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Are You There, God? It’s Me, Karen Carpenter—from the Palm Canyon Theatre

Margaret Simon moves to New Jersey, falls in love, enters sixth grade, joins an all-girl group, obsesses about bras and becomes a woman—all while singing the hits of the Carpenters. The play is loosely based on Judy Blume’s coming-of-age novel. 8 p.m., Friday, Oct. 18, and Saturday, Oct. 19; 2 p.m., Sunday, Oct. 20. $25. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Frida—The Musical

This bio-musical about the life of world-famous painter Frida Kahlo shows the folklore, drama and tenderness of this exceptional woman, who endured the most intense physical and emotional pain. Its brought to the stage by a cast of 30 actors, singers and dancers; it ties together the music and popular culture that Frida valued so much. 8 p.m., Friday, Oct. 25. $29 to $79. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787; www.mccallumtheatre.com.

House of the Rising Son—from the Desert Rose Playhouse

Tom Jacobson’s play is a mysterious romance that evokes the steamy atmosphere of the French Quarter in New Orleans. The action centers on Dr. Trent Varro, who brings his younger lover, Felix, back to New Orleans to meet his wealthy relatives. Ghostly sightings and unexpected revelations follow. 8 p.m., Friday and Saturday; 2 p.m., Sunday, through Sunday, Oct. 27. $25 to $28. At 69260 Highway 111, Rancho Mirage. 760-202-3000; www.desertroseplayhouse.org.

Master Class—from Coachella Valley Repertory

Toward the end of her career, opera star Maria Callas taught master classes at Lincoln Center. In this play, by Terrence McNally, the audience gets to watch her in action with her students, as she reflects on her life and career. 7:30 p.m., Wednesday through Saturday; 2 p.m., Sunday, from Wednesday, Oct. 23, through Sunday, Nov. 10. (Oct. 23 and 24 are previews.) $35 to $50. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966; www.cvrep.org.

The Mousetrap—from Desert Theatreworks

Agatha Christie’s well-known whodunit features chills and laughs as the harried detective tries to solve the mystery before another of the lodgers at Monkswell Manor winds up dead. 7 p.m., Friday; 2 and 7 p.m., Saturday; and 2 p.m., Sunday, from Friday, Nov. 1, through Sunday, Nov. 10. $23 to $25. At the Arthur Newman Theatre in the Joslyn Center, 73750 Catalina Way, Palm Desert. 760-980-1455; www.dtworks.org.

The Sound of Music—from the Palm Canyon Theatre

The classic Rodgers and Hammerstein musical. 7 p.m., Thursday; 8 p.m., Friday and Saturday; 2 p.m., Sunday, from Friday, Oct. 4, through Sunday, Oct. 13. $32. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Standing on Ceremony: The Gay Marriage Plays

Keith Coleman, in association with Palm Springs Pride, presents an encore performance of a series of short plays, conceived by Brian Shnipper and written by Emmy-, Tony- and Pulitzer-winning authors. 8 p.m., Friday, Nov. 1, and Saturday. Nov. 2. $29 and $39. At the Annenberg Theater at the Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-325-4490; www.annenbergtheater.org.

The Sudden Glide—from Script2Stage2Screen

This comedy, written by David A. Crespy, explores the life of a 60-something Southern-born actress, Yvonne Allaway, as she faces the toughest hurdle of her life—a fifth Academy Award nomination for Best Actress, and she’s again pitted against Meryl Streep. On the way to the ceremony, she is given just enough coke and booze to throw her off her game—and make things very interesting. 7:30 p.m., Friday, Oct. 4, and Saturday, Oct. 5. $10. At the Unitarian Universalist Church of the Desert, 72425 Via Vail, Rancho Mirage. 760-702-0062; www.script2stage2screen.com.

Vivien—from the Palm Canyon Theatre

The play offers a journey beyond Vivien Leigh’s triumphs into the madness that tortured her. She reflects on her tumultuous relationship with Laurence Olivier and her tragic battles with manic depression and tuberculosis. 8 p.m., Friday, Oct. 25, and Saturday, Oct. 26; 2 p.m., Sunday, Oct. 27. $25. At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123; www.palmcanyontheatre.org.

Published in Theater and Dance

Is there anything more exciting than the prospect of an upcoming theater season? The offerings from the valley’s varied companies always provide a huge variety—and the 2013-2014 season is no exception. I can’t wait!

Below, you’ll find comments from the theater companies that had announced their schedules and shared their information with us as of our press deadline; we will add more at CVIndependent.com as other companies report back to us.

Don’t miss my reviews of many of these plays, both online and in the Independent’s monthly edition, launching in October!

