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The Coachella Valley and High Desert are blessed with a variety of unique and ambitious local theater companies.

But you would not necessarily know that’s the case in August: Not one of the Coachella Valley companies had a single regular show scheduled during the month. However, perhaps there’s a lesson to be learned over at Desert Rose Playhouse: The company just extended its run of Party by three weeks thanks to brisk ticket sales, so instead of ending on July 31, the comedy will now run through Aug. 21.

In other words … there is indeed a theater audience around during the summer. Well, at least there is if a show involves nudity.

Anyway, here’s what local theater-lovers can look forward to from the valley’s most prominent theater companies during the upcoming season.

Coachella Valley Repertory Company

cvrep.org

CV Rep made headlines in July when it was announced that the theater company, which currently resides in the Atrium shopping center in Rancho Mirage, had agreed to purchase the Desert Cinemas theater in Cathedral City.

Wow!

But for now, CV Rep has a season to put on, and every season, founding artistic director Ron Celona chooses a theme. So what can theater-goers expect this coming season? A lot of “Love, Marriage and Life Changing Events.”

The valley’s only Equity Small Professional Theatre will launch its sixth season at the Atrium with Annapurna, by Sharr White, running Oct. 26-Nov. 20. Talk about a life-changing event: “Twenty years after leaving her husband, Emma tracks him to a trailer park in the middle of nowhere for a final reckoning.” From Jan. 18-Feb. 12, things will get a little lighter with Baby. Nominated for seven Tony Awards, “Baby is about three couples on a university campus dealing with the painful, rewarding and agonizingly funny consequences of the universal experience of pregnancy and upcoming parenthood.” The 2013 Pulitzer Prize for Drama went to Amir Kapoor’s Disgraced, about a Pakistani-American lawyer who is distancing himself from his roots. Meanwhile, his wife, Emily, is a white artist influenced by Islamic imagery. Hmm. The play runs March 7-April 2. The season concludes April 25-May 21 with A.R. Gurney’s Later Life, a story about a romance being rekindled 30 years after it began.

Coyote StageWorks

www.coyotestageworks.org

The last couple of seasons have been turbulent for founding artistic director Chuck Yates’ renowned company. After losing its home at the Annenberg Theater at the Palm Springs Art Museum in 2014-2015, the company returned to the theater for the 2015-2016 season for Art and Agnes, both of which received rave reviews.

As for the upcoming season … well, Coyote StageWorks is the only company in town that has yet to spill any of the figurative beans. When I reached out to Yates via email for information as deadline approached, he politely responded: “I am still securing rights to our new season. It will celebrate Legendary Ladies, who have made their marks in the world. All of the shows are comedic, but legally I can’t announce titles until everything is sewn up.”

Yates would also like you to know that between now and Labor Day, any gifts the Equity professional theater company receives, up to $30,000 total, will be generously matched by Emmy Award-winning television producer and writer David Lee, best known forFrasier and Cheers. So … give!

Desert Ensemble Theatre Company

www.facebook.com/DETCStage

Now entering its sixth season, the Desert Ensemble Theatre Company—which shares the Pearl McManus Theater at the Palm Springs Woman’s Club with Dezart Performs—in recent years has kept things in the family by producing a lot of company members’ own works, and the 2016-2017 season will be no exception.

DETC’s third annual season-opening gala will take place Nov. 18. Boys Night Out, conceived and directed by Jerome Elliott, features popular local singers such as Charles Herrera and Doug Graham. The season will kick off in earnest with Expressions, a new drama by DETC’s Shawn Abramowitz, focusing PTSD and its effect on both veterans and their families; it runs Feb. 3-12. From March 17-26, the company will produce artistic director Tony Padilla’s Lovesport, a fast-paced comedy: “When middle-aged couple Josh and Marty invite home the younger Gary and Ben for after-party drinks, the wine flows, the weed blows, and relationships are changed.” A third, yet-to-be-announced play will be performed April 21-30.

Desert Rose Playhouse

www.desertroseplayhouse.org

It’s been a turbulent year for the valley’s LGBT-focused theater company. In January, founders Jim Strait and Paul Taylor pulled off the seemingly impossible: The company mounted an amazing production of the elaborate Angels in America, Part One, in the playhouse’s barely-bigger-than-a-black-box home in Rancho Mirage.

Problem is, few people wanted to go watch such heavy fare: The show tanked financially. That, combined with a drop in donations, jeopardized Desert Rose’s 2016-2017 season.

However, the company has been saved by a boost in donations over the summer—and by a Party: Desert Rose’s nudity-laden summer comedy has been a wild success, so much so that the company just extended its run by three weeks, through Aug. 21.

Artistic director Jim Strait got a late start on the 2016-2017 season due to the financial uncertainty, but here’s what he’d confirmed as of our press deadline: The season will kick off with Poz, by Michael Aman, running Sept. 30-Oct. 23: “A delightfully unlikelycomedyset in 2003, (Poz is) the story ofEdison, a young actor/waiter with leukemia, and Robert, an older HIV+ man.” The company’s annual holiday show has not yet been nailed down, but it’ll run Nov. 18-Dec. 18. From Jan. 20-Feb. 12, Desert Rose’s annual “Gay Heritage Production” will be Charles Busch’s campy and hilarious Vampire Lesbians of Sodom, along with its companion piece, Coma, a retelling of Sleeping Beauty. That will be followed up by Del Shores’ Southern Baptist Sissies, running March 17-April 9. The final show of the season, scheduled for April 28-May 21, can’t quite yet be announced.

Desert Theatreworks

www.dtworks.org

The theater company that calls the Arthur Newman Theatre at the Joslyn Center in Palm Desert home has already kicked off its packed-with-shows fourth season: Artistic director Lance Phillips-Martinez does things a little differently, running his company’s “season” from May through April. So what’s in store for the rest of the season? The Realistic Joneses is a comedy about two small-town neighboring couples who share more than the same last name; that’s slated for Sept. 16-24. Agatha Christie’s A Murder Is Announced will be performed Nov. 4-11, followed by Christmas My Way: A Sinatra Holiday Bash Dec. 9-18. Desert Theatreworks will kick off 2017 with a dose of Neil Simon: 45 Seconds From Broadway is on the boards Jan. 27-Feb. 5. Musical The Drowsy Chaperone will take the stage March 9-19, and the season will conclude with the musical Next to Normal April 21-30.

