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Splash House is coming to Palm Springs for the second time this summer, on Aug. 8 and 9. Once again, the venues will include the Hilton and the Saguaro, but this time around, 2014 Splash House venue the Hard Rock Hotel is back, with the Hacienda Cantina and Beach Club taking this one off.

Here are six can’t-miss acts at the August Splash House.

Matoma

Matoma (right) is a big name in the tropical-house genre. Hailing from Norway (where there isn’t anything tropical), this DJ and producer started out as a pianist when he was a child. He grew tired of the classical-piano world and started to spend time remixing on his computer. One of his works, a remix of Notorious B.I.G.’s “Old Thing Back,” became a huge hit in Europe. Matoma’s tropical house style will be perfect poolside in the summer heat.

Goldroom

Goldroom is a former member of the popsynth band NightWaves; he’s also the co-founder of the record label Binary Entertainment. As a producer, he’s worked with acts including Bag Raiders, Futurecop!, Miami Horror and many others. This house DJ has a few different styles under his belt, including nu-disco and deep house. He’s been featured on MTV and BBC Radio, and has received rave write-ups from publications such as Pitchfork.

Yolanda Be Cool

With a name referencing Pulp Fiction, you figure this group has to be cool, right? These two guys have shared the stage with Pitbull, Justin Martin, Flo Rida and Jesse Rose. One of their remixes, “We No Speak Americano,” an Italian folk song with a funky beat, was an international hit. These guys do great remixes, and it’s sure that their live set will impress.

No Regular Play

No Regular Play is made up of Greg Paulus and Nick DeBruyn; they have known each other since the age of 8 and bonded over their love of hip-hop music. Paulus is a jazz-trumpet player, and DeBruyn is a master mixer who knows how to complement Paulus’ trumpet-playing. Yes, it’s a half-jazz/half-electronic-music act—and they occasionally throw in some Afro-Cuban rhythms to create some truly unique music.

Autograf

Another tropical house outfit, Autograf has done attention-grabbing remixes of Marvin Gaye, Stevie Wonder, Daft Punk and others. On top of making music, the group also makes sculptures, combining a love of music and the world of traditional art. “Future Soup” is a 500-pound piece of art that makes people think about the future, and unlimited potential. The members have talked about how they’d like to include sculptures in their live act. A Splash House must-see.

Eau Claire

Hailing from Washington, D.C., Eau Claire (below) is a producer and DJ who combines nu-disco and indie-dance into her repertoire. She currently has more than a million plays on her Soundcloud page, and she’s been the talk of the industry on various music blogs and in dance-music publications. She stays consistently busy and is always releasing remixes that impress.

Published in Previews

When you’re at Splash House, you have a choice: Should you focus your attention on the world-class DJs and EDM artists, or should you watch what’s going on in the pools?

The answer, if possible, is to do both. All three participating venues this past weekend—the Hilton Palm Springs, the Hacienda Cantina and Beach Club, and the Saguaro—featured both crowds and music that were quite entertaining.

As for the crowds: Splash House attendees go all out when it comes to wild choices regarding pool floaties. I saw them in the shape of everything from slices of pizza, to an ice cream sandwich, to a pig—an even an alpaca. The body paint, swimsuits and T-shirts worn by attendees are also often quite creative, and the dancing ranges from silly to downright mesmerizing.

When the DJs demanded attention, the crowd was there to give it to them—if attendees were into it, of course. There were moments at all three venues when the crowd was not feeling what was being played, meaning the DJs were ignored—or attendees hopped on a shuttle to go to another venue.

On Saturday at noon at the Hacienda, Aaron C, was the first of the local DJs to kick things off. Meanwhile, Lee K’s 1 p.m. set at the Saguaro was … repetitive. She essentially looped the same beat for an hour, and unsurprisingly, many attendees didn’t appear to be interested.

Following Lee K. was former Hacienda resident DJ Colour Vision. It wasn’t long before people were coming out of the Saguaro pool and making their way to the dancing area. His tropical house tracks got people moving—and kept them dancing until the end.

At the Hilton in the late afternoon, Anna Lunoe turned in a lively set for a large crowd that had gathered for her performance. She didn’t stick to a specific sound, instead playing a variety with heavy bass sounds and interesting rhythms. Close to the end of her set, she declared into a microphone: “I ALWAYS DELIVER!” This earned her a loud ovation.

18-year-old Justin Jay closed out the day at the Hacienda, from 5 to 6 p.m. He is reportedly a piano prodigy who found a love for DJing, and his set consisted of retro feel-good music that went all the way back to the soul era. He wasn’t afraid to include some amusing tracks such as the 69 Boyz’ “Tootsee Roll,” which was a big deal if you grew up in the ‘90s. Another amusing pick: Quad City DJs’ “Space Jam,” from a 1996 movie with the same title featuring Michael Jordan and the Looney Tunes.

During Viceroy’s 6 p.m. set at the Saguaro, it highly evident that the Saguaro was definitely the place to be: The entire pool was full of people to see this big name in the DJ world.

Over at the Hilton, house music DJ and Grammy Award-winning producer Gigamesh was the second-to-last performer for the night. His set consisted of many of his own remixed tracks, such as Donna Summer’s “Bad Girls,” and Michael Jackson’s “Don’t Stop ’Til You Get Enough.” Gigamesh put on a delightful set, and people were grooving all over the place. At the end of his set, he thanked the crowd and closed with his remix of Radiohead’s “Everything in Its Right Place” as the legendary RAC began transitioning over to his set.

