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20 Oct 2016

A Batty 'Accountant': This Ben Affleck Thriller May Remind You of Another of His Iconic Roles

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Ben Affleck and Anna Kendrick in The Accountant. Ben Affleck and Anna Kendrick in The Accountant.

The Accountant is a ridiculous, implausible thriller, in some ways even more ridiculous than the recent, somewhat weak film The Girl on the Train.

So why did I end up liking it?

I don’t know. Maybe it was because I was super-high on weed and mescaline, and I got an extra check in the mail from an employer goof-up that gave me all the money I needed to buy a new couch and lots of snacks.

No, wait … I don’t do drugs, and I only dreamt that I got that check. My couch still sucks ass. Instead, I liked The Accountant because it has a fantastic Ben Affleck, and the movie sort of plays out like a deranged Batman pic—with calculator action!

Affleck plays Christian Wolff, a high-functioning autistic man who has managed to harness his extreme intelligence with numbers and physical tics—into the strangest of professions. By day, he’s an accountant who, for example, helps a farm owner find tax loopholes to save a few thousand bucks. By night, he’s some sort of accountant ninja who can take out a room full of mob guys with a dinner knife and some Batman-style forearm blasts to the face.

Yes, Christian takes jobs fixing the books for dirty folks the world over, and while he does have a modest, sparsely decorated home, he also has a mobile man cave (or, should I say … Batcave!) that keeps all the spoils of his riches (like money, gold, Jackson Pollock paintings and, yes, collectors’ items like Batman comic books).

During one job, he is tasked with finding missing money for a prosthetics company led by John Lithgow, and he takes a liking to fellow accountant Dana (the invaluable Anna Kendrick). They conspire to find the missing money … something that, of course, some people don’t want to see happen. Christian and Dana find themselves in loads of trouble, which eventually leads to shootouts and more Batman-style forearms to the face.

Director Gavin O’Connor balances out all of the craziness and outrageous turns of events to deliver a film that, despite a few sleepy parts, is thoroughly entertaining. Affleck is good here, basically playing a dude with repressed rage and childhood trauma issues, minus a cowl.

Kendrick offers up a capable “WTF is going on?!” performance in her fifth movie this year. (She’s busy.) The rest of the supporting cast includes an excellent Jon Bernthal a bad guy much worse than Affleck’s kind-of-bad guy. (Bernthal is essentially this movie’s Joker.) J.K. Simmons and Cynthia Addai-Robinson are good as two Treasury Department agents who combine to create the movie’s Commissioner Gordon. And Jeffrey Tambor plays a father figure who rooms with Christian and amounts to this film’s Uncle Ben. Oh, wait … wrong superhero.

Maybe I’m the only one who sees this movie as Batman doing taxes. Maybe that makes me some sort of amateurish idiot who likes movies that are actually kind of lame, just because they play out in a weird way in his overreaching mind. But then again, maybe I am not alone.

Maybe The Accountant will have a sequel in which Christian battles with an even stronger, out-of-town accountant whose mother has the same name as his mother, and who mopes a lot because his dad, the guy from Field of Dreams, died in a tornado accident. Oh, god, please … no.

The Accountant is playing at theaters across the valley.

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