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Sun12152019

Last updateTue, 18 Sep 2018 1pm

Netflix’s The Laundromat, from normally reliable director Steven Soderbergh, is a mess of a movie despite being filled with Oscar-caliber talent—because it lacks a focused purpose.

The film deals with a real scandal that included insurance fraud in the aftermath of a terrible boating accident in Lake George, N.Y. A cast including Meryl Streep, Gary Oldman and Antonio Banderas is squandered as the movie goes through one discordant tonal shift after another.

Soderbergh starts off well—the boating accident is chillingly filmed—but then he makes some odd choices, including Oldman and Banderas playing a couple of lawyers who break the fourth wall and narrate the film. The movie strives to be clever, but ultimately lacks a focus on its subject matter. The result is confusing rather than compelling.

Props to Streep, who is excellent as a passenger on the ill-fated boat trying to receive insurance compensation. Streep has more than one surprise up her sleeve here.

Ever since Adam McKay made The Big Short a few years ago, films have been trying to capture a darkly comic, real-life vibe like that Oscar-winning film did. They’ve been failing—and The Laundromat fails badly.

The Laundromat is now streaming on Netflix.

Published in DVDs/Home Viewing

Things don’t go well for the sea creatures of Bikini Bottom when the hallowed secret formula for the Krabby Patty goes missing.

In The SpongeBob Movie: Sponge Out of Water, the undersea home falls into a deep apocalypse (with everybody wearing leather?), and it is up to SpongeBob and his cohorts to go above water and get the recipe back.

The film is typical zany SpongeBob stuff while the action takes place underwater, rendered in traditional animation (albeit 3-D animation). When they go above water, it’s a different story: There is a mix of live action and CGI that is visually fun, but a little spastic at times. There’s definitely a spirit to the movie, as well as some great random humor. Bubbles the Dolphin is definitely a highlight, and Antonio Banderas has some fun as the goofy pirate looking to start his own food truck using his pirate ship.

SpongeBob fans won’t be disappointed, although they will probably enjoy the underwater scenes more than the flashier live-action sequences.

The SpongeBob Movie: Sponge Out of Water is playing at theaters across the valley.

Published in Reviews

Sylvester Stallone and his awesome band of old crows take some major missteps in The Expendables 3—an unfortunate leap backward for the aging-action-star franchise.

Stallone and company jettisoned the smarmy Bruce Willis in favor of the growly Harrison Ford, and this is a great change. They also added Wesley Snipes as Doctor Death, Antonio Banderas as fast-talking comic relief and, most notably, Mel Gibson playing himself (aka The World’s Biggest Asshole).

Stallone and director Patrick Hughes should’ve stopped right there and given the group (which also includes Arnold Schwarzenegger, Jason Statham, Dolph Lundgren and many others) a decent script. This is a sufficient cast for any action movie—so get cracking with the pyrotechnics, and focus on a story that makes sense!

Alas, that didn’t happen. Perhaps because the production could only afford the big guys for a minimal amount of time, the script has Stallone’s Barney Ross putting the old guys on ice after the first 30 minutes in favor of a new, mostly younger crew—and most of that new crew is uninteresting and lacks the charisma of their older counterparts. Too much screen time is given to the likes of mixed martial arts superstar Ronda Rousey, who can most certainly kick the shit out of people, but can’t act for squat. Names like Kellan Lutz (the Twilight films) and boxer Victor Ortiz round out the boring faction of the new cast.

The plot is a mish-mosh of action-movie clichés, as Barney finds himself gathering the new team to go up against Stonebanks (Gibson), a former Expendable turned arms dealer and bad guy. Gibson gets a couple of scenes to show off his catcher’s-glove face (seriously … stop smoking, Mel!) and act all crazy.

After some tedious scenes introducing the new crew (featuring Kelsey Grammer, of all people), Barney eventually lets the old guys back into the movie, and this results in a halfway-decent finale during which many things blow up. It also has a typical showdown between Barney’s good guy and Stonebanks, during which the villain gets the upper hand, yet throws away his weapon in favor of hand-to-hand combat. Gibson vs. Stallone is a bit outlandish, even if Stallone is something like 95 years old.

I did like the sight of Harrison Ford piloting a helicopter, Han Solo-style, and Snipes is fun in his few scenes. The screenplay has a lot of inside jokes about his tax-evasion jail sentence that warrant a chuckle or two. Dolph Lundgren’s “Sore Loser” T-shirt also put a smile on my face, as did Terry Crews, once again letting loose with his really big gun.

I don’t understand the Jason Statham phenomenon. He’s been OK in a couple of films, but most of the stuff he slums in is trash. I’m sort of grateful that this movie puts him into more of a background role.

In an effort to give the film more earnings potential, it was made for a PG-13 rating (while the previous installments were R-rated). Dumb move. The target audience for this sort of stuff likes movies filled with bloody carnage and F-bombs. This boneheaded move, along with a pirated copy of the film that has been downloaded by millions, resulted in The Expendables 3 having a bad box-office opening.

Unless this movie catches fire overseas, the franchise may be in jeopardy. If you can’t get it done in the third installment, you are usually toast in Hollywood.

The Expendables 3 is now playing at theaters across the valley.

Published in Reviews