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Tom Cruise is his maniac self in Mission: Impossible—Fallout, the sixth installment in the steady franchise—and proof that Cruise is certifiably insane. The movie is one “Wow!” moment after another, and the guy shows no signs of slowing down, even though he’s now 56 years old.

The movie stacks stunt after stunt, featuring Cruise doing everything from jumping out of airplanes, to scaling cliffs, to piloting his own helicopter. It also shows Cruise leaping from one rooftop to another and breaking his ankle against a building—a stunt that shut down production for weeks, but remains in the film, in all its bone-breaking glory.

Do we really care about the plot when some of the best stunts and action scenes ever are here? Thankfully, the plot is a fun, twisted story, so you’ll be interested even when Cruise isn’t risking his life. Yes, there are a lot of, “Hey, haven’t I seen that before?” moments—lots of masks get ripped off, for starters—but the labyrinthine hijinks still feel fresh overall.

No, I’m not going to do much to explain the plot. It wouldn’t really do you any good.

OK, I’ll tell you a little.

Ethan Hunt (Cruise) finds himself on yet another mission to save the world, this time from nuclear terrorists headed by Solomon Lane (Sean Harris), the baddie from the franchise’s prior installment, making a welcome return. This time, Hunt is saddled with an “observer” in August Walker (Henry Cavill), tasked by CIA director Erica Sloan (a so-so Angela Bassett) with making sure Ethan and the IMF complete their mission with minimal funny stuff.

Cruise is sick in the head. Thankfully, one part of his sickness makes him willing to pull off movie stunts like the ones mentioned above. Cruise, while reteaming yet again with director Christopher McQuarrie (now the only director to have helmed two M:I films), manages to pull off his most spectacular cinematic feats yet. The skydive sequence, in which Hunt must work to save an unconscious co-jumper before they go splat, is simply unbelievable (in a good way). There’s a motorcycle chase through Paris streets that demands you see this thing on an IMAX screen.

Cavill, whose facial hair in this film has gotten a lot of attention over the last year, gets a chance to stretch out and play someone far more interesting than his Kryptonian dud. Here, he’s a multi-dimensional badass, especially in a bathroom brawl during which Walker and Hunt try to take out a worthy opponent. Cavill shares in the glory of some of the film’s craziest stunts. That’s not him skydiving, though: Cruise, also a producer on the film, forced Cavill to watch that sequence from the ground in favor of a stunt double.

Alec Baldwin, the original Jack Ryan, takes a break from hosting Match Game to show that he can still throw some big-screen punches as Hunt’s new IMF commander. Vanessa Kirby is sinisterly terrific as White Widow, a sly arms dealer Hunt whom must confront. In her second go-round, Rebecca Fergusson’s Ilsa Faust adds many elements of surprise. Simon Pegg and Ving Rhames deliver their usual, competent support. Lorne Balfe’s score deserves a big round of applause for its adrenaline-inducing contributions.

No matter how much money this movie makes, Cruise needs to slow down at some point. In some ways, Mission: Impossible—Fallout feels like it could be the franchise capper. It’s hard to think of any way Cruise could top what he puts onscreen, action-wise.

Then again, I probably started saying stuff like that when the original Mission: Impossible came out.

Mission: Impossible—Fallout is playing at theaters across the valley, in a variety of formats.

Published in Reviews

As is the case with some of the other sequels coming our way this summer (Terminator Genisys, Jurassic World), Mission: Impossible—Rogue Nation, the fifth in the series, is a decent piece of summer fluff, but little more than that.

Tom Cruise (whose hair stylist included a little too much red in the mix, resulting in a hue that doesn’t quite fit his complexion) is back as Ethan Hunt. This time around, he’s hanging from airplanes in unnatural and impossible ways, performing overly long tasks underwater, and riding a motorcycle again.

Everything he does is in service of a typically convoluted plot, involving some sort of evil syndicate of international agents who have faked their deaths and are looking to terrorize the planet. All sorts of nations are in on the evil, but the United Kingdom is especially nasty in this one, giving the whole thing a little bit of a James Bond vibe. In addition to London, Ethan goes to Morocco, Paris and Jupiter. (OK, I’m kidding about Jupiter … wouldn’t that be cool?)

