CVIndependent

Sun11292020

Last updateMon, 24 Aug 2020 12pm

Backyard shows—put on by teens, for teens—have been taking place for decades in the Coachella Valley. Unfortunately, COVID-19 restrictions have silenced the backyard show scene for now—but that doesn’t mean local youth have let their creative voices be silenced.

Take, for example, the Coachella Valley Youth Music Fest, a two-day livestream charity showcase of nearly 20 local acts. From 3 to 5 p.m., Friday, July 24, and Saturday, July 25, tune in to twitch.tv/4nthonyn to watch performances by Koka, Israel’s Arcade, Screams on Silent and others—including a live set from yours truly. Donations made during the event will go to Yemen Crisis Relief, Al Otro Lado, Campaign Zero, COVID-19 Relief, SNaP4Freedom and the NAACP.

“I got the idea for it about three weeks ago; it was literally a shower thought,” said Anthony Noriega, 17, creator of the Coachella Valley Youth Music Fest, during a recent phone interview. “I saw that the Stonewall Inn did a livestream charity fundraiser, so I wanted to create something along those same lines. This thing will be more festival-oriented, though, as some artists will have longer sets, and people will be performing at different times. The same day I got the idea, I contacted everyone.”

Noriega was able to lock in the 19-band lineup in a matter of days.

“I’m a pretty reserved person, but I have a few friends from school that do music, so I was just going to try to ask them,” Noriega said. “I was hoping that I could get some more well-known acts in the desert, like Israel’s Arcade and Koka, and luckily, they agreed right away. I just went out and contacted as many people as possible, because I’d rather have to whittle down sets than try to ask artists to play more songs. I wasn’t sure if a lot of people would even agree to performing.”

The restrictions due to the coronavirus have caused artists all over the world to come up with new ideas for performances. Livestreams in various forms have appeared everywhere, and Noriega is taking in various influences.

“My friend Kiara Thomas is going to be hosting with me, and we’re going to run some test live streams and make sure everything will run smoothly,” Noriega said. “I also have a musician friend from New York named KISOS. He does a livestream every Sunday called Queer-antine, and gives a platform for LGBT artists. I also drew inspiration from him in creating a collective-of-artists livestream. He also helped me out and gave me some advice.”

When Noriega announced the festival and the beneficiary charities, he faced some backlash.

“It’s weird to feel like you chose the wrong charity—when it’s a charity,” Noriega said. “There are foundations that do good things, and it sucks to feel like one is better or worse than the other. I wanted to dwindle down the amount of charities so that when I split up the money, there’s a good money amount going to each charity.

“When I announced the event, there were a handful of musicians who were interested (but not included in the lineup), and I wish I could’ve added them to the set. If I get enough interest among other people, I might try to do a second show and have different charities. It would be so great to wrangle up as much money as possible—because I don’t have a job, so I am not able to donate. I wanted to be able to contribute on a bigger scale and help wrangle up everybody’s few bucks that they have. I feel like this event will really bring people together, and make it feel like we’re all making a difference.”

Some self-doubt came into play when it was time for Noriega to reach out to local acts.

“When I contacted all the performers, I was fully ready for all of them to say no,” he said. “This could’ve been a pop-up idea that just fizzled out. I used my Instagram account that had more followers to message the artists, because people are always getting spam messages on Instagram. If I do this again, I feel like I will have some credibility and be able to have this event under my belt.

“It’s also just my own social fears: I don’t really talk to too many people outside of my small friend group. To be able to put myself out there to a bunch of people I’ve never met before made me worry about what the outcome would be.”

Leading up to the event, social fears aren’t the only thing holding Noriega back.

“I actually tested positive for the coronavirus recently,” Noriega said. “I’m on my better days now, but I’ve been feeling body aches and extreme headaches.

“I’m performing in as well as co-hosting the event, so I’m going to try my best to make it as entertaining as possible. I also hope this will be a good showcase of local talent, and that people will watch. I’m not announcing the times for each band, so hopefully people will stay for the whole show to create a balanced event.”

