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Last updateTue, 18 Sep 2018 1pm

DVDs/Home Viewing

11 Mar 2014
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Adèle Exarchopoulos delivers one of last year’s breakout performances in Blue Is the Warmest Color, a shocking and beautiful movie about a young woman discovering her sexuality. Exarchopoulos gives a performance that feels honest at every turn, with an expressive face that belongs on the big screen. Léa Seydoux (the assassin from the last Mission: Impossible film) is also powerful as Emma, the blue-haired woman upon whom Adele sets her sights. The two are wonderful together and provide real soul in a tremendously affecting love story. Director Abdellatif Kechiche overdoes it a tad with some of the most explicit and overlong sex scenes ever displayed on a commercial movie screen. I’m not surprised that the actresses were a little pissed at their director in the aftermath. The scenes could stand a little trimming. Still, Exarchopoulos and Seydoux kept me riveted for nearly three hours. It’s a shame this was never…
10 Mar 2014
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Steve Coogan delivers one of his best screen performances in Alan Partridge, the long-rumored big-screen debut of the character who has been part of Coogan’s repertoire on TV and radio for years. The film depicts Partridge as a radio host working for a company being bought out by an unfeeling corporation. When Pat Farrell (Colm Meaney), one of Alan’s radio co-workers, gets the boot, Pat comes back with a shotgun and takes everybody hostage. Alan winds up as an intermediary between the police and Pat; he’s trying to negotiate his a way out of a crisis and keep his job at the same time. Coogan is always funny in this film. Sure, he got a lot of press for last year’s Philomena, and film-lovers dug him in 24 Hour Party People and Tropic Thunder, but this movie is a true showcase of his sharp comic talents. He has a way…
04 Mar 2014
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I can’t deny the amazing acting work in this Best Picture nominee from the likes of Bruce Dern (an Oscar nominee), Will Forte, Bob Odenkirk and especially June Squibb (also an Oscar nominee). These performances are all wonderful. What I can bemoan is the stupid, stupid story that propels that acting. Dern plays an old codger who becomes convinced that he’s won a million dollars because of a magazine subscription letter saying he’s a winner. So he starts walking from Montana to Nebraska; his son (Forte) eventually helps him on his quest with an automobile. It’s a dumb idea, and the premise is too improbable for a serious comedy movie. Still, it does lay the groundwork for a decent father-son dynamic between Dern and Forte; Odenkirk shows up as another son and knocks his part out of the park. The film nabbed six Oscar nominations, and Squibb was the most…
03 Mar 2014
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The picture that took home Best Picture honors at this year’s Academy Awards is based on the true story of Solomon Northup, a free black man living in upstate New York who was abducted and sold into slavery before the Civil War. The film, fresh off its win of three Oscars, is being released on DVD and Blu-ray on Tuesday, March 4. This effort from director Steve McQueen is a towering achievement, one of last year’s bravest and most uncompromising films. Chiwetel Ejiofor got a much-deserved Oscar nomination for playing Northup, a man who was forced to work on cotton plantations—one of them run by the despicable Edwin Epps, played by Michael Fassbender (also an Oscar nominee) in a vicious and brilliant performance. McQueen shows slavery as the horror it was, and Ejiofor puts a character on the screen who you will never forget. If you were one of the…
02 Mar 2014
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I’m always down for a good apocalyptic movie. Zombies, alien invasions and biblical raptures have made for some great film—yet no one has made a good, horrific nuclear-war movie in the modern era. After the Dark takes an interesting premise—and botches the job. A philosophy professor (James D’Arcy) makes his students do an experiment on the last day of class: The kids must determine which 10 of them will be picked to continue the human race in the event of a nuclear holocaust. When the kids run the scenarios, we see them as though the scenarios are actually happening. They run through multiple possibilities—but emotions and dirty tricks keep leading to fatal results. So, yeah, this movie has a lot of mushroom clouds and radiation-poisoning. It also has terrible acting, especially in the case of Sophie Lowe, as the class leader. She delivers every line in a drawn-out fashion, as…
25 Feb 2014
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Emma Roberts shines in Adult World as Amy, a wannabe poet who doesn’t want to accept the obvious: Her poetry is terrible. Instead, she chases down her poet hero, Rat Billings (a perfectly cast John Cusack), for mentorship, but gets mostly bemused scorn instead. When Roberts and Cusack are onscreen together, it’s magical. Unfortunately, the film features a gimmicky subplot involving Amy’s employment at an adult-video store—and in these scenes, the movie feels strikingly unoriginal and old. Evan Peters is OK as the store manager, but his character could have worked just fine without the porn gimmick. Still, Roberts and Cusack are on fire, especially during a scene in which Roberts smashes a guitar, and Cusack just slyly grins. There’s another great moment when Amy shows up drunk and demands to be deflowered, while Rat insists that such a thing won’t happen—even though it is pretty obvious he’s slept with…
