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31 Oct 2019

A New Golden Age of Eddie Murphy? His Star Turn in 'Dolemite Is My Name' Is Fantastic—and More Murphy Is on the Way

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Eddie Murphy in Dolemite Is My Name. Eddie Murphy in Dolemite Is My Name.

The Golden Age of Eddie Murphy Cinema occurred between 1982 and 1988, with the release of such classics as 48 Hrs., Trading Places, Beverly Hills Cop and Coming to America.

Since then, he’s had some great moments (Dreamgirls, Life, The Nutty Professor)—but he’s had plenty more duds. His forays into “family entertainment” included his enjoyable voice work in the Shrek films, but also included dreck like The Haunted Mansion, Daddy Day Care and Imagine That.

And then, of course, there was Vampire in Brooklyn. I’m still recovering from that one.

It was as if Eddie, the amazing movie comedian, went into hiding for more than three decades. That’s a long time.

Well, Eddie Murphy is back: Dolemite Is My Name is a movie that can stand side by side with the best of Murphy’s Golden Age. It’s a consistently funny biopic honoring comedian-actor Rudy Ray Moore, and it’s clear Murphy’s heart is in this project full-force. It’s the best performance he’s ever delivered in a movie. Period.

The film takes us on a tour of Moore’s rise to fame, starting with the creation of his Dolemite character (a campy hybrid of Shaft and Huggy Bear from Starsky and Hutch), and his poetically profane comedy albums. Moore mixed profanity with rhyming in ways that have earned him a “godfather of rap” moniker, with rap giants like Snoop Dogg (who appears in this film as a record-store DJ) saying they wouldn’t have careers if it weren’t for the F-word maestro. Clearly, Moore also helped lay the groundwork for the likes of Murphy and his standup greatness. This makes it all the more appropriate that Eddie Murphy headlines this movie. Murphy, playing Moore, finds himself in a movie like those from his early days—a movie that is consistently funny, powered by Murphy’s infectious charisma.

Quite frankly, I’d forgotten that Murphy could command a film so completely. Whether he’s re-creating terrible kung fu antics or reacting uncomfortably as a studio guy rejects his movie, Murphy shows that he indeed remains one of the greatest screen talents alive. I must make this perfectly clear: Murphy is awesome in this movie.

Craig Brewer, directing from a script by Scott Alexander and Larry Karaszewski, captures the look of the 1970s and blaxploitation with big collared shirts, pimp hats and fat furs. The re-creations of the actual Dolemite movie (currently available for streaming on Amazon—and it’s glorious on all fronts) are hilariously accurate. Brewer helps Murphy—an extremely confident comedic performer with a lot happening under the surface—capture the essence of Moore. Murphy doesn’t hit a false note in this movie, showing us a brash comic who rises to fame on the wings of the best dirty jokes in the land—and an undying desire to be famous.

Helping things mightily is a supporting cast that includes Craig Robinson, Mike Epps, Keegan-Michael Key and, most wonderfully, Wesley Snipes, in the scene-stealing role of the original Dolemite director, D’Urville Martin. Snipes—who looks like a day hasn’t passed since White Men Can’t Jump, and that’s just not fair—hasn’t had an opportunity to shine like this in decades. This film marks his grand return to form; he’s a total crack-up in the role.

As for the return of Murphy, this is just the start: He’s currently working on sequels to Coming to America (also directed by Brewer) and Beverly Hills Cop, and is preparing for a return to Saturday Night Live as a host. (He’s going to do Gumby and Buckwheat again!) Most incredibly, he’s reportedly making a return to the standup stage. If Dolemite Is My Name is any indication, he hasn’t lost a step, and we could be looking at a second Golden Age of Murphy.

Dolemite Is My Name is now streaming on Netflix; it’s also playing at the Palm Desert 10 Cinemas (72840 Highway 111, Palm Desert; 760-340-0033).

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