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Last updateTue, 18 Sep 2018 1pm

Theater and Dance

01 Dec 2018
Ah, yes, Christmas With the Crawfords … could the title sound any more Norman Rockwell-idyllic? But the very fact that Desert Rose Playhouse has chosen this play as its annual Christmas show should immediately arouse deep suspicion, because this theater has become known for twisting one’s head. This offering, from producer and artistic director Robbie Wayne, was created by Richard Winchester and written by Mark Sargent. It’s directed by Kam Sisco, Desert Rose’s managing director—and it is a romp. It turns out “The Crawfords” means the cobbled-together family of Hollywood actress Joan Crawford, so we are catapulted back to the early days of the movies. The play gives actors multiple opportunities for outrageous costumes and imitations of famous entertainers—all them happily in drag, flashing around in festively colored feathers, jewels, capes and some unusual accessories. The more you know about those days of film and the fashions of the time,…
10 Nov 2018
After a decade of Dezart Performs producing excellent, thought-provoking plays, one would expect artistic director Michael Shaw to open the company’s 11th season with something special—but the production of Jason Odell Williams’ Church and State goes beyond special; it’s spectacular. Shaw once again demonstrates his skill in choosing material. The themes of politics, religion, gun control and social media could not be any timelier. The play opens three days before Election Day. Incumbent Republican Sen. Charles Whitmore (Beau Marie) is running neck and neck with his opponent in Raleigh, N.C.—but his victory could be in serious jeopardy after he admits to a blogger that a recent school shooting has shaken his faith and perhaps made him re-think his views on guns. Whitmore’s devoutly Christian wife, Sara (Kelley Moody), and liberal Jewish campaign manager, Alex (Tammy Hubler), are aghast at this turn of events, and desperately try to convince him to…
03 Nov 2018
Until now, I was always haunted by the line about “first-nighting” in that song “Autumn in New York.” But after seeing Coyote StageWorks’ newest show at the lovely Annenberg Theater in Palm Springs, The Understudy, I think we’ve got New York beat: Mix a gorgeous mellow fall evening, a packed house of enthusiastic theater-goers, the presentation of a citation celebrating the achievements of Coyote Stageworks from city of Palm Springs, and the excitement of opening night for a new play … can it get better than this? The Understudy is the 10th-season-opener for Coyote StageWorks and Chuck Yates, the founding artistic director. The company has garnered more than 80 Desert Theatre League Awards—and if that’s not success, what is? Alas, not everyone goes to the theater—a pity, because no electronic experience can duplicate the thrill of live theater. When a show is a success, there is an electricity in the…
28 Oct 2018
The season opener for Coachella Valley Repertory Theatre is How I Learned to Drive. That’s a subject in which I am very interested, since I’m the only person I know who has never—since I got my driver’s license at 16—had an accident or gotten a traffic ticket. However, no driving skill prepares you for this play by Paula Vogel. It won the Pulitzer Prize back in 1998, as well as Obies, Drama Desk Awards and an Outer Circle Award. Yes, the play is about learning to drive, and there are plenty of automotive references and sound effects … but, mostly it is about sexual abuse. Back 20 years ago, things were different, yet eerily the same. Back then, we were reeling from the revelations about Bill Clinton and Monica Lewinsky, Anita Hill and Clarence Thomas. Today, look at our list of exposed predators, from Cosby to Moonves to Weinstein. Founding…
07 Oct 2018
Life is all about change, and there have been some major changes at the Desert Rose Playhouse this season—all of which bode well for the theater’s future. After years of putting on excellent, edgy productions, founder and artistic director Jim Strait and his partner, producer Paul Taylor, have retired and handed over the reins to Robbie Wayne (producing artistic director) and Kam Sisco (managing director). In addition, a collaboration with Streetbar has allowed Desert Rose to open a small bar in the lobby which was previously unused and hidden by a curtain. Now patrons can sit at small tables and enjoy a cocktail or a soda before the show and at intermission. Wayne has wisely chosen Nathan Sanders’ Southern Gothic tale The Sugar Witch as this season’s opening production. With Halloween just weeks away, the spooky tone of the play—featuring ghosts, witches, murder and eerie music—seems just right. The story…
24 Jun 2018
Believe it or not, I have 10 years of experience with female incarceration! Yes, me! OK … it was as a weekly volunteer at the Riverside County Jail in Indio. But still … For most of us, there is something fascinating about the behind-locked-doors aspect of prisons, as many movies and TV shows have found. Think Papillon, Birdman of Alcatraz, The Shawshank Redemption, The Green Mile, Cool Hand Luke, Orange Is the New Black, etc. But theater about women’s prisons? There’s not much. So it was interesting that Desert Rose Playhouse producer Paul Taylor would choose Women Behind Bars as the company’s season closer. It is advertised as a satire of the B movies of the 1950s. They are now sometimes considered “exploitation” films, but here, it is the simple story of the innocent Mary Eleanor, who has been duped into taking the fall for a crime and who lands…

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