21 Feb 2014
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Director Ben Wheatley follows up brilliant serial-killer comedy Sightseers with A Field in England, a low-budget, black-and-white hallucinogenic period piece set in the hedgerows of 17th-century England. It’s consistently weird, sometimes indecipherable, and always compelling, from a guy who doesn’t want to paint in between the lines. As the film begins, Whitehead (Reece Shearsmith) emerges from tall grass during a battle, scared and begging for his life. Sent on a mission to find a manuscript thief—a mysterious Irishman named O’Neil (Michael Smiley)—Whitehead is coming up short, and his boss is losing patience. Whitehead soon meets up with three other deserters, including Jacob (Peter Ferdinando) and Friend (Richard Glover). The four decide the war is not for them, and set out to find a place to grab a beer. The men wind up in the presence of the dreaded O’Neil. He has a human appearance, but might be some sort of…
18 Feb 2014
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I missed About Time in theaters last year. (Hey, I can’t see them all!) That’s a shame, because this film is deserving of high praise. Writer-director Richard Curtis (Love Actually) has made his best film yet, and finds a way to use time-travel that requires no special-effects budget. Tim (Domhnall Gleeson), a slightly nebbish but somewhat cute and alluring Brit, finds out from his super-laid-back dad (a wonderful Bill Nighy) that the men in his family have the gift of time travel: They just need to go to a dark place (preferably a wardrobe cabinet), clench their fists, and think of where they want to be in their own past. Then, boom—they are there, able to live that piece of life again, and make adjustments where necessary. However, this power comes with rules—and hazards. They can’t travel back beyond their own life, so there’s no killing Hitler. They can’t go…
14 Feb 2014
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Will Forte follows up his strong dramatic turn in Nebraska with an even better performance in a better movie, Run and Jump. Forte plays Ted, an American doctor in Ireland studying Conor (Edward MacLiam), a relatively young stroke patient returning to his family after being in a coma. The stroke has rendered Conor childlike; he has most of his motor skills, but little memory of the man he was before. Ted lives with him and his family, videotaping Conor in his interactions with his spirited wife, Vanetia, played winningly by Maxine Peake. Conor’s state has left him relatively useless as a father figure, husband and lover. His two kids are confused, while Vanetia does her best to remain upbeat and good-natured. Slowly, Ted begins to step in as a friend to Vanetia, and a father figure to the children. Much credit goes to director and co-writer Steph Green for making…
11 Feb 2014
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Quentin Tarantino called Big Bad Wolves the best film of 2013. While I wouldn’t go that far, I will declare it last year’s best horror film—and a tremendous filmmaking feat from directors Aharon Keshales and Navot Papushado. They figured out how to wring laughter out of a movie that features child abductions and murders, extreme torture and police beatings. When a girl goes missing and is eventually murdered, a cop turned vigilante, Micki (Lior Ashkenazi), and the girl’s father, Gidi (Tzahi Grad), wind up taking matters into their own hands with a suspect, Dror (Rotem Keinan). The three partake in a grueling session of psychological and physical torture aimed at revealing the murderer of Gidi’s daughter and other children. Dror, Gidi and Micki all become good, classic suspects in the child murders. Dror, a nebbish type with a young daughter of his own, seems too innocuous to be innocent. Gidi,…
07 Feb 2014
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At long last, Sylvester Stallone and Arnold Schwarzenegger teamed up for a movie together in which they both play big parts. Yes, they have been in The Expendables films together, but Arnie has only done guest spots. Escape Plan has Sly playing a security expert who escapes from prisons for a living. Things go bad when he gets buried in a maximum-security prison—and the folks who put him there plan to keep him locked up. Arnie plays a prisoner who befriends Sly on the inside, and they together look for a way to get out of a seemingly inescapable place. Stallone is good here, and I haven’t enjoyed Arnie this much since well before he became governor. Arnold has one scene in which he raves to the warden about God in German. It turns out the warden is played by Jim Caviezel, who did, in fact, play Jesus for Mel…
04 Feb 2014
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In All Is Lost, a movie that features almost no dialogue, Robert Redford delivers some of his best work ever as a man trying to survive a shipwreck in the Indian Ocean. While sleeping in his yacht, Redford’s character (simply called “Our Man” in the credits) is abruptly awakened by a floating cargo bin crashing into his boat’s side. What follows is more than 100 minutes of Redford’s character solving problems and fighting to stay alive. Much credit goes to the legendary actor, as well as relative newbie writer-director J.C. Chandor (Margin Call), for making this compelling from start to finish. You’ll be surprised by how gripping the sight of a man simply trying to repair his boat can be. Redford looks like he put himself through the ringer, and the results are well worth it. His character gets no real back-story; other than one loud expletive, a couple of…