Dezart Performs

www.dezartperforms.org

Dezart Performs shifted its focus for the company’s eighth season in 2015-2016: Gone was the annual Play Reading Series. That means that for the company’s upcoming season, for the first time, artistic director Michael Shaw will not be producing any world-premiere shows.

However, the 2016-2017 season lineup is a doozy nonetheless. Coming off of Dezart’s most successful season ever, Shaw and company will kick off at the Pearl McManus Theater at the Palm Springs Woman’s Club with Harvey Fierstein’s dramedy Casa Valentina, running Nov. 4-13. The stars of this show: Straight men who happen to enjoy dressing up as women. That will be followed on Jan. 13-22 by Clybourne Park, the 2012 Tony Award winner for Best Play and a 2011 Pulitzer Prize winner, which “takes a razor-sharp jab at race and real estate in a fictional Chicago neighborhood. The two explosive outrageous acts are set 50 years apart.” Dezart Performs’ popular one-night-only live-radio-show fundraiser, On the Air!, will return to the Camelot Theatres on March 9. Dezart Performs’ ninth season will conclude March 31-April 9 with Chapatti, an “unlikely love story” between two animal-lovers by Irish playwright Christian O’Reilly.

Palm Canyon Theatre

www.palmcanyontheatre.org

The granddaddy of local theater companies usually offers an ambitious mix of one-week productions and longer-running fare, and that will again be the way things are done during the 2016-2017 season. It all starts with farce Noises Off, running Sept. 15-18. There’s trouble, right here in River City, when the classic The Music Man hits the stage Sept. 30-Oct. 9. Changing things up is Jekyll and Hyde, on the slate from Oct. 21-31. Palm Springs Pride always brings the fabulous Bella da Ball’s Broadway in Drag! pageant; this year, mark your calendars for Nov. 4. Del Shores is huge in the Coachella Valley this year; get in the mood for Southern Baptist Sissies happening later at Desert Rose with Sordid Lives, running at Palm Canyon Nov. 11-20. Based on the famous movie, Meet Me in St. Louis runs Dec. 2-18, followed by Joseph and the Amazing Technicolor Dreamcoat Jan. 20-Feb. 5. Head to Argentina—figuratively, of course—for Evita Feb. 17-March 5; that will be followed You Can’t Take It With You, running March 16-19. Sweet Charity brings Neil Simon’s words to the stage March 31-April 16; Ira Levin’s Deathtrap follows April 27-30. Get down with Rock of Ages May 12-21, before Palm Canyon concludes the season with its summer show, In the Heights, running July 7-16.

Theatre 29

www.theatre29.org

Community-theater company Theatre 29 flies under the radar—even though the company often turns out excellent productions up in the High Desert, which anyone can see for a low, low price: General admission tickets are usually just $15. The company produces “seasons” based on the calendar year, and has thus far only announced shows for the remainder of 2016. The Summer Youth Theatre gets the spotlight in Aladdin Jr., running Aug. 5-7. The musical The Secret Garden will take the stage Aug. 26-Sept. 24; that will be followed by Theatre 29’s annual “Halloween Haunt,” Resurgence, taking place Oct. 14-31. Perhaps this show will win a major award: A Christmas Story will be performed for your enjoyment Nov. 18-Dec. 17.

Published in Theater and Dance

A number of plays have moved me while I’ve been doing theater reviews in the Coachella Valley—but none have pierced my heart and shaken me to the core the way Dezart Performs’ The Outgoing Tide did.

That’s due, in large part, to its subject matter: Alzheimer’s disease. It’s a hideous, devastating illness—one which took my mother’s life nearly five years ago. She spent her final years in an assisted-living facility on the East Coast, so I was spared the daily trauma of seeing my mother wither into a mere shadow of who she once was. That pain fell to my dear, devoted father, who drove to the facility and fed her lunch every day for years. When I did visit, it was deeply painful to observe this once-vibrant, articulate woman rendered nearly speechless following two strokes and the dementia. Nothing scared her more … the thought of ending life in an institution, incapacitated and in a wheelchair, feeling helpless and alone.

It’s something we all fear. Many of us studiously avoid talking about the possibility that it could happen to us. But talk about it, we must.

Written by Bruce Graham, The Outgoing Tide tackles this tough subject matter head-on. The play centers around Gunner (Michael Fairman), who is battling the scourge of Alzheimer’s; his wife of 50 years, Peg (Judith Chapman); and their son, Jack (Scott Smith). Gunner is aware that his disease is rapidly progressing, which makes him grumpy and fearful. The situation is often humiliating, as when, after a tirade over a broken television, Peg points out that Gunner is trying to watch Cops on the microwave.

Things are really going downhill: Peg has begun securing the gates at night so her husband can’t wander, and he almost burned up his newspapers after placing them on the stove. Peg is considering an assisted-living facility where both she and Gunner can take up residence; they can be together, and she can still care for him as long as possible.

Both Peg and Jack (visiting at his father’s request) think it’s a good idea—but Gunner won’t hear of it. After touring the place and noting the condition of some of the current residents, Gunner quips, “It’s like a roach motel. You check in, but you don’t check out.” Gunner adamantly refuses to consider selling his house and moving to such a place, even though he admits to Jack that his condition is worsening: “I feel like it’s starting to show.”

Instead, Gunner has an alternative plan—one that would end his suffering and set up his family financially. It’s radical and controversial, and Peg is totally against it. Jack (currently going through a divorce) is often stuck in between his two strong-willed parents, and doesn’t know what to do. When Jack asks Peg if she really wants to spend the rest of her life taking care of her husband, she responds: “What else am I good at?”

Though the play’s theme is gut-wrenching, there’s plenty of humor as well. Peg dismisses the possibility of a suicide pact with Gunner: “He’d probably shoot me and then forget to shoot himself!”

The acting is absolutely superb across the board. As Gunner, Michael Fairman is flawless. We feel every bit of the fear, anger and frustration his deteriorating mental condition triggers. Though he’s made some mistakes as a father, he’s funny, charismatic and lovable, yet ultimately tragic. His Gunner makes us wonder about our fathers, grandfathers or uncles…what would they do in this situation? Could we support their choice, even if it meant we’d lose them?

