in Screenslaver, an entity that hypnotizes people into submission via video screens. No doubt: This a nod to and critique of our modern-day attachment to screened devices.

In a nice piece of stunt casting, the character of Rick Dicker, voiced in the original by the late Bud Luckey, has been recast with the voice of Jonathan Banks. Breaking Bad and Better Call Saul fans know Banks as the henchman of Saul—aka Bob Odenkirk—so having both their voices here is neat stuff for geeks.

It may seem a little odd that the sequel-happy Pixar took so long to give the Parr family another chapter—but the reason for the wait falls squarely on writer-director Brad Bird’s shoulders. Bird created the characters, and Pixar gave him autonomy when it came to giving them another chapter. Bird wasn’t in any kind of rush, so we might have to wait another decade plus for another chapter.

That’s OK. While the Incredibles are clearly ripe for many stories, one great chapter (the original) and another very good one (this installment) make for a great franchise already—and a surefire summer good time for everybody in the family.

Incredibles 2 is playing at theaters across the valley, in a variety of formats.

Published in Reviews

Director and co-screenwriter Dee Rees paints a bleak picture of post-World War II Mississippi in Mudbound, a performance powerhouse that showcases the talents of Carey Mulligan, Garrett Hedlund, Jason Clarke and, most notably, Jason Mitchell (Straight Outta Compton).

After the war, a traumatized Jamie McAllan (Hedlund) returns home to stay on a farm with his brother, Henry (Clarke), and Henry’s wife, Laura (Mulligan). Ronsel Jackson (Mitchell) also returns to the farm, but while both men were regarded as heroes overseas, their return is fraught with alcohol abuse for Jamie—and rampant racism toward African-American Ronsel.

Henry and Laura have problems of their own as they deal with the troubled Jamie and Henry’s hateful father, Pappy (a sinister Jonathan Banks). This is one of those movies you know won’t end well, and while Rees allows for occasional moments of relief, it is a mostly somber affair with a devastating finish.

Mitchell continues to emerge as one of his generation’s best actors, while Hedlund does perhaps his best work to date. Both actors put full body and soul into their roles and create characters that leave a mark. The always-reliable Mulligan is great as the wife forced to live out her life on a muddy, flooded farm in order to appease her dopey husband. Clarke paints Henry as a man of few commitments and quiet reserve—the kind of guy you can’t depend upon in a fight.

The movie is packed with stellar acting, and Rees does a solid job with the technical elements.

Mudbound is currently streaming on Netflix.

Published in DVDs/Home Viewing