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Last updateTue, 18 Sep 2018 1pm

The Melvins don’t take themselves too seriously.

They’re currently celebrating 30 years together while touring behind Everybody Loves Sausages, an album of covers that includes a version of Queen’s “Best Friend.”

They’re also making a stop at Pappy and Harriet’s Pioneertown Palace on Tuesday, Aug. 27.

The Melvins were formed in Montesano, Wash., in 1983 by Buzz Osborne (vocals, guitar). The original lineup also included Matt Lukin (bass) and Mike Dillard (drums). Eventually, Dillard left the band and was replaced by Dale Crover; Lukin also left the band, and The Melvins have gone through several bass players since.

The band’s unique cross between hardcore punk and doom metal has been linked to the grunge bands of the Northwest, largely due to the fact that Osborne was a high school classmate of late Nirvana frontman Kurt Cobain, and Cobain supported of The Melvins while Nirvana was going on to become a mainstream success.

The Melvins, meanwhile, have not been such a mainstream success; however, they remain legends of the underground and an extraordinary live band—and they actually look like they enjoy being in a band together.

“We really have nothing to live up to; that’s a plus,” Osborne said during a recent phone interview from Los Angeles. “I still like doing what I’m doing; I would probably be doing it to some degree in some fashion, whether I was playing sports arenas or not.

“I’m definitely a workaholic. When you stand up next to certain arena-rock people, you think those people would have more time on their hands and certainly more money to do whatever they want to, and they seem for some reason to work less. I’ve never understood that, and it’s very strange to me.”

When it comes to The Melvins’ connection to grunge and the fact that they’re categorized into the same scene as Pearl Jam, Osborne said the connection never boosted their image.

“We certainly sound more like Mudhoney than we do Pearl Jam,” Osborne said. “In a similar position … Pearl Jam’s audience would have no concept or have any interest in either us or Mudhoney. Pearl Jam has sold millions of records, and they’re like U2, which means they’re untouchable. They don’t care. Why should they?”

Beyond their faithful core audience, The Melvins haven’t been opposed to playing to new and mainstream audiences. However, The Melvins list Lollapalooza ’96 and Ozzfest ’98 as their least-favorite experiences. They ended up getting invited to Lollapalooza during the era when grunge was already dead, and the nu-metal bands were dominating the market.

“The interesting thing about Lollapalooza is they never had any interest in us when Perry Farrell was at the helm,” Osborne said. “Perry always thought we were ‘too metal’ for his liking and his festival. They would openly say, ‘Perry doesn’t like your band. We would like you guys to come, but Perry said no.’ … The second Perry wasn’t involved, we were in there. We played the second stage; we played to a lot of people every day, and it was great. But it was hard to be there when people had no interest.”

Osborne has an amusing story about how the band found themselves in Ozzfest in 1998.

“Ozzfest flatly said they didn’t want us to do it. When I say that, I mean they openly said they did not want us to do it. The only reason we did it is because Tool was co-headlining, and they said, ‘We want one band on this tour we can like, so we won’t do it unless The Melvins play.’”

In hindsight, there’s no love lost between The Melvins and the figureheads of those festivals.

“I’ve always said this stuff about Perry and especially Ozzy being drugged-out morons, but when Ozzy’s wife came out and said, ‘I had no idea he was on prescription drugs,’ I mean, I knew he was on prescription drugs! How the fuck could she not had known? She’s just bullshitting us!”

As Everybody Loves Sausages hits the shelves, Osborne said those covers were recorded among a lot of other material.  The band wanted to give fans an inside look at the songs that inspired them. Osborne noted that the cover of Iron Head’s “Black Betty” was not planned for the album, but rather for a commercial contest.

“We did that for a Super Bowl commercial-making contest,” said Osborne. “This company had all these bands record versions of that song, and the winner would get to have their version in a Super Bowl commercial. We didn’t win. They gave us some money to make it, and we could do whatever we wanted with the song, and we didn’t have any problem with that.”