The amazing Judith Chapman does not disappoint. As the long-suffering Peg, she is the glue that keeps the family together. She’s strong and level-headed, and seems to be able to keep it all together despite the gradual loss of her husband. But Chapman lets us see the heartbreak just beneath the surface. Does she love her husband enough to let him do what’s right for him … or will her fear of being alone stand in the way? There is not one false note in her performance.

Scott Smith is terrific as the returning son who loves his parents, but feels he’s in a no-win situation. Beyond the drama of Gunner’s advancing Alzheimer’s disease, Jack’s visit home reveals some long-held family secrets.

Once again, artistic director Michael Shaw proves his mettle as a director. He moves his cast members around ably on Thomas L. Valach’s outstanding set, and draws out award-worthy performances from each of them. Clark Duggar’s sound was spot-on, as was Phil Murphy’s lighting (after a couple of brief glitches early in the play).

I have seen a number of very good plays from Dezart Performs, but The Outgoing Tide is in a league of its own. The opening-night audience gave the show a well-deserved standing ovation. The play forces us to think about end-of-life issues and personal choice. Most of us, at one point or another, will be touched by the tragedy of Alzheimer’s disease. A parent, a spouse, a friend or even we ourselves will experience the mind slowly slipping away. What would you do?

The Outgoing Tide is the most profound theater experience I have had in quite a long time.

The Outgoing Tide, a production of Dezart Performs, is performed at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Sunday, through Sunday, May 8, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $24 to $28, and the show is just more than two hours, with a 15-minute intermission. For tickets or more information, 760-322-1079, or visit www.dezartperforms.org.

Published in Theater and Dance

I’m now in my third season as one of the Independent’s theater reviewers. I have seen many excellent productions here in the valley, and some … well … that were not so good. But I don’t know if I have ever been as emotionally affected by a play as I was by Dezart Performs’ world premiere of Suicide Dogs.

Jess Honovich’s play, which won the theater’s 2015 Play Reading Festival, chronicles how one family deals with the aftermath of a suicide of a man named Barry. Chief among the loose ends which must be tied up is what to do with Barry’s ailing dog, Driver.

Barry (Michael Shaw, who also directs), who was gay, was a successful golf pro—hence the dog’s name. In flashbacks, we learn that in his youth, Barry was insecure and a bit melancholy; he also had a somewhat difficult relationship with his mother. Perhaps the thing that brings him the greatest pleasure in lifeother than golfis the deep bond he has with his dog, which he adopted from a shelter.

As the play opens, Barry’s sister Amelia (Yo Younger); her husband, Dave (Rob Hubler); and their daughter, Frankie (Rachel Silverman) arrive at Barry’s home to prepare for his funeral. Soon after, Barry’s pushy neighbor, Podgy (Stan Jenson), drops in; not long after, Barry’s other sister, Dori (a very well-cast Denise Strand), unexpectedly shows up.

Shaken that her only brother has taken his own life with a bullet, Amelia valiantly tries to organize the funeral service while dealing with the media throng desperate for more details on the tragedy. Then there’s Driver, who is howling nonstop and puking all over the neighbor’s yard.

The always-stellar Yo Younger does not disappoint as Amelia. We feel her shock and grief at the loss of her brother. “Sometimes I feel like Barry’s playing some kind of joke on us—like he’s really in the hall closet or watching us on some computer somewhere,” she notes. She’s the anchor who holds the hold family—and the play—together.

Some of the strongest scenes are those featuring Amelia and the uptight, overly religious Dori. Dori, who has spent the last three years in rabbinical school, feels suicide is a sin, and announces that she will not be attending the funeral. Stunned, Amelia tries to understand Dori’s mindset while throwing a few barbs her way: “Everything you say sounds like it’s written on a pillow somewhere.”

Though it focuses on suicide, the play is billed as a “dramedy,” and it does have some very funny moments. Much of the humor is provided by Ron Huber, who is quite entertaining as Amelia’s harried husband, Dave.

Stan Jenson’s Podgy also gets a number of laughs. He’s nearly perfect as the nosy guy next door who good-naturedly insinuates himself into the drama a bit too often. He and Barry were clearly close friends—at the very least.

Rachel Silverman is a real find as Frankie, a precocious 16-year-old who swears a blue streak and often disrespects her parents. In an exchange with her self-centered Aunt Dori, Frankie boldly blurts out: “So … what’s wrong with you?” It’s a question everybody else in the family must also be thinking.

Doing double-duty, Michael Shaw succeeds admirably. He appears often in flashback as the likable but troubled Barry. We want to call out to him: “Things will look better tomorrow, Barry. Don’t do anything rash!” As the director, Shaw brings out strong performances from his cast.

Thomas L. Valach’s set, the lights (Phil Murphy) and sound (Clark Dugger) are all top-notch. Stage manager Blanche Mickelson also deserves a mention.

Suicide Dogs hit close to home. I’m in the midst of packing up the house of my ex-husband—a retired golf pro—who recently passed away. My partner and I had to put down a beloved, aging dog not long ago, and depression and suicide have touched me personally.

I’m certainly not the only person who will be moved: Everyone will find something to relate to in this play, which will have you laughing through your tears. It just may make you pick up the phone and call that family member you haven’t spoken to in years. It will certainly remind you that, as Podgy says: “Happiness is fleeting. Hang on to what you’ve got.”

Dezart Performs’ Suicide Dogs is being performed at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Saturday and Sunday, through Sunday, Jan. 31, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $28 for evening shows, and $24 for matinees. The running time is just less than 2 hours with one 15-minute intermission. For tickets or more information, call 760-322-0179, or visit www.dezartperforms.org.

Published in Literature

Anyone who’s worked as an office receptionist knows it can be a thankless job, but it’s not normally all that dangerous.

Well, danger certainly lurks in Dezart Performs’ current production, The Receptionist, a dark comedy by Adam Bock.