Desert Rose Playhouse

HOUSE OF THE RISING SON, by Tom Jacobsen: Sept. 27-Oct. 27

THE MOST FABULOUS STORY EVER TOLD, by Paul Rudnick: Nov. 15-Dec. 22

NITE CLUB CONFIDENTIAL, by Dennis Deal: Jan. 10-Feb. 16

An untitled new play, by Dan Clancy: March 21-April 20

THE HAUNTED HOST, by Robert Patrick: May 2-June 1

Jim Strait and partner Paul Taylor report that the season for their LGBT playhouse begins with a Southern gothic, Los Angeles-New Orleans show; think “Anne Rice meets Tennessee Williams.” House of the Rising Son features ghosts, graves, special effects, and a post-Katrina/Rita all-male dynasty. Eek!

The Most Fabulous Story is a re-writing of the Old Testament. “It starts in Eden. Adam looks over the fence, and it all goes to hell in a handcart! They invent civilization, wind up in Noah’s Ark (where the bartender is a rhinoceros, and there is an amorous pig), get enslaved by a fabulous pharaoh, and wind up at the Nativity. The second act is in contemporary New York.”

Nite Club Confidential is “a film-noir musical, a cross between Sunset Boulevard and All About Eve. Stars on the rise and a diva on the rocks! Very stylistic, with American songbook music plus new original music. … It takes place in the Eisenhower years.”

The Haunted Host was one of the very first gay plays in New York, and is now celebrating its 50th anniversary. Strait acted in a performance in San Diego in 1983, and it was reportedly the first show that Harvey Fierstein ever did.

In addition, Desert Rose will feature a special attraction in March: Dorothy Kirk, a 65-year-old monologist. Strait muses, “I love a storyteller. We don’t get a lot of lesbian participation, so this will change that. It is charming!”

Tickets go on sale in August; www.desertroseplayhouse.org.

Coachella Valley Repertory

MASTER CLASS, by Terrence McNally: Oct. 23-Nov. 10

THE STORY OF MY LIFE, by Brian Hill and Neil Bartram: Dec. 4-22

A PERFECT GANESH, by Terrence McNally: Jan. 22-Feb. 9

FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, by Terrence McNally: March 19-April 6

Louise Ross, the theater’s PR lady, is “really excited” about this season’s theme.

“McNally is one of America’s greatest playwrights, and we’re doing a collection of his work,” she says.

The 84-seat theater, raked for visibility, is the home of Ron Celona’s brainchild. The first Wednesday and Thursday of each show are considered preview nights (with tickets $30 instead of the usual $40); that first Thursday is also a “talkback,” featuring an audience Q&A.

“McNally has a way of being thought-provoking and entertaining at the same time. He brings controversial subjects into life situations, and makes you want to talk about what you’ve seen afterward,” says Ross.

I saw Master Class, about a celeb teaching opera, years ago in L.A., and it was stunning, with everything depending on the role of Maria Callas. Frankie became a movie, marvelous with Pacino and Pfeiffer. Ross told me about a stage version with Stanley Tucci and Frances Sternhagen—and why this show has an audience advisory due to language and brief nudity, a first for CV Rep.

Ganesh is a search for The Exotic by two white ladies in India. “It starts with an ordinary situation and becomes this whole other world,” says Ross, “about your bucket list.”

More info at www.cvrep.org.

Dezart Performs

EXQUISITE POTENTIAL, by Stephen Kaplan: Nov. 22-Dec. 1

INVASION OF PRIVACY, by Larry Parr: Jan. 31-Feb. 9

SIXTH ANNUAL PLAYREADING SERIES, April 11-19

Artistic director Michael Shaw co-founded this 5-year-old group, known for its play-reading series on which the audience votes, with the winner produced the following year. Last season brought a tie—so both plays are being produced this coming season.

Exquisite playwright Stephen Kaplan came to the reading (and was very pleased), and intends to be here again for the production. “It’s brilliant, clever, one of the most interesting story lines ever,” enthuses Shaw. The comedy-drama deals with a man who believes his 3-year-old son is the Messiah—to the surprise of his rabbi and his pregnant wife.

The second play resonates with Shaw, who once lived in Central Florida, where it is set. Invasion is about a relationship that becomes a libel suit—one that really went to the Supreme Court in the 1940s. Shaw knows the life depicted in the play well. “I had alligator stew often, and my dad used to catch wild turkeys and snapping turtles for dinner. I want to hang moss for this show!”

Considering everything happening news, these topics are as timely as ever, Shaw says.

“Tickets will be on sale in July!” promises Shaw, who keeps the ticket prices to a sensible $18-$22; www.dezartperforms.com.

