Last updateTue, 18 Sep 2018 1pm

Eddie Murphy and Jerry Seinfeld allegedly launched their professional comedy careers during the same exact week in the 1970s. Now we get to watch two of the funniest people on the planet go out for a cup of coffee—and it’s totally hysterical.

Comedians in Cars Getting Coffee is really growing on me, and its 11th season might be its best yet. Murphy, Martin Short, Seth Rogen and Matthew Broderick are among the guests, and every episode is highly watchable.

The indisputable highlight is Murphy, who, once again, teases that he will do standup comedy again someday. If he doesn’t, taking a seat in a car next to Seinfeld is an adequate substitute—because he kills on this show. He does enough routines for a good Murphy special, including a remembrance of a visit to Michael Jackson’s house—including an encounter with a progressively unruly Bubbles the Chimp. He also uncorks his already-infamous Tracy Morgan impersonation. The man is still hilarious.

Second place goes to Broderick, who not only goes out for coffee, but stops by Citi Field (home of the New York Mets) for a baseball fantasy sequence. Both of these guys look like naturals in caps and jerseys.

As for Murphy doing standup … there’s some buzz that he’s wrapping up a megadeal with Netflix to do just that. Oh please, please, please let it be true.

Comedians in Cars Getting Coffee is now streaming on Netflix.

Published in DVDs/Home Viewing

Perhaps you noticed that the Jerry Seinfeld program featuring the man interviewing comic guests has moved from Crackle to Netflix—and all of the old episodes are available on Netflix for you to peruse.

What you might not have noticed is Jerry’s deal wasn’t just to run the old shows: A new season of interviews just went up on Netflix, and it’s a healthy bunch.

As of July 6, there are 12 new episodes, including one with Jerry Lewis that was probably the comic legend’s last TV appearance. Others include Dave Chappelle, Ellen DeGeneres, Tracy Morgan, Dana Carvey and Kate McKinnon.

The winner in the new bunch would have to be the episode with Alec Baldwin, who does a hilarious re-enactment of a Broadway role that leaves Seinfeld in stitches. McKinnon is a close second, with her sad impersonation of a dog pooping and her winning rendition of Jessica Lange in American Horror Story (“Knotty pine!”). Actually, her impersonation of a Scottish man ruminating on Massapequa, N.Y. (Seinfeld’s hometown) might be the funniest thing in the new season.

As usual, he gets some pretty nutty cars in which to pick up his stars, including a dune buggy, an ’84 Ferrari and ’77 Toyota Land Cruiser.

Leave it to Seinfeld to take a format that looks lame and turn it into one of the more entertaining things on Netflix. The guy is a master.

Comedians in Cars Getting Coffee is now streaming on Netflix.

Published in DVDs/Home Viewing

Cleaners ( Emmanuelle Chriqui and Emily Osment star as mismatched partners (Veronica’s a square! Roxy’s a party girl!) specializing in contract killing and other less-than-legal activities—until they’re screwed over by their boss (Gina Gershon) and end up as targets themselves. Cleaners overstuffs fast edits, tough girls, snarky dialogue, pounding music and gratuitous gunplay into 20-minute episodes. It’s a Quentin Tarantino ’90s Film 101 course in speedball form, and it works so well that not even overacting by Gershon or David Arquette (as an FBI agent) can derail it. Stoopid, violent fun.

Comedians in Cars Getting Coffee ( Jerry Seinfeld’s slick shaky-cam infomercial series for classic autos you will never, ever, ever, ever, ever be able to afford (unless you’re Jerry Seinfeld), set to stock faux-jazz, would only be slightly less annoying if the comedian weren’t such an inept interviewer; it’s like every conversation requires a minimum number of “So how awesome am I, lesser comic?” check-in points. Comedians in Cars Getting Coffee is the flagship series of the imaginary Rich Douchebag Network.