In the first part of the play, the title character, Beverly (Deborah Harmon), goes about her daily duties with great efficiency. It’s a seemingly normal day at the North East Office, as Beverly cheerfully handles the phones, relegating unwanted callers to the voicemails of co-workers. She sorts mail, tidies her desk and dishes out romantic advice to officemate Lorraine (Theresa Jewett). Beverly’s maternal warmth is clear as she calms her upset daughter over the phone—as is her irritation when her husband announces he has spent the money allocated for the family phone bill on yet another collectible teacup. It’s the boss’ birthday, so Beverly takes on the job of ordering a cake, and proudly shows Lorraine the card she’s purchased, which features a pony smoking a pipe.

Everything seems to be running smoothly until Martin Dart from the Central Office arrives to see the boss. Dart (Lou Galvan) appears to be a likable guy. He chats amiably with Beverly and responds to Lorraine’s blatant flirting with gusto. When the boss, Mr. Raymond (Hal O’Connell), finally shows up, the two men disappear into his office. After several minutes of shouting behind a closed door, the grim-faced pair emerges—and Dart escorts Mr. Raymond out of the building.

Apparently Mr. Raymond did not follow proper procedure when torturing and interrogating a client. He’s now facing the consequences.

As Act I ends, the audience is left wondering whether Beverly and Lorraine might also be marched down to the Central Office for questioning. And just what does this company do? It certainly seems ominous. Given the threat of worldwide terrorism (especially with opening night coming on the same day as the horrific attacks in Paris), this play seems quite timely.

Under the masterful direction of Dezart’s artistic director, Michael Shaw, the cast is uniformly excellent. Like an evenly matched tennis foursome, they volley the dramatic ball back and forth with great skill. As Beverly, Deborah Harmon is perfect. There is not one false note in her performance. Early on, she’s funny, witty and totally in control of the kingdom that is her reception desk. Later, as the reality of what her fate might be sets in, we see her composure melt away into a puddle of fear.

Theresa Jewett is fabulous as Lorraine. Vampy and flirty, yet insecure, she reminds us of that one woman we’ve all worked with who just can’t get it together in the romance department.

Lou Galvan is spot-on as the mysterious Martin Dart. After initially coming across as a friendly guy, he sends a chill up our spines when his menacing side emerges. Equally as good is Hal O’Connell as the beleaguered Mr. Raymond. He also strikes us as a nice guy who got caught up in his company’s dark business, and is ultimately resigned to his fate.

Thomas L. Valach’s set is superb, while Phil Murphy’s lighting and Clark Dugger’s sound are just right.

The Receptionist is a relatively short play—just 75 minutes—but it will keep you pondering its themes for days.

The Receptionist, a production of Dezart Performs, will be performed at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Sunday, through Sunday, Nov. 22, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $28, or $24 for matinees. The show runs just less than 90 minutes, with a 15-minute intermission. For tickets or more information, call 760-322-0179, or visit www.dezartperforms.org.

Published in Theater and Dance

August: Osage County—From Palm Canyon Theatre

The Weston family members are all intelligent, sensitive creatures who have the uncanny ability to make each other miserable. When the patriarch mysteriously vanishes, the Weston clan gathers to simultaneously support and attack one another; at 8 p.m., Friday and Saturday, April 3 and 4; and 2 p.m., Sunday, April 5. $28. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Buyer and Cellar—From Coyote Stageworks

Emerson Collins (Sordid Lives) stars in the comedy Buyer and Cellar, which focuses on the price of fame, at 7:30 p.m., Thursday through Saturday; and 2 p.m., Saturday and Sunday, through Sunday, April 5. $45 to $60. At the Helene Galen Performing Arts Center, 31001 Rattler Road, Rancho Mirage. 760-318-0024; www.coyotestageworks.org.

Diva Dish! The Second Helping—From Desert Rose Playhouse

Luke Yankee stars in this one-man show featuring anecdotes about various celebrities, at 8 p.m., Saturday, April 4; and 2 p.m., Sunday, April 5. $28 to $30. At 69620 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

Hold These Truths—From CV Rep

During World War II in Seattle, university student Gordon Hirabayashi fights the U.S. government’s orders to relocate people of Japanese ancestry to internment camps. Gordon begins a 50-year journey toward a greater understanding of America’s triumph—and a confrontation with its failures; at 7:30 p.m., Wednesday through Saturday; and 2 p.m., Saturday and Sunday, from Wednesday, April 15, through Sunday, May 3. $45; $40 previews on April 15 and 16; $55 April 17 opening night; no matinee on April 18. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

The Little Dog Laughed—From Desert Rose Playhouse

Mitchell Green is a movie star who is on the verge of hitting it big. One problem: His agent can’t seem to keep him in the closet; the show takes place at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, April 17, through Sunday, May 17. $28 to $30. At 69620 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

Man of La Mancha—From Palm Canyon Theatre

While awaiting a hearing with the Inquisition, Cervantes presents a play as his defense in a mock trial for the prisoners; at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, April 17, through Sunday, April 26. $32 to $36. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

McCallum Theatre

Dame Edna’s Glorious Goodbye takes place at 8 p.m., Monday, March 30, through Saturday, April 4, with a 2 p.m. matinee on April 4; $35 to $95. College of the Desert presents Fiddler on the Roof at 7 p.m., Thursday, April 30; 8 p.m., Friday and Saturday, May 1 and 2; and 2 p.m., Sunday, May 3; $20 to $45. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787; www.mccallumtheatre.com.

Miss Gulch Returns—From Desert Ensemble Theatre Company

Jerome Elliott stars in this Palm Springs premiere of “a musical comedy valentine to the romantically disenfranchised,” at 7 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, April 17, through Sunday, April 26. $22, with discounts. At the Pearl McManus Theater in the Palm Springs Woman’s Club, 314 S. Cahuilla Road, Palm Springs. 760-565-2476; www.detctheatre.org.

Psycho Beach Party—From Desert Theatreworks

It’s 1962, and Chicklet just wants to be a surfer—but her multiple personalities keep getting in the way; at 7 p.m., Friday and Saturday; and 2 p.m., Saturday and Sunday, from Friday, April 10, through Sunday, April 19. $25 regular; $23 seniors; $15 students with ID. At the Arthur Newman Theatre in the Joslyn Center, 73750 Catalina Way, Palm Desert. 760-980-1455; www.dtworks.org.