Published in Previews

Israel’s Arcade is Israel Pinedo’s indie-punk brainchild, with every song written and recorded by him. He melds the basics of punk rock with the structure and dreamy effects of indie bands, a style which has garnered him much success on streaming platforms. His latest release, “Car Crash,” brings a more new-wave approach to his music, with an electronic drum beat and filtered vocal blending joining his patented reverb guitar and synth lines. Pinedo is the latest to take The Lucky 13; here are his answers.

What was the first concert you attended?

Carlos Santana, when I was 8 years old. My grandpa took me, and seeing how the musicians onstage reacted to the music they were playing, and how it moved them strongly, impacted me and changed me forever.

What was the first album you owned?

A Beatles greatest-hits album when I was 7 years old.

What bands are you listening to right now?

I’m really into a lot of house music, drum and bass, a lot of ’90s dance music, and a lot of early 2000s party music like Soulja Boy, Nelly, Missy Elliott, etc.

What artist, genre or musical trend does everyone love, but you don’t get?

I can honestly say that now as I’ve gotten older, I’ve grown to respect and even really enjoy a lot of the music that’s on the radio—a lot of pop music. With trends that I see going on right now, I can see the appeal of (these songs), and I can even get into them if I try to. I was a little kid when my uncle taught me that, with music, I have to learn to enjoy everything.

What musical act, current or defunct, would you most like to see perform live?

It’s always been a dream to see The Doors live.

What’s your favorite musical guilty pleasure?

When I was in high school, I was really shy to blast my music in my earbuds when it was gay anthems like Britney Spears or ’90s house. I was afraid of people knowing that I listen to that, so I would turn the volume down. Now I don’t really care. I’m pretty proud of my taste.

What’s your favorite music venue?

As far as performing goes, I love anything that’s small, because those are the most-intimate shows. I guess the same goes for watching somebody perform; even if it’s a famous act, I want it to be intimate. Anything that makes it feel that way.

What’s the one song lyric you can’t get out of your head?

Right now, I can’t get Missy Elliott’s “Lose Control” out of my head—and frankly, I don’t want it out.

What band or artist changed your life? How?

Around 7, it was the Beatles; when I turned 8, it was Nirvana. At 12, it was Sublime, and at 13 and 14, Mac DeMarco, Black Flag, and The Drums.

You have one question to ask one musician. What’s the question, and who are you asking?

I would want to sit down and have a conversation with Jonny Pierce from The Drums about his childhood. I want to know what influenced his dramatic lyrics.

What song would you like played at your funeral?

“Sleep Walk” by Santo and Johnny, then “Guillotine” by Death Grips.

Figurative gun to your head, what is your favorite album of all time?

I’d probably choose Portamento by The Drums.

What song should everyone listen to right now?

“To Another Galaxy (Galaxy Mix)” by Tokyo Ghetto Pussy. (Scroll down to hear it!)

Published in The Lucky 13

We’re under an emergency shelter-at-home order in California, with a lot of businesses closed down—meaning many people are now without a steady income, including the Coachella Valley’s hard-working, talented musicians.

Many of us also now have a lot of time on our hands … so why not use that time to get to know the local music scene better—while supporting these musicians in the process?

Also, remember that music can be a healer of wounds! For me, music can turn a terrible day into a great day—so I hope that this list can bring you joy in this uncertain time.

Because of all this, I’ve compiled a “Coachella Valley Quarantine” playlist of some of my favorite songs by valley bands. By streaming their songs on Spotify, Apple Music, YouTube or any other service, you will also assist them financially … not much, but every little bit helps!

Click here for the Spotify version of the playlist.

Click here for the YouTube version.

“Last Day,” Captain Ghost

I started the playlist off with this one, because the only way to transition into the apocalypse is with roars and sick guitar riffs. This song is as heavy as it is funky—dare I say, with perhaps a hint of ska? The screamed-out chorus lines of “set forth your hands / like it’s the last day on Earth” make this song a perfect soundtrack for the end times. You can read more about Captain Ghost in the interview I did with them last year at CVIndependent.com; facebook.com/CaptainGhostBand.