Ghost Ghirls ( Not that reality shows about ghost hunters and psychics needed to be parodied, but Ghost Ghirls (created by and starring Amanda Lund and Maria Blasucci) is at least as funny as the “real” thing being cranked out by Syfy and TLC. Some of the Drunk History brains are also involved, as are some comedy heavy-hitters as guest stars (including New Girl’s Jake Johnson and Parenthood’s Jason Ritter in Episode 1), but the 10-minute series is usually less “genius” than “probably wouldn’t click away from on Adult Swim at 3 a.m.” (A bong, of course, is implied.)

Ghost Hopping ( On the other hand, Salt Lake City-based comic Marcus (insert Last Comic Standing reference here) has achieved the impossible and made a ghost-hunting series The Only TV Column That Matters™ can actually tolerate. The setup: On his travels as a stand-up comedian, Marcus and his cameraman hit local joints—restaurants, bars, tattoo parlors, malls and, natch, comedy clubs—to talk to the dead and generally crack wise. Sure, there are some of the usual elements of “Did you hear that?!” bullshit, but Ghost Hopping comes off as more genuine than the “professional” haunt hucksters.

Essnemma ( Former Buffy the Vampire Slayer actress Emma Caulfield is either really good at acting loony twice a week for her vlog, or she’s legitimately full-time nuts, and Essnemma represents tiny windows into her pinball machine of a psyche. Whichever, it’s impossible to look away when Caulfield jumps into a profane rant or random thought-splosion (“Advice” on Thursdays, “Grab Bag” on Tuesdays), with her unblinking brown eyes and flying blonde hair worked into a cyclonic frenzy that’s as inviting as it is mildly terrifying. Her recent “review” of CBS’ The Crazy Ones—which stars Buffy compatriot Sarah Michelle Gellar—is better than the show itself … which isn’t hard, but you get the idea.

Hot Sluts ( This Atom classic from waaay back in 2009 stars Alison Brie (Community, Mad Men) as a small-town girl with dreams of becoming a dancer in the Big City—but instead, she winds up as a cocktail waitress in the seediest/funniest Grindhouse nightmare of a nightclub ever, Scenarios. Hot Sluts lives up to its title-implied exploitation (nary a bosom goes un-heaved or blouse un-ripped), but Brie’s “tragic ending waiting for the right Dumpster to be found in” dancer (who dances terribly, FYI) is funnier in five short episodes than her Annie has been on five years of Community. I want six seasons and a movie of this.


Burning Love: Season 1

The ultimate Bachelor takedown and one of the best Web series ever: Burning Love, wherein firefighter Mark (Ken Marino) sifts through a throng of desperate single women in order to find that one special lady to hand his hose. (Paramount)

Dexter: The Final Season

On Oct. 31, the first (and best) four seasons of Dexter dropped on Netflix. Not to say that Seasons 5, 6, 7 and now 8: The Final Season are completely worthless; however, if you stopped at Season 4, you’d probably be just fine. That’s all. (Showtime)

Man of Steel

Zack Snyder’s re-re-re-boot of Superman, starring Henry Cavill as Kal-El/Clark Kent, the alien super-being sent to Earth to save mankind and battle snooty movie critics. Also starring Amy Adams as the cougar Lois Lane. (Warner Bros.)


A Montana hick (Julianne Hough) takes a fat insurance check and hits Las Vegas to live it up, with help from a bartender (Russell Brand), a lounge singer (Octavia Spencer) and director Diablo Cody. So … remember when Juno was a thing? (BBC)


A daydreaming snail (Ryan Reynolds) gains super-speed powers and enters the Indianapolis 500 (?), teaching kiddies that no dream is too ridiculous or unattainable as long as corporate animators make it loud and colorful. (DreamWorks)

More New DVD Releases (Nov. 12)

Ambushed, As Night Falls, The Attack, Barbara, A Country Christmas, Dealin’ With Idiots, Duress, Grabbers, Frances Ha, Home Again, MADtv: Season 4, The Naughty List, Prince Avalanche, RWBY: Vol. 1, Silk: Season 1, Turning 30.

Published in TV