As for what is bringing The Melvins to Pappy and Harriet’s, Osborne explained that the band is booked at the FYF Festival in Los Angeles on Aug. 25, and contractual agreements with promoter Goldenvoice prevent them from playing within a certain radius of Los Angeles.

Osborne also said bassist Jared Wallen will miss the show due to “paternity leave” and said that Jeff Pinkus from the Butthole Surfers will be filling in.

“We’ve never played there before, so it should be good,” Osborne said. “We looked for a venue that was somewhere around the Los Angeles area, and we couldn’t play Orange County, so we just figured it made sense to play Pappy and Harriet’s.”

The Melvins will perform an all-ages show with Honky at 9 p.m., Tuesday, Aug. 27, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown. Tickets are $15. For more information, call 760-365-5956, or visit www.pappyandharriets.com.

Published in Previews

For fans of Donna the Buffalo (“The Herd,” as the band refers to them), the five-year wait for a new album is over: On June 18, the band released Tonight, Tomorrow and Yesterday.

However, local fans of The Herd still have a bit of a wait to see the band live: Donna the Buffalo is making a stop at Pappy and Harriet’s Pioneertown Palace on Friday, Aug. 2.

“I told my booking agent, ‘We’re not going out West without booking Pappy and Harriet’s,” said Tara Nevins, in a recent phone interview from New York.

Inspired by the old-country music sound, folk music, bluegrass and what has been known as “roots music,” Donna the Buffalo was formed in 1989 in Trumansburg, N.Y., by Tara Nevins and Jeb Puryear, the songwriters for the group. In almost a quarter-century together, the band has released 10 studio albums. They even started their own annual live show in upstate New York, the Finger Lakes GrassRoots Festival of Music and Dance, which draws around 15,000 people each year.

The band has gone through various lineup changes through the years.

“Jeb and I are the only original members at this point. Right now, I think we’re really enjoying this band out of any version we've had. I think this version somehow really makes the voice come across as the best,” said Nevins.

The band is often labeled as an Americana act.

“Donna the Buffalo was ‘Americana’ from the first day,” said Nevins. “There have always been a ton of Americana bands, and there always will be, and now there’s a home for them. That genre is growing year to year, and now there’s an Americana category at the Grammy Awards. It’s growing in the eyes of the music world. But Americana bands have always been here, and now there’s a name for them.”

As the genre grows, so, too, does Donna the Buffalo’s success. The group’s independent spirit and busy touring schedule has kept them successful. Their 2008 album, Silverlined, reached the Top 10 on the Americana charts. They’ve performed and recorded with some of the biggest names in folk music, including Béla Fleck, David Hidalgo of Los Lobos, and Jim Lauderdale. Nevins also performed as a member of Grateful Dead drummer Bill Kreutzmann’s band BK3.

“We’ve always been a grassroots, self-organized organization,” Nevins said. “We’ve never had to really depend heavily outside of our organization. We’ve kind of built everything ourselves from the ground up, so we’re a well-oiled machine.”

Nevins said social networking hasn’t hurt, either.

“I think with social networking, it makes music and musicians more acceptable to people. It used to be you had your favorite bands, and all you knew was what Rolling Stone was writing about them. Now you can go on your own band’s Facebook page and be in touch with the fans.”

As for Pappy and Harriet’s, Nevins explained why she enjoys the venue.

“I have to say: I love the location,” said Nevins. “I love being out there. It’s gorgeous. It’s a very magical, mystical vibe. As for Pappy and Harriet’s, it’s like a roadhouse where people are up for fun and love music. Everyone is really nice to us there. During our first time there, we had a great crowd, and everyone loved it.”

Donna the Buffalo will perform at 8:30 p.m., Friday, Aug. 2, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, in Pioneertown. Tickets are $15. For tickets or more information, call 760-365-5956, or visit www.pappyandharriets.com.

Published in Previews

When I asked Teddy Quinn to tell me about his life, he didn’t know exactly where to begin.