“Coachella Gold,” Giselle Woo and the Night Owls

After being announced as part of the 2020 Coachella lineup, Giselle Woo and the Night Owls’ profile in the music scene became bigger than ever. Alas, the postponement of the festival means the world will have to wait to experience in person the greatness we’ve seen evolving over the past few years. “Coachella Gold” makes you proud to live here—and a sense of community is definitely something we all need during this time. Learn more about Giselle here; facebook.com/GiselleWooandTheNightOwls.

“Beat Up Your Mom (Sides One and Two),” Sleazy Cortez

In these times of mass hysteria and paranoia, you really could use a good laugh. Sleazy Cortez’s comedy stoner-punk jams are a perfect 20-second hand wash to take your worries away. You don’t even have to worry about too many lyrics, because the only words to this song are: “Beat up your mom.” Side One’s fast punk transitions beautifully into Side Two’s slow-burning blues groove for an epic 3 1/2-minute track. Learn more about Sleazy Cortez here; sleazycortez.bandcamp.com.

“Alone,” Black Water Gospel

“This is how it feels to be alone,” sings Lance Riebsomer in the chorus of this song. The desperation in his voice echoes many people’s uncertainties in this time of isolation—yet this song has one of those guitar solos will help you feel amazing. It’s hard to describe, so just listen. I challenge you to not bob your head at least once throughout the entire track; it may be impossible. Read more about Black Water Gospel here; facebook.com/BlackWaterGospel.

“Back on Track,” Brightener

Whenever I listen to Brightener, I can’t help but smile. Will Sturgeon has a voice that just makes you happy, and any track from his band will lift your spirit. It’s no wonder the band has played many top-notch gigs in Los Angeles, not to mention Coachella in 2016. “Back on Track” is one of Sturgeon’s funkier songs, and will make your stay-cation a lot dancier. Learn more about Brightener here; brightener.bandcamp.com.

“Gallium,” Calico Wonderstone

Calico Wonderstone dominated the backyard music scene, but has only played a few shows at local venues, so the band’s name is unknown to many. The band dropped a five-song EP, but has not played a show since releasing it, meaning it has been severely underappreciated. “Gallium” is an indie-rock jam, and lead singer Ramses Lopez’s unique vocal style adds an edgier tone to the groove; soundcloud.com/calicowndrstne.

“Mainframe,” Fever Dog

Fever Dog has brought full effort into each of the genres the band has pursued. The group’s first two albums were heavy stoner rock, and then in 2017, Fever Dog released the Mainframe EP—three tracks of psychedelic jams. The title track sounds like something straight out of Pink Floyd, and is the perfect track to let your mind wander away from the negativity. Learn more about Fever Dog here; feverdog.bandcamp.com.

“Elevator Dance,” The Flusters

The Flusters offer a perfect mix of dreamy grooves and rockin’ choruses. Take “Elevator Dance,” for example; the verses are very Doors-esque, with lead singer Doug VanSant’s reverbed voice haunting the listener’s ear. But then, the guitar turns up for the choruses—and turns the slow groove to a full-on jump-around-and-dance vibe. Check out more about The Flusters here; theflusters.com.

“Wao Wao,” Ocho Ojos

Ocho Ojos’ catalogue features the best of the best when it comes to psychedelic cumbia. The band has played Coachella twice, and has performed at pretty much every venue in the valley—a handful of times—while sprinkling some out-of-town shows in between. The Latin rhythms shine bright on “Wao Wao,” and the 4 1/2-minute banger features synth player Danny Torres and guitarist Cesar Flores trading off solos in epic fashion; facebook.com/ochoojoscv.