Seventh Annual Play Reading Festival—From Dezart Performs

After screening submissions from around the country and world, Dezart Performs offers staged readings of selected plays—and the audience helps choose which one will receive a full production next season; at 7:30 p.m., Friday and Saturday, from Friday, April 3, through Saturday, April 11. $10; $34 for a festival pass. At the Pearl McManus Theater in the Palm Springs Woman’s Club, 314 S. Cahuilla Road, Palm Springs. 760-322-0179; dezartperforms.org.

That Cancer Show!—From Script2Stage2Screen

Joni Hilton’s comedy-musical about cancer is directed by Gina Bikales; at 7:30 p.m., Friday, April 3; and 2 and 7:30 p.m., Saturday, April 4. $10. At the Unitarian Universalist Church of the Desert, 72425 Via Vail, Rancho Mirage. 760-345-7938; www.script2stage2screen.com.

Wait Until Dark—From Theatre 29

An apartment in 1960s Greenwich Village becomes the site of theater’s most terrifying game of cat and mouse, at 7 pm., Friday and Saturday, from Friday, April 10, through Saturday, May 9; there are also 2:30 p.m. matinees on Sunday, April 19 and May 3. $12 regular; $10 seniors and military; $8 children and students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151; theatre29.org.

Published in Theater and Dance

It all started because Michael Shaw and Dezart Performs co-founder Daniela Ryan wanted to bring more new live theater to the Coachella Valley.

In those first days of what would become the Play Reading Festival, performances were held in a small art gallery. Shaw and Ryan would solicit new scripts from friends and colleagues, and once a month, they would choose one play, cast it, find a director, and present a staged reading—charging just $5 a head. So attendees remained invested in the whole process, each audience member was given ballots to grade each play. After seven months, Dezart tallied up the grades, and the play receiving the highest score was produced as the company’s first show the following season.

Fast-forward to today, and the procedure for the Seventh Annual Play Reading Festival, which takes place April 3-11, is much more formalized: Every fall, Dezart puts out a national call for submissions, and receives between 110 and 125 scripts; last year, Dezart even received entries from Australia and Canada. The scripts get divvied up among a team of 15 readers; they go through several rounds of scoring, and the number of scripts is narrowed down to about 25, which Shaw himself reads. Shaw then passes them on to a colleague, and the two of them choose the five to seven finalists.

With both the Play Reading Festival and Dezart Performs’ other productions, Shaw is not willing to settle when it comes to quality, he said. He admitted that he occasionally ruffles feathers—like, for example, when he refuses to cast friends in parts for which they are not right.

“Here in the valley, just like with theater in Los Angeles, there’s some really good stuff, and there’s some really bad stuff,” Shaw said. “But the passion’s always there. You can walk into any theater in the valley and see the passion. That’s fabulous, but passion can only take you so far.”

Other important factors in Dezart’s success include selecting only special material, and knowing the Dezart Performs audience. Some audience members have been shocked or offended by some of Dezart’s more controversial offerings, he said, including the recent 5 Lesbians Eating a Quiche. Shaw doesn’t mind that, as long as each play gets people thinking and talking.

Shaw believes the five plays in this year’s Play Reading Festival will do just that:

Miss Prindle’s Summer Session (Friday, April 3) is a 10-minute comedy by John Lordan. In it, a mother sends her middle-age son back to summer school to study with his retired grammar-school teacher. It’s one of three plays in the festival that Shaw is directing.

The Golden Boots (Friday, April 3) is a one-act comedy by James Rosenfield, based on a true story. A few hours before a reception for Joseph II of Austria, Catherine the Great learns that her lover, the adjutant general, has seduced her best friend. The empress demands that a new adjutant general be chosen in time for the reception.

Suicide Dogs (Saturday, April 4), by Jess Honovich, is a comedy-drama. Also directed by Shaw, the play’s story revolves around Amelia, who flies her family to Florida to prepare for her brother’s funeral after his suicide. What she’s not expecting is that she will now be responsible for her late brother’s famous and sick dog.

Above Water (Friday, April 10) is a drama by Bob Clyman. It’s the story of two middle-age couples who have vacationed together for years. The play begins as the group is on vacation for the first time since one of the wives has died of cancer. The husband has brought along his much younger girlfriend—to the chagrin of the other wife, who was very close to the cancer victim.

• The final play in the festival is drama Cat and Mouse (Saturday, April 11), by Michael E. Wolfson, and also directed by Michael Shaw. Stan and Larry, who have known each other since elementary school, re-connect at a dinner party. One of them ropes the other into a life gamble; the third character in the play is a woman who’s the object of the competition.

This year’s playwrights hail from New Jersey, Chicago, Sacramento and Los Angeles.

The festival features local actors Yo Younger, Garnett Smith, Daniela Ryan, Adina Lawson, Valerie Armstrong, Blanche Mickelson and Scott Smith. Adina Lawson and Joan McGillis each direct one play. As always, the audience will get a chance to vote on which play gets a full production next season.

Like all Dezart shows, the Play Reading Festival takes place at the Pearl McManus Theater at the Palm Springs Woman’s Club. It has been a great home for Dezart Performs for the past few years, but Shaw said the company is growing out of it. One of Shaw’s dreams is to renovate an old church and transform it into a theater; another is to create a performing arts center in Palm Springs that several groups could utilize.

Whatever happens, the area’s theater community is better off thanks to Dezart Performs and its annual festival.

Dezart Performs’ Seventh Annual Play Reading Festival takes place at 7:30 p.m., Friday and Saturday, April 3 through 11, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $10, or $34 for all four nights. For tickets or more information, call 760-322-0179, or visit www.dezartperforms.org.

Published in Theater and Dance

Buyer and Cellar—From Coyote Stageworks

Emerson Collins (Sordid Lives) stars in the comedy Buyer and Cellar, which focuses on the price of fame, at 7:30 p.m., Thursday through Saturday; and 2 p.m., Saturday and Sunday, from Friday, March 27, through Sunday, April 5. $45 to $60. At the Helene Galen Performing Arts Center, 31001 Rattler Road, Rancho Mirage. 760-318-0024; www.coyotestageworks.org.