The host of the famous open-mic nights at Pappy and Harriet’s and the Joshua Tree Saloon, and the owner and founder of Radio Free Joshua Tree, is a colorful figure of the high desert, and he’s been in the entertainment business for more than 50 years. In fact, the story of Teddy Quinn begins in Hollywood in the ’60s, where he was a child actor who made appearances on Bonanza, Bewitched and General Hospital. He also had a recurring role on the short-lived sitcom Accidental Family.

“I retired of my own free will when I was about 12,” he said in a recent phone interview from Joshua Tree. “I was more interested in rock ’n’ roll, poetry and art. I wasn’t really into TV. Even before that, I was always into music; I grew up on The Beatles, of course.”

Throughout his childhood, Teddy would act as a DJ for his older siblings; he also began writing songs at an early age.

After his “retirement,” as his adulthood years began, Teddy tried to establish himself as a musician in Hollywood, eventually ending up in a band with Fred Drake, who would become his close friend and confidant. The two of them made regular trips to Joshua Tree, and fell in love with the high desert.

“We would always try to go to the Joshua Tree Inn and try to get the room that Gram Parsons died in, and we’d go visit Cap Rock in Joshua Tree National Park, where the unsuccessful attempt to cremate (Gram Parsons) happened,” he said.

He and Drake eventually made the move to Joshua Tree, where they co-founded the famous Rancho de la Luna recording studio 20 years ago, which they co-owned until Fred Drake’s death in 2002. Teddy handed his portion of the studio to Eagles of Death Metal guitarist Dave Catching, who is still the owner and who lives at the studio.

When I asked Teddy what it is that makes him continue to stay in Joshua Tree, I could feel his love for the high desert in his voice. “I’m sitting here in my room looking outside at this beautiful sky, the mountains surrounding me, the desert, and the vastness of what I’m looking at outside. It just feels like it’s open to all possibilities,” he said.

Teddy fell into doing open-mic nights about 10 years ago, on Monday nights at Pappy and Harriet’s in Pioneertown, and on Tuesday nights at the Joshua Tree Saloon. The open-mic night at Pappy and Harriet’s, in particular, is known for luring in local musicians and residents of Joshua Tree. Some of the performers Teddy tells me about: a retired man who served in the Marines with the late George Jones, a harp player who has been known to sit in through the night, a couple in their 60s who both play accordions, and a variety of other local musicians.

“I never know what to expect,” he said. “The variety is always completely amazing. I’ve never once left there feeling disappointed, and I’ve always left surprised every time.”

Teddy told me about one night when a young woman asked to sing.

“I had no idea who this girl was; all she told me was her name was Leslie. She got up and sang, and all the employees from the kitchen ran out, asking me, ‘Do you know who that is?’ And it ended up being Leslie Feist (Feist), who at that time had the No. 1 hit song in the world.”

He also has a story about how he and a friend of his played a cover of “19th Nervous Breakdown” by the Rolling Stones, at first completely oblivious to the fact that Theodora Richards, daughter of Keith Richards, was sitting at one of the tables with friends.

“I went up to Theodora and told her, ‘I hope it’s OK we were singing your dad’s song,’ and she said, ‘It was fucking brilliant!’ It was just a funny convergence of things,” he said with a laugh.

Ted said he advises potential performers to get there early for either of the open-mic nights, as the lists tend to fill up—usually before he even arrives. He also recommended that those who make it on the list be patient and hang out through the entire thing.

And if you’re planning on just showing up to observe, chances are you’re going to have a really good time.

Teddy Quinn hosts an open-mic night at 7:30 p.m. on Mondays at Pappy and Harriet’s, 53688 Pioneertown Road, Pioneertown; 760-365-5956. He also hosts the open mic at 7:30 p.m. on Tuesdays at the Joshua Tree Saloon Grill and Bar, 61835 Twentynine Palms Highway, Joshua Tree; 760-366-2250. For those who don’t get up to Joshua Tree, you can hear Teddy on Radio Free Joshua Tree at www.radiofreejt.com.

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