“Funk Jam,” Desert Rhythm Project

This is a pretty self-explanatory track from Joshua Tree favorites Desert Rhythm Project. Funk is a healer of many things; in fact, I’ve been told there’s nothing a little groove can’t fix. Lead singer Mikey Reyes' soothing voice guides listeners through this song; it’s almost as if he’s checking in with us after every extended groove to make sure we’re OK. And this track is packed tight with groove, as it’s a six-minute song that features every essential funk instrument—horns, bass and, of course, a talk-box solo; desertrhythmproject.com.

“Sand Dune,” FrankEatsTheFloor

Shameless self-promotion: This is my band, and a song I wrote—of which I’m particularly proud. I used our desert landscape to represent how lonely you can feel in a situation of unreciprocated love. I wrote it when I felt lonely; I was sitting inside all day staring at the sand dunes, but now that I have to stay inside, I truly understand how lonely it can be living in a sandy jungle. The bassline is prominent, primarily because I wrote the song around the riff—but also because it sounds cool. Learn more about us here; facebook.com/FrankEatsTheFloor.

“Tied Up,” Instigator

We’re all tied up at home, so why not throw on this aptly named metal tune from local rockers Instigator? The intro riff has been stuck in my head ever since I first heard it; about 40 seconds into the song, the headbanging begins in full effect. Leader Mark Wadlund just posted on Facebook: “‘Coronavirus’ is a great name for a song on a heavy-metal concept album about disease,” so maybe something good will come out of this situation. Read more about Instigator here; facebook.com/instigatorofficial.

“Isolated,” Israel’s Arcade

Speaking of aptly named songs, this indie-rock track from Israel’s Arcade is the perfect song for your isolation blues. “Don’t come find me … let me rot,” sings Israel Pinedo over a melancholy instrumental—featuring some sweet saxophone backup. The standout part of this track is the lead guitar, as its back-and-forth rhythm, while extremely catchy, elicits a true sense of loneliness. Learn more about them here; instagram.com/israelsarcade.

“Strange,” Ormus

Ormus’ first album was a collection of hard-hitting metal-punk tracks, complete with frontman Martin Posada’s death growls. But “Strange” sounds like something straight from the ’70s, with Posada and bass-player Serene Noell sharing vocal duties on a rock track that’s very Black Sabbath-esque. However, Ormus’ signature sound comes back in the middle of a song, for a minute-long metal-punk death-growl interlude; facebook.com/ormusband.

“Bad Conscience Blues,” Plastic Ruby

Plastic Ruby’s unique “Desert Jangle” sound slows down a bit on “Bad Conscience Blues.” Lead singer John Marek’s reverb-caked voice sings over a slow-burning psychedelic-blues track that is as groovy as it is bluesy. The three-minute-long jam would not be complete without the organ solo, however—as everybody knows that you can't have psychedelic jams without an organ. Learn more about the band here; plasticruby.com.

“King Street,” Pescaterritory

“King Street” is one of those songs that makes you feel cool. The pounding rock beat of the song may just lead you to strut around your isolation chamber. Halfway through the song, guitarist Jason Zembo steals the show with what may be one of my favorite guitar solos of all time. The best way to beat the virus is with rock ’n’ roll! Read more about the band here; facebook.com/pescaterritory.

“Ppl Like U,” Throw the Goat

The first release from Throw the Goat after a recent lineup change proves that the same ol’ Goat is still there. It’s a punk outcry against hypocrites and the current state of the world—a perfect song for letting out your rage. The band is setting up for a full album about the political nonsense, appropriately titled Vote Goat 2020. Read more about the group here; facebook.com/throwthegoat. (Photo below by Keleigh Black)

“The Death of a Gentleman,” YIP YOPS

The Yip Yops’ recent lineup departures left the group as a two-piece—but the boys are determined to not change the sound that much. “The Death of a Gentleman” is an ’80s-style synth-rock gem that sounds so much like Depeche Mode. It’s groovy; it’s danceable; it even has somber moments. A lot of ground is covered in three minutes, and will cover many of the moods you are feeling during this time. Read more about them here; yipyops.com.