The Divine Sister—From Desert Rose Playhouse

The Charles Busch-written show, an outrageous comic homage to nearly every Hollywood film involving nuns, takes place at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, March 6, through Sunday, March 29. $28 to $30. At 69620 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

A Funny Thing Happened on the Way to the Forum—From Palm Canyon Theatre

The famous play about slave Pseudolus’ attempts to help his young master earn the love of a courtesan named Philia is performed at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, March 8. $32 to $36. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

La Gringa—From CV Rep

In this comedy by Carmen Rivera, Maria goes to visit her family in Puerto Rico—where she realizes that everyone in Puerto Rico considers her an American, a gringa. However, through the wise and colorful words and music of her uncle, Maria learns life lessons; at 7:30 p.m., Wednesday through Saturday; and 2 p.m., Saturday and Sunday, from Wednesday, March 4, through Sunday, March 22. $45; $40 previews on March 4 and 5; $55 March 6 opening night. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

A Handful of Nickels and Dimes

Yve Evans performs this comedy and music show that’s a tribute to vaudeville at 7 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, March 22. No shows March 6-8. $26 with discounts. At the Indio Performing Arts Center, 45175 Fargo St., Indio. 760-775-5200; www.indioperformingartscenter.org.

Jack—From College of the Desert Dramatic Arts

This humorous twist on the fairy tale “Jack and the Beanstalk” takes place at 7 p.m., Friday and Saturday, Feb. 27 and 28; and 3 p.m., Sunday, March 1. $15; $10 students. At the Pollock Theatre at College of the Desert, 43400 Monterey Ave., Palm Desert. 760-773-2565; codperformingarts.com.

Legally Blonde—From Musical Theatre University

Broadway stars join MTU students in this hit musical at 7:30 p.m., Thursday and Friday, March 12 and 13; 2 p.m., Sunday, March 15; 7:30 p.m., Friday and Saturday, March 20 and 21; and 2 p.m., Saturday and Sunday, March 21 and 22. $15 to $35. At the Helene Galen Performing Arts Center, 31001 Rattler Road, Rancho Mirage. 760-202-6482; www.hgpac.org.

McCallum Theatre

Hershey Felder stars in George Gershwin Alone at 8 p.m., Saturday, Feb. 28; and 2 and 7 p.m., Sunday, March 1; $25 to $75. ABBA MANIA takes the stage at 8 p.m., Monday, March 2; $25 to $65. Broadway and Hollywood combine for a romantic and entertaining evening of song and dance with Joan Hess and Kirby Ward in Dancing and Romancing, featuring the Desert Symphony Orchestra, at 8 p.m., Thursday, March 12; $45 to $95. The musical comedy Nice Work If You Can Get It is performed at 8 p.m., Friday, March 13; 2 and 8 p.m., Saturday, March 14; and 2 and 7 p.m., Sunday, March 15; $35 to $95. Laurence Luckinbill is Teddy Roosevelt in the one-man show Teddy Tonight! at Thursday, March 19; $15 to $65. The Ten Tenors return with a show of Broadway hits at 8 p.m., Friday, March 20; 2 and 8 p.m., Saturday, March 21; and 2 and 7 p.m., Sunday, March 22; $25 to $75. Dame Edna’s Glorious Goodbye takes place at 8 p.m., Monday, March 30, through Saturday, April 4, with a 2 p.m. matinee on April 4; $35 to $95. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787; www.mccallumtheatre.com.

Nunsense: The Mega Musical—From Desert Theatreworks

To save their convent from financial ruin, the Little Sisters of Hoboken have to raise the money and properly bury their accidentally poisoned sisters. What will they do? Why throw a fundraiser, of course; they do at 7 p.m., Thursday through Saturday; and 2 p.m., Saturday and Sunday, from Thursday, March 5, through Sunday, March 15. $25 regular; $23 seniors; $15 students with ID. At the Arthur Newman Theatre in the Joslyn Center, 73750 Catalina Way, Palm Desert. 760-980-1455; www.dtworks.org.

On the Air 2—From Dezart Performs

This annual evening of radio-show classics features an all-star cast including Gavin MacLeod, Joyce Bulifant, Millicent Martin and many others, at 7 p.m., Thursday, March 12. $35 to $75. At the Camelot Theatres, 2300 E. Baristo Road, Palm Springs. 760-322-0179; dezartperforms.org.

The Osanbi Deal—From Script2Stage2Screen

This play is set near a toxic waste area in South Carolina and is a compelling story of treachery and guilt; 7:30 p.m., Friday and Saturday, March 6 and 7. $10. At the Unitarian Universalist Church of the Desert, 72425 Via Vail, Rancho Mirage. 760-345-7938; www.script2stage2screen.com.

The Secret Garden—From Palm Canyon Theatre

The orphaned Mary Lennox is sent to England to live with the Cravens. While there, she helps bring life to a secret garden; the show is performed at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, March 20, through Sunday, March 29. $28. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Two By Tony—From Desert Ensemble Theatre Company

Tony Padilla’s one-acts Family Meeting and The Comeback are performed at 7 p.m., Friday and Saturday; and 2 p.m., Saturday and Sunday, from Friday, March 13, through Sunday, March 22. $22 with discounts. At the Pearl McManus Theater in the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 760-565-2476; www.detctheatre.org.

Urinetown: The Musical—From Theatre 29

This comedic tale of greed, corruption, love and revolution in a Gotham-like city at a time when water is extremely scarce is performed at 7 p.m., Friday and Saturday, through Saturday, March 28; there are also matinee shows at 2:30 p.m., Sunday, March 8 and 22. $12 regular; $10 seniors and military; $8 children and students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151; theatre29.org.

Published in Theater and Dance

A Chorus Line—From Palm Canyon Theatre

The legendary musical about a group of performers auditioning for a Broadway show takes place at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, Feb. 8. $32 to $36. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

CV Rep Writers’ Drop-In Group

Andy Harmon facilitates this group for all writers who are interested in becoming better storytellers, from 10 a.m. to 1 p.m., Saturday, Feb. 14 and 28. $15 payable at the class. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

Duck and Cover—From Dezart Performs

This play about 1962 America—and specifically, the trials and tribulations of 12-year-old Stevie Whitebottom—makes its West Coast premiere at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Sunday, through Sunday, Feb. 8. $22 to $25. At the Pearl McManus Theater in the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 760-322-0179; dezartperforms.org.