Desert Theatreworks

THE MOUSETRAP, by Agatha Christie: Nov. 1-10

MARRIED ALIVE, by Sean Grennan and Leah Okimoto: Dec. 6-15

BLAZING GUNS AT ROARING GULCH: Jan. 24-Feb. 2

THE GREAT AMERICAN TRAILER PARK MUSICAL: March 14-23

The Joslyn Center’s Arthur Newman Theatre in Palm Desert is now home to the Desert Theatreworks, with Lance Phillips-Martinez at the helm. He tells me that Mousetrap is the longest-running play in the world—and it already had that distinction when I saw it back in London in 1966! It’s a whodunit murder-mystery, of course.

Married is a new musical which he describes as “zany,” with newlyweds and “oldyweds” looking at marriage. Blazing is an old-fashioned “mellerdrammer” in the Wild West, with songs, skits and a very hissable villain.

Trailer is a musical that is “the theatrical equivalent of a bag of Doritos,” says Phillips-Martinez, “at Armadillo Acres in Florida—a fun, fun, fun time!”

It’ll be exciting to watch this new company as it enters the desert’s theatrical community; www.dtworks.org.

Palm Canyon Theatre

THE SOUND OF MUSIC: Oct. 4-13

AVENUE Q: Nov. 8-17

SHREK: Dec. 6-22

LES MISERABLES: Jan. 24-Feb. 9

9 TO 5: Feb. 28-March 9

JESUS CHRIST SUPERSTAR: April 4-20

THOROUGHLY MODERN MILLIE: May 2-11

SEUSSICAL THE MUSICAL: July 11-20

This coming season, the downtown Palm Springs mainstay is focusing on big Broadway shows—and they’re throwing in a “classic series” of one-weekend shows as well. We’d tell you more, but nobody from the theater got back to us before our press deadline; www.palmcanyontheatre.org.

Watch CVIndependent.com frequently for updates, reviews and theater news. Enjoy!

Published in Theater and Dance

For the Coachella Valley Repertory theater company, this season is all about tolerance.

“We live in a society that isn’t tolerant,” says Ron Celona, the CV Rep artistic director and the director of Six Dance Lessons in Six Weeks, which opens Wednesday, Jan. 22, and runs through Sunday, Feb. 10.

That intolerance (undeniably a bad thing), combined with the increasing diversity in our not-so-little-anymore community (undeniably a good thing), led CV Rep to make tolerance the theme for the three adult plays (plus one children’s show) the company is presenting this season.

And how does Six Dance Lessons in Six Weeks—a comedy by Richard Alfieri focusing on the widow of Southern Baptist minister and her gay dance teacher—fit into that theme?

“It brings up issues in the community that need to be addressed,” Celona says. “(The play) sort of pushes the tolerance of both of the characters.”

The woman, Lily Harrison (played by Bobbi Stamm), grew up in the South and has conservative, biblically rooted beliefs. The man, Michael Minetti (Sean Galuszka), came to Florida from New York City to take care of his mother; she has since died, and Michael feels stuck in Florida, an aging gay man trying to find his place in the world.

“They both have preconceived judgments about each other,” Celona says.

Six Dance Lessons in Six Weeks had a brief—four weeks, to be exact—stint on Broadway in 2003, with Polly Bergen and Mark Hamill in the lead roles. Six Dance Lessons has since been performed on stages large and small around the world.

Celona says the play was appealing to him because it’s a comedy that addresses tolerance, and was a nice fit in between CV Rep’s other two plays this season, both of which are more dramatic: Donald Margulies’ Collected Stories, which was onstage in October and November, and Cormac McCarthy’s The Sunset Limited, which opens in March.

In fact, the tension between Six Dance Lessons’ more dramatic elements and its comedic parts led to one of the biggest challenges for Celona as a director, he says.

“It was extra tricky to work around the very dramatic parts of the play, and to keep it a comedy,” says Celona, who had not seen a live version of the play before. “If I was not careful to choreograph and maneuver (through the more dramatic parts), it could have become a drama. We have to remind ourselves this is a comedy.”

He praised both of the actors for dedicating themselves so fully to the roles. Galuszka has been in a number of TV shows and films, including a large role in recent indie film Crossroad. Stamm has a background as a nightclub singer/comedian, with various stage and screen roles to her credit.

“When you have actors who are so committed to a role and the growth of a new company, it’s just so appreciated,” Celona says.

CV Rep is indeed one of the valley’s newer theatrical organizations, in its second year in its home at The Atrium in Rancho Mirage, Celona says. Celona, of course, thinks the future of CV Rep in the ever-diversifying Coachella Valley is bright.

“The time has come for a professional regional theater, where thriving, working artists can perform,” Celona says.

Six Dance Lessons in Six Weeks takes place at 8 p.m., Wednesday through Saturday; and 2 p.m., Sunday, through Sunday, Feb. 10. Tickets are $40. The Coachella Valley Repertory theater is located at The Atrium, 69930 Highway 111 in Rancho Mirage. For tickets or more information, call 296-2966, or visit www.cvrep.org.

Published in Theater and Dance

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