“Baby’s Breath,” Koka

Another notable band in the backyard-show scene in the valley is Koka, an indie-rock group with soothing melodies that offer a bedroom-pop vibe. Their sounds have brought them Internet attention, with “Baby’s Breath” nabbing more than 37,000 listens on Soundcloud alone. Lead singer Edith Aldaz’s vocal lines are catchy; singing the oohs of this song’s chorus will definitely help alleviate some stress; instagram.com/koka.wav.

“I Wanna Be Over You,” The Hive Minds

The last song on this playlist ends things on a high note. A happy instrumental is met by lead singer Derek Jordan Gregg reminiscing about the good times: “Remember the way that I fell when I held you, December.” Gregg wants to go back to “feeling himself”—don’t we all? This song is cheery and proves that music can be a source of joy, even in times like these; www.facebook.com/thehiveminds.

It’s March in the Coachella Valley—but the weather isn’t the only thing getting hotter. Check out some of the fiery entertainment coming to us this month.

The McCallum Theatre’s March schedule is packed. From Wednesday, March 4, through Sunday, March 8, you can catch Pink Martini, featuring singers China Forbes and Storm Large. The group's diverse catalog crosses multiple music genres—and there’s a reason why Pink Martini is one of the most popular acts ever to come to the McCallum. Tickets are $58 to $98. From Friday, March 13, through Sunday, March 15, witness Chicago The Musical. The longest-running Broadway musical ever is coming to Palm Desert for five performances only! Tickets are $65 to $125. At 8 p.m., Wednesday, March 18, all the way from the East Coast, it’s the New York Philharmonic String Quartet! Four musicians from the famous orchestra are coming to town for an evening of musical expertise. Tickets are $25 to $65. At 8 p.m., Friday, March 27, vocalist Steve Tyrell will take the McCallum stage. With a Grammy under his belt, and a catalog filled with new takes on classic songs, Tyrell should offer a night of vocal greatness. Tickets are $40 to $80. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs is featuring a diverse lineup that has something to please pretty much anyone. At 8 p.m., Friday, March 6, renowned comedian and ventriloquist Terry Fator returns to Indio. He won hearts on his victorious season of America’s Got Talent, and continues to make audiences laugh at his Las Vegas residencies. Tickets are $39 to $79. At 8 p.m., Saturday, March 14, Latin superstar Pitbull will grace the stage. Go dance the night away to Grammy-winning radio hits from Mr. Worldwide. Dale! Tickets are $79 to $169. At 8 p.m., Saturday, March 21, Daryl Hall and John Oates return. They’re the No. 1-selling music duo in history, and are behind some of your favorite hits, like “Maneater.” Tickets are $79 to $169. At 8 p.m., Friday, March 27, Chaka Khan will be in the house—and 1980s R&B never sounded so good! Tickets are $49 to $89. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Spotlight 29 has a March filled with nostalgia. The Tribute Concert Series keeps on truckin’, as you can catch tributes to Queen, Bob Marley, ABBA and the Rolling Stones, Fridays at 8 p.m. All the shows are $10, and are the cheapest form of time travel currently on the market. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Agua Caliente is showcasing a few top events this month. At 8 p.m., Saturday, March 14, Frankie Valli and the Four Seasons are coming straight from the ’60s. Experience a great vocal group from the past that still packs a punch. Tickets are $95 to $125. At 7:30 p.m., Saturday, March 28, boogie the night away at Saturday Night Dance Fever. Come enjoy performances from The Trammps featuring Earl Young, Rose Royce, Evelyn “Champagne” King and many other disco greats! Tickets are $60 to $185. Agua Caliente Resort Casino Spa Rancho Mirage, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Morongo Casino Resort has some enjoyable evenings in store in March for people who want to be entertained. At 9:30 p.m., Saturday, March 14, Flogging Molly is coming to Cabazon. Wanna learn what the words “Celtic'' and “punk” are doing next to each other? Well, go find out for yourself. Tickets are $69 to $79. At 9 p.m., Friday, March 20, entertainer extraordinaire Marlon Wayans will provide a comedy show for the ages. Go see the White Chicks actor live onstage! Tickets are $29 to $49. At 9 p.m., Friday, March 27, Rob Lowe brings his Stories I Only Tell My Friends tour to town. After 40 years in film and TV, the actor has a lot of stories to tell. Tickets are $59 to $79. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet's March schedule includes a lot of sold-out shows; here are a few shows you can still get into. At 8 p.m., Friday, March 20, local Latin-rock group Giselle Woo and the Night Owls will rock the Pioneertown stage. Catch Giselle and co. before Coachella crowds do in April—and the show is free! At 8 p.m., Saturday, March 28, Rose’s Pawn Shop and The Shadow Mountain Band will serve up a night of genre-bending rock tunes! This show is also free! Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