If you are running late for the movie, just stay home, because you will miss the incredible airplane stunt in which Cruise clings to a jet while Simon Pegg looks on in horror. Some folks came into my screening a little late and missed the entire sequence. I wanted to walk up to them, point a finger and yell, “Ha, ha, ha … tardy, tardy, oh so farty, you and yours missed the plane stunt party! You suck! Go home!” However, the entire theater would’ve kicked my ass had I done this, so I refrained.

Speaking of Pegg, his Benji the computer analyst guy gets a bigger role this time around, reaching the level of spunky sidekick. He gets to scream and moan during car chases, and in the finale, he has one of the cooler moments in the movie, involving a bomb. It’s a good move having Cruise and Pegg pair up. It leads to a level of humor not present in previous installments.

A newcomer to the series, Alec Baldwin, gets a couple of good scenes as the CIA guy trying to eradicate Hunt’s agency. Rebecca Ferguson is impressive as an English agent who may or may not be a villain; she’s also quite decent-looking in a bikini. Jeremy Renner is around to crack wise as he messes with Baldwin’s character, while Ving Rhames still gets to collect a paycheck. As for Emilio Estevez, sadly, he’s still dead after his elevator accident in the first film.

This movie is directed by Christopher McQuarrie, who won a screenwriting Oscar for The Usual Suspects, directed Cruise in Jack Reacher, and wrote the incredible screenplay for Cruise’s vastly underrated Edge of Tomorrow. He’s officially in the Tom Cruise business.

Back to the subject of Cruise’s hair: I’m thinking his stylist should allow a little gray to come through, and should opt for something a little more dark brown. The reddish-orange tint bothers me, especially when the light hits it in a certain way. It makes him look older than he actually is. Come on—we all saw him totally grey in Collateral. He looked sharp, and that was more than years ago. Embrace the gray, Tom! Embrace the gray!

Word is out that Cruise is going to make Mission: Impossible 6, and who knows what crazy stunt he will subject himself to next time out? He’s scaled the tallest building in the world, gone cliff-climbing, and held onto an airplane while it takes off. Perhaps he will eat a whole glob of wasabi in one chomp at a sushi restaurant. That would be insane!

Mission: Impossible—Rogue Nation is my least favorite M:I yet, but it’s still a good film. Things feel a little by-the-numbers this time, but Cruise is a crazy bastard who’s willing to go all-out for his movies, and this installment is no exception. The dude is nuts, and we, the movie-viewing public, are better off because he’s nuts.

Mission: Impossible—Rogue Nation is playing at theaters across the valley.

Published in Reviews

Skip Tom Cruise’s latest offering in theaters, the so-so Oblivion, and watch him kick mortal ass as the title character in Jack Reacher, the adaptation of Lee Child’s popular novel One Shot.

There was a lot of griping that Cruise didn’t fit the physical mold of the character of Jack Reacher, who is 6 1/2 feet tall in the novels. No problem; Cruise brings a sinister, evil edge to Reacher, a super-intelligent former armed forces cop who finds himself investigating a mass shooting in Pittsburgh. Hey, Cruise might be less than 6 feet tall, but he will most certainly kick your ass if provoked. (Well, he will in the movies, at least.)

The ridiculously pretty Rosamund Pike is on hand as the lawyer who joins forces with Reacher in a search for THE TRUTH. She’s good here, as are Richard Jenkins as her district-attorney dad, Robert Duvall as a very helpful gun-range operator, and Werner Herzog as a super-creep.

To attain super-creepiness, Herzog basically talks in his normal voice, which is indeed creepy, and wears a cloudy contact lens to make it look like one of his eyeballs is messed up. When I read that Herzog would be playing a villain, I thought it was weird. Then I saw the movie. Good casting.

There’s a decent mystery at the center of the film, one that kept me guessing until everything was revealed.

As for Tom Cruise films, it falls somewhere safely in the middle—all of the Mission: Impossible movies are better than this one, while this one is better than Top Gun and Days of Thunder. It is certainly worth a rental. This comes out on home video Tuesday, May 7.

Special Features: A Tom Cruise commentary with director Christopher McQuarrie is pretty damned cool, as is the featurette “When the Man Comes Around,” detailing how Cruise got involved with the film. You also get a composer commentary, a look at the action sequences and an interview with Lee Child. 

Published in DVDs/Home Viewing