Speaking of RAC (Remix Artist Collective): It was just André Allen Anjos. The collective, which used to include four additional members, has been known for creating remixes that go beyond the typical remix norm. Their takes on various songs made the collective quite popular. Anjos’ set was a lot of fun and was a great way to close out the first day of Splash House.

On Sunday at noon at the Hacienda, Independent resident DJ Alex Harrington started things off, and was followed by Luca Lush, who appeared to have technical problems: The Pioneer CDJs didn’t seem to be working correctly and threw off the beat of the tracks he was playing; the sound began to skip and repeat itself.

Throughout the day at the Hilton, it was quieter than it had been on Saturday. During Vanilla Ace’s late-afternoon set, not many people were in the pool or dancing in front of the stage. Turns out many of the attendees were over at Saguaro, taking in sets by Hippie Sabotage and an encore performance by Justin Jay—or they were at Hacienda getting ready for a closing set by Bakermat.

During Bakermat’s set, his sexy version of house music had a good-sized crowd dancing; he even brought out a saxophonist who played with one of his tracks.

Over at the Saguaro, things were quite chaotic as Thomas Jack transitioned over from a set by SNBRN. While I thought the Saguaro’s pull area was full on Saturday, it was even more crowded on Sunday, with wet bodies fresh out of the pool standing shoulder to shoulder—and so many people in the pool that you could barely see the color of the water, which was just plain disgusting at that point.

During some of the late afternoon/evening acts at the Hilton, trap music and DJs that played with heavier bass and drum-style sounds ruled the day. Wave Racer and Cashmere Cat were both into the heavy bass sound, and when Cashmere Cat closed out the Hilton, the first track he played sounded like an engine going faster and then slowing down.

The atmosphere at Splash House is quite fun; it feels like you’re at one of those wild house parties from a comedy film. Splash House offers a more relaxed and “chill” atmosphere as an electronic music festival—and the charm of Palm Springs makes it work.

Published in Reviews

Vanilla Ace was once a model and presenter on a show called The Mag. However, it appears he’s now found his true calling: The London-based producer and DJ is coming to the United States for a summer tour for the second year in a row—and just like last year, he’ll be making a stop at Splash House.

During a recent Skype chat from London, he talked about his entry into the music business.

“It started a long time ago, when I was 14,” Vanilla Ace said. “My brother said one day, ‘We’re going to buy turntables for Christmas.’ I was like, ‘Um, why?’ and he said, ‘We could buy records that we like,’ and all this other stuff. At the time, I didn’t believe him, and a lot of the music I liked at the time, you could only buy on 12-inch promo vinyl from the USA. I started building up a little record collection.”

Vanilla Ace originally had a lot of hip-hop and R&B influences, he said. “I also liked drum and bass and rave music like the Ratpack. In the late ’90s, I really got into house music when I was in my college years, and I really started to get into that sound.”

He’s well-known as a house DJ, but he’s also known for nu-disco, which is inspired by the original artists of the ’70s and ’80s.

“Nu-disco isn’t really a new thing, and it’s been around for a while now,” he said. “It’s a cool genre of music, and it’s always evolving. Daft Punk, Nile Rodgers and all these guys are making disco music that is massive globally; it doesn’t hurt the genre at all. … A lot of the stuff I made in the early part of my career was nu-disco. But the more I DJ’d out at clubs and festivals, I realized nu-disco is a bit too laid back for a party, club and festival vibe.”

Vanilla Ace said he doesn’t see a lot of current differences between the European and American electronic-music scenes.

“I just came back from Los Angeles, and I played at the Exchange in downtown Los Angeles,” he said. “The United States is becoming similar to playing in London: They like the heavy bass, deep house and tech house, and you can play different sounds as long as it flows, which is cool.”

A recent prominent article posited that many DJs lack production skills. Vanilla Ace said he feels that’s backward: He thinks too many producers lack DJ skills.

“You’ll find guys who have been producing in their bedroom or studio for years, and someday they get big, and they think, ‘Oh shit, I have to learn to DJ,’” he said. “Then you go and hear them, and it’s like a car crash, because they’ve never played to a crowd before. Or they are using Ableton or some other crappy program to do it all for them. There are a lot of young guys making garage house music where the production value is pretty bad, and they’re just making it because it’s a fad, and they think, ‘I’m going to jump on that bandwagon.’”

When I brought up trap music, Vanilla Ace said he sees the positive aspects of it.

“When you think about trap, it’s crossed over massively. Looking at Beyonce’s ‘Drunk in Love’ and Rhianna’s latest music, a lot of their latest hits came from trap music. It’s a lot like when dubstep crossed over, and people infused that in their pop music. Trap music has gone commercial, if you know what I mean.”

Vanilla Ace said he’s now more prepared for Splash House than he was last year.

“It was incredibly hot,” he said. “That was like proper desert heat, but it was fun. It’s just a crazy pool party … but it’s a lot of fun. I know what to expect now.”

Splash House’s June edition takes place Saturday and Sunday, June 13 and 14, at the Hacienda Cantina and Beach Club, The Saguaro and the Hilton Palm Springs. Tickets start at $115. For tickets or more information, visit splashhouse.com.

Published in Previews