Toucans is hosting two fantastic shows in March. At 7:30 p.m., Saturday, March 7, Leslie Jordan (below) brings his Over EXPOSED show to town. The actor will provide a night of comedy and stories from his long career. Tickets are $35 to $45. At 7:30 p.m., Friday, March 20, Anne Steele brings her “Made Out of Stars” tour to Toucans. The singer/songwriter recently released a new EP, and is prepped for a night of music and fun! Tickets are $25. Toucans Tiki Lounge and Cabaret, 2100 N. Palm Canyon Drive, Palm Springs; 760-416-7584; www.reactionshows.com.

The Purple Room continues to provide many great nights out on the town. From Thursday, March 19, through Saturday, March 21, catch the return of the marvelous Marilyn Maye. This musical treasure has still got it at the age of 91, and has been a performer since she was 9! Tickets are $70 to $90. At 8 p.m., Saturday, March 28, Branden and James will return to the Purple Room. This time, catch the duo putting their classical spin on Lady Gaga’s songbook. Tickets are $40 to $45. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

The Ace Hotel and Swim Club is hosting myriad unique events. At 7 p.m., Thursday, March 12, it’s the return of Campfire Stories With Desert Oracle’s Ken Layne. Come and indulge yourself in the mystique of the desert at this free event. At 1 p.m., Sunday, March 22, experience the first Draught in the Desert beer festival. More than 30 craft breweries will be pouring for your drinking pleasure. Tickets are $55. Ace Hotel and Swim Club, 701 E. Palm Canyon Drive, Palm Springs; 760-325-9900; www.acehotel.com/palmsprings.

The Date Shed will feature some local talent this month. At 8 p.m., Friday, March 13, local indie-rock group Blue Sun will be releasing its brand-new EP, Haunted Garden, with support from other great local acts like Milhan, Host Family and Shaman Rock. Tickets are $10. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.facebook.com/dateshed.

You can also go support local music at The Alibi Palm Springs. At 6 p.m., Sunday, March 8, local psych/surf rock group The Flusters will perform, with opener 88 MPH. Let them entrance you with dreamy tunes all night long. The show is free! At 8 p.m., Friday, March 13, local indie duo YIP YOPS will make their hometown return. Go experience the group’s first show in the valley in months, with support from groups Gomi Neko and Israel’s Arcade. This show is also free! The Alibi Palm Springs, 369 N. Palm Canyon Drive, Palm Springs; 760-656-1525; thealibipalmsprings.com.

Published in Previews

January is bringing a brand-new festival to the land of festivals!

4xFAR, presented by Land Rover, is a brand-new music, food and adventure festival coming to Empire Grand Oasis in Thermal on Saturday and Sunday, Jan. 18 and 19. It will feature music with headliners Anderson .Paak and Mark Ronson, as well as a plethora of adventure activities, such as mountain biking, climbing, fly fishing and off-roading! General-admission tickets are $95 for one day, or $185 for both; head to 4xfar.com to get ’em.