A Funny Thing Happened on the Way to the Forum—From Palm Canyon Theatre

The famous play about slave Pseudolus’ attempts to help his young master earn the love of a courtesan named Philia is performed at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, Feb. 20, through Sunday, March 8. $32 to $36. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Having Our Say—From CV Rep

The Delany sisters—Sadie, 103 years old, and Bessie, 101—take the audience on a journey through the last 100 years of our nation’s history, from their perspectives as African-American professionals, at 7:30 p.m., Wednesday through Saturday; and 2 p.m., Saturday and Sunday, through Sunday, Feb. 8. $45. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

I Totally Know What You Did Last Donna Summer—From Palm Canyon Theatre

This musical by Dane Whitlock melds slasher-movie tropes, 1990s films and Donna Summer hits at 8 p.m., Friday and Saturday, Feb. 13 and 14; and 2 p.m., Sunday, Feb. 15. $28. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

An Ideal Husband—From Theatre 29

Blackmail, political corruption, intrigue, romance and razor-sharp wit abound in equal measure in this piece of satire by Oscar Wilde, performed at 7 p.m., Friday and Saturday, through Saturday Feb. 7; there is also a matinee show at 2:30 p.m., Sunday, Feb. 1. $12 regular; $10 seniors and military; $8 children and students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151; theatre29.org.

Jack—From College of the Desert Dramatic Arts

This humorous twist on the fairy tale “Jack and the Beanstalk” takes place at 7 p.m., Friday and Saturday, Feb. 27 and 28; and 3 p.m., Sunday, March 1. Prices TBA. At the Pollock Theatre at College of the Desert, 43400 Monterey Ave., Palm Desert. 760-773-2565; codperformingarts.com.

Love! Valour! Compassion!—From Desert Rose Playhouse

Terrence McNally’s Tony Award-winning play about a group of longtime gay friends is performed at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, Feb. 15. $28 to $30. At 69620 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

McCallum Theatre

A sing-along to the film Grease takes place at 2 p.m., Sunday, Feb. 1; $15 to $20. Midtown Men reunites four stars from the original cast of Broadway’s Jersey Boys at 8 p.m., Wednesday, Feb. 4; $35 to $55. Supreme Reflections is a tribute to Diana Ross and The Supremes featuring the Desert Symphony, taking place at 8 p.m., Thursday, Feb. 5; $45 to $95. Memphis: The Musical features the songs of underground dance clubs in 1950s Tennessee at 8 p.m., Tuesday and Wednesday, Feb. 10 and 11; $45 to $95. The classic musical comedy Guys and Dolls takes the McCallum stage at 8 p.m., Friday, Feb. 13; 2 and 8 p.m., Saturday, Feb. 14; and 2 and 7 p.m., Sunday, Feb. 15; $35 to $105. Hershey Felder stars in George Gershwin Alone at 8 p.m., Saturday, Feb. 28; and 2 and 7 p.m., Sunday, March 1; $25 to $75. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787; www.mccallumtheatre.com.

Urinetown: The Musical—From Theatre 29

This comedic tale of greed, corruption, love and revolution in a Gotham-like city at a time when water is extremely scarce is performed at 7 p.m., Friday and Saturday, from Friday, Feb. 27, through Saturday, March 28; there are also matinee shows at 2:30 p.m., Sunday, March 8 and 22. $12 regular; $10 seniors and military; $8 children and students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151; theatre29.org.

Published in Theater and Dance

October 1962 was a crazy time in the United States. The Cuban Missile Crisis had the world on the verge of nuclear war. Deadly riots after the first black student was admitted to the University of Mississippi had the country on edge.

Cultural change was afoot as well: Rock ’n’ roll was taking the country by storm, and some women, in some places, could gain control over their own bodies thanks to “the pill.” Oh, and kids were starting to wear sneakers to school. Yes, God forbid, sneakers.

This is the world in which the Whitebottom family of Worcester, Mass., finds itself in Duck and Cover, the dramatic comedy currently on the Palm Springs Womans Club stage, compliments of Dezart Performs. The organization’s mission is to present newer works of theater, and this is the West Coast premiere of Michael Kimball’s play. He should be proud of the fun, if flawed, production it is receiving from Dezart Performs and director Judith Chapman.

We first meet the Whitebottom family as the father, Hugh, is quizzing his 12-year-old son, Stevie, on state capitals and proper knot-tying. The mother, Claire, looks on, as the friendly neighborhood milkman, Mr. Rippit, drops by. We soon learn that Hugh served our country during World War II on a submarine, and that Stevie wants to be an electrical engineer when he grows up. The scene is straight out of a Norman Rockwell painting—at first.

We soon start to see small cracks in this all-American scene: Hugh chastises Claire for mentioning a financial matter “with strangers,” and makes Stevie feel stupid for dangerously leaving the door unlocked. Yes, Hugh’s a bit domineering—and we sense early on that this is going to become a problem at some point for the Whitebottoms.

The family’s relative peace is thrown into total disarray with the sudden arrival of Bunny, Claire’s brother. He shows up wearing tattered pajamas and holding a trumpet—the one thing he was able to save from the fire that has just destroyed his apartment. Hugh’s not a fan of his musician brother-in-law; he begrudgingly lets Bunny stay, but only until the end of November, and only if he pays $10 per week as rent.

A little later, the family is thrown into further turmoil when Eddie, a—gasp!—black man!—arrives. Turns out he’s a nice guy who is Bunny’s friend and co-worker, but his arrival sends Stevie fearfully scurrying into the bedroom, and leaves Claire wondering whether she’s ever seen a “negro” in person before.

Any play starring Yo Younger and Michael Shaw (Michael, I should disclose, is a good friend of mine) has a lot going for it; after all, they’re two of the best actors working in the valley today. True to form, Younger is amazing; she is, by far, the best thing about this production. She fully inhabits the role of Claire as she transforms from a put-on-a-happy-face housewife into a woman who decides she finally needs to put her foot down to protect her brother, her son and—most importantly—her own self-interests. This is a flawless, fantastic performance; Younger is so good that, at times, you may be tempted to race to the stage to give her a hug as she struggles to reconcile her needs with her reality.