The illustrious McCallum Theatre is featuring wonderful events throughout January. At 8 p.m., Friday, Jan. 10, double-trouble actor and singer Jack Jones will grace the McCallum stage. He has more than 50 years of jazz and pop performances under his belt, so it’s no wonder The New York Times said that “he is arguably the most technically accomplished male pop singer.” Tickets are $40 to $90. At 8 p.m., Tuesday, Jan. 14, put on your green duds, and head to the McCallum to enjoy the Derina Harvey Band. This Celtic-rock group is described in press materials as being like “a rockier version of Canada’s Great Big Sea, if fronted by Adele.” Whoa! Tickets are $25 to $55. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs is hosting a plethora of big acts to start off the New Year. At 8 p.m., Saturday, Jan. 11, George Thorogood and the Destroyers will bring 45 years of hard rock to Indio. While the weather may be freezing you to the bone, come and get “Bad to the Bone” with bona fide rock legends. Tickets are $39 to $59. If you’ve been missing the classic sounds of the Motown era, you’re in for a real treat on Saturday, Jan. 18, at 8 p.m., as both The Temptations and The Four Tops are returning to town. Both groups’ hits have been tugging on your heart strings for more than five decades. Tickets are $39 to $69. At 8 p.m., Friday, Jan. 24, the legendary Tony Bennett will bring his “I Left My Heart” Tour to the Fantasy Springs stage. He’s been performing for nearly 70 years, with more than 50 million records sold; come witness one of music’s living icons while you still can. Tickets are $49 to $109. If you don’t want to bother paying for heat in your own home, come out at 8 p.m., Saturday, Jan. 25, when 98° promises to set the stage on fire. If the ’90s is what you’re longing for, both music-wise and temperature-wise, this show is for you. Tickets are $39 to $69. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Spotlight 29 is showcasing a few festive events in January. At 8 p.m., Saturday, Jan. 11, Mexican singer-songwriter Pancho Barraza will return to Coachella. Do you really need more of an excuse to go dance? Tickets are $65 to $85. At 8 p.m., Saturday, Jan. 25, Spotlight 29 is featuring a very unique event titled ¿Y Si Me Caso? This “musical wedding” promises to be as musical as it is dramatic, as one man decides which woman he should marry. Tickets are $25 to $65. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Agua Caliente intends to turn the heat up on those cold winter nights.At 8 p.m., Saturday, Jan. 11, the one-and-only D-O-double G is coming to town. That’s right, Snoop Dogg, with openers O.T. Genasis and Warren G, is bringing that West Coast gangsta rap to Rancho Mirage, and you’d be a fool to miss out. Tickets are $85 to $115. If R&B is more your speed, then on Saturday, Jan. 18, at 8 p.m., make sure you catch Boyz II Men. Since the ’90s, the boyz have been putting audiences in their feelings with emotional ballads and sweet harmonies, so be there! Tickets are $65 to $85. At 8 p.m., Saturday, Jan. 25, the Long Island Medium herself, Theresa Caputo, will return to The Show. This night will include Caputo’s stories about her experiences as a medium, and will feature interactions with some of the audience members. Tickets are $75 to $120. Agua Caliente Resort Casino Spa Rancho Mirage, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

At Morongo, you can catch a few fun performances this month. At 8 p.m., Friday, Jan. 10, enjoy Baby Bash performing for Jimmy Reyes’ Birthday Bash. Come get your 2000s rap fix and celebrate a birthday at the same time! Tickets are $10. At 8 p.m., Friday, Jan. 24, Hollywood Medium Tyler Henry brings “An Evening of Hope, Healing and Closure” to Cabazon. This is a brand-new live show, that, of course, includes an audience Q&A and readings. Tickets are $69. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet’s is the home of more than a few rockin’ shows this month. At 9 p.m., Saturday, Jan. 11, Pappy’s will host the Americana-folk of Justin Townes Earle (below). The son of Steve Earle, who was named after the legendary Townes Van Zandt, has more than lived up to his impressive musical pedigree. Jonny Two Bags opens, and tickets are $25. At 8:30 p.m., Thursday, Jan. 16, indie surf-rock group Surf Curse will jam the night away. This is one of my favorite bands right now, offering an extremely dance-y and catchy vibe across songs that are sure to make any one with ears wanna jump around. Tickets are $16 to $18. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