Shaw, on the other hand, falls a bit short in his characterization of Hugh. The lines Hugh is given reminded one of my fellow play-goers of Archie Bunker—Hugh is a domineering bully of a man who declares repeatedly that in HIS house, and with HIS family, HE is the one who makes the rules. While Shaw brings plenty of bluster and frustration to the character, he doesn’t amp up the domination and anger quite enough; it’s hard to believe that Stevie and Claire would be so fully under the thumb of this Hugh. It’s only when Hugh shows off his lovable and noble traits—most notably in a scene near the end of the play when he cries out that all he really wants to do is protect his family from the turmoil of the world that surrounds them—that Shaw truly shines.

Local middle-schooler Stephen Lee is perfectly cast as the awkward, nerdy Stevie, while Scott Smith is good as Bunny; he’s especially good when expressing the adoration he feels for his dear sister, Claire. Hal O’Connell brings a lot of laughs as Mr. Rippit, the milkman who, we learn as the play progresses, is delivering more than dairy products to some of his customers. Robert Ramirez is strong in the first act as Eddie, although he descends a bit too far into stereotypes in the second.

All of the technical aspects of the play, per usual at Dezart Performs, are excellent, with one notable exception: The set. It’s a gorgeous, detailed, technically flawless piece of work, and may well be the best set that could have possibly been designed for the smallish stage at the Womans Club’s Pearl McManus Theater. Problem is, this play feels a bit too big for this stage: A living room, a kitchen and Stevie’s bedroom are all crammed in, and this leads to some awkward blocking by the characters, especially when four or more people are on stage at once.

Kimball’s script has some hilarious lines; I laughed out loud at least a half-dozen times. Still, the book could use some smoothing out. The characters’ transformations at the end seemed unrealistically sudden, and one moment—involving Stevie and Mr. Rippit—came off as downright creepy.

These issues aside, I thoroughly enjoyed Duck and Cover. It’s a funny and, at times, moving piece of theater that will leave you smiling as the talented actors take their bows. Don’t miss it.

Duck and Cover, a production of Dezart Performs, is performed at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Saturday and Sunday, through Sunday, Feb. 8, at the Pearl McManus Theater at the Palm Springs Womans Club, 314 S. Cahuilla Road, in Palm Springs. Tickets are $22 to $25. For tickets or more information, call 760-322-0179, or visit dezartperforms.org.

Published in Theater and Dance

A Chorus Line—From Palm Canyon Theatre

The legendary musical about a group of performers auditioning for a Broadway show takes place at 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, Jan. 23, through Sunday, Feb. 8. $32 to $36. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

CV Rep Luminary Luncheon: Theodore Bikel

Two-time Tony nominee who created the role of Captain von Trapp on Broadway opposite Mary Martin in The Sound of Music is also well-known for portraying Tevye in Fiddler on the Roof on Broadway and elsewhere more than 2,000 times—more than any other actor. He is interviewed by Don Martin at noon, Wednesday, Jan. 28. $45; includes lunch catered by Lulu California Bistro. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

Duck and Cover—From Dezart Performs

This play about 1962 America—and specifically the trials and tribulations of 12-year-old Stevie Whitebottom—makes its West Coast premiere at 7:30 p.m., Friday and Saturday; and 2:30 p.m., Sunday, from Friday, Jan. 30, through Sunday, Feb. 8. $22 to $25. At the Pearl McManus Theater in the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 760-322-0179; dezartperforms.org.

Esperanza: The Musical of Hope—From Desert Ensemble Theatre Company

A concert reading of this brand new musical takes place at 7 p.m., Saturday, Jan. 24. $22, with discounts. At the Pearl McManus Theater in the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 760-565-2476; www.detctheatre.org.

Having Our Say—From CV Rep

The Delaney sisters—Sadie, 103 years old, and Bessie, 101—take the audience on a journey through the last 100 years of our nation’s history, from their perspectives as African-American professionals, at 7:30 p.m., Wednesday through Saturday; and 2 p.m., Sunday, from Wednesday, Jan. 21, through Sunday, Feb. 8. There are also 2 p.m., Saturday, matinees on Jan. 31 and Feb. 7. $45 regular; $55 opening night on Friday, Jan. 23; $40 previews on Wednesday and Thursday, Jan. 21 and 22. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

An Ideal Husband—From Theatre 29

Blackmail, political corruption, intrigue, romance and razor-sharp wit all abound in equal measure in this piece of satire by Oscar Wilde, performed at 7 p.m., Friday and Saturday, from Friday, Jan. 9, through Saturday Feb. 7; there are also matinee shows at 2:30 p.m., Sunday, Jan. 18 and Feb. 1. $12 regular; $10 seniors and military; $8 children and students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151; theatre29.org.

Lost in Yonkers—From Desert Theatreworks

Neil Simon’s tale of two boys stuck at their grandmother’s house in 1942 is performed at 7 p.m., Friday and Saturday; and 2 p.m., Saturday and Sunday, from Friday, Jan. 16, through Sunday, Jan. 25. $25 regular; $23 seniors and students with ID. At the Arthur Newman Theatre in the Joslyn Center, 73750 Catalina Way, Palm Desert. 760-980-1455; www.dtworks.org.

Love! Valour! Compassion!—From Desert Rose Playhouse

Terrence McNally’s Tony Award-winning play about a group of longtime gay friends is performed at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, Jan. 16, through Sunday, Feb. 15. $28 to $30. At 69260 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

McCallum Theatre

Night Fever: A Musical Tribute to The Bee Gees takes place at 8 p.m., Friday, Jan. 9; $30 to 55. Palm Springs Legends II gathers performers playing the stars that made Palm Springs the place to be, at 8 p.m., Saturday, Jan. 10; $25 to $65. The Peking Acrobats perform at 7 p.m., Tuesday, Jan. 13; $20 to $35. Broadway legend Tommy Tune performs Taps, Tunes and Tales with the Desert Symphony at 8 p.m., Thursday, Jan. 15; $55 to $105. Tangos Buenos Aires arrives from Argentina at 8 p.m., Monday, Jan. 19; $25 to $75. The Alberta Ballet dances at 8 p.m., Tuesday, Jan. 27; $25 to $85. Rain: A Tribute to the Beatles takes the stage at 8 p.m., Friday, Jan. 30; and 2 and 8 p.m., Saturday, Jan. 31; $35 to $85. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787; www.mccallumtheatre.com.

Published in Theater and Dance

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