Toucan’s has some appealing LGBT-slanted events on the January docket. At 7:30 p.m., Saturday, Jan. 4, country-music man Ty Herndon returns to Palm Springs for a night of country hits from his late ’90s heyday, with newer songs as well. Tickets are $30 to $40. At 7:30 p.m., Saturday, Jan. 11, Jai Rodriguez kicks off his 2020 cabaret tour with “Tales of an Aging Twink.” He’s appeared on Broadway in Rent, and was part of the original Queer Eye cast, so it’s safe to say this night will be one to remember. Tickets are $25. And on Friday, Jan. 31, at 7:30 p.m., drag queens Jackie Beat and Sherry Vine will bring their comedy show “Best Frenemies” to Toucan’s. Tickets are $25. Toucans Tiki Lounge and Cabaret, 2100 N. Palm Canyon Drive, Palm Springs; 760-416-7584; www.reactionshows.com.

The Purple Room promises to entertain with a packed January schedule. At 8 p.m. Friday, Jan. 10, catch two-time 2018 Grammy nominee Clint Holmes sing both hits and originals with his jazz vocal stylings. Tickets are $60 to $65. At 8 p.m., Saturday, Jan. 25, Amanda McBroom will return to the Purple Room—this time performing songs from noir films! Tickets are $35 to $40. And on Friday, Jan. 31, at 8 p.m., witness the Black Market Trust combine jazzy hits with Django Reinhardt-style guitar-playing into one magnificent show. Tickets are $35 to $40. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

If you’ve been itching to support local talent, get thee to The Date Shed at 8 p.m., Friday, Jan. 10, to catch local rappers Provoked Poetry, Willdabeast, Thoughts Contained and DJ ODC for Provoked Poetry’s album release. Tickets are $10. And on Saturday, Jan. 25, at 8 p.m., you can see three of the valley’s best young rock groups: Pescaterritory, Israel’s Arcade and Instigator, at Pescafest. Tickets are $10. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.facebook.com/dateshed.

Published in Previews

When the sun goes down on the Coachella Valley, hard-working musicians come out and put on shows wherever there’s a power outlet—including many backyards. Yes, an entire scene is living and breathing in the backyards of homes all across the valley—and in my years of frequenting backyard shows, I’ve never come across a group as animated as Israel’s Arcade.

“This is my solo project. It’s me getting out what’s inside of me,” said Israel Pinedo, the frontman of Israel’s Arcade. And his emotions are surely getting out, as his first single, “12 Regrets,” goes from dreamy staccato guitar lines to synth-driven punk in a matter of seconds, with crooning vocals à la Morrissey or Marilyn Manson: “What is this? / It’s a joke / It’s my life / Without you.”

Follow up single “Wimp” keeps the same punk formula—yet cranks it to 11, as an indie-meets-punk backing track supports Pinedo’s groans of, “I know I never cared / My lonely heart was never shared / To have a good day that was rare / And now I sing my soulless prayer.”

I talked to Pinedo ahead of a busy few weeks.

“I come from a family of musicians,” Pinedo said. “My dad plays the drums; my uncle plays guitar; my grandma plays the harmonica; and my mom sings. They always had a band when I was growing up, so I was always around backyard shows. But my first band was actually with Joe Boomer from local band Instigator. I was in the fifth-grade; he was in the sixth-grade, and it was just drums and guitar. We did the talent show at school, and they really liked us, so we played all of the assemblies.”

When Pinedo went to middle school, he began attending the Academy of Musical Performance Camp.

“I went to AMP Camp for three years; I even played Stagecoach with them,” Pinedo said. “AMP did a lot for me, honestly. It really pushed me to start writing music for myself—lyrics that meant a lot to me.”

Thanks to the modern era, Pinedo went to SoundCloud to share his music with the world.

“I started dabbling with GarageBand and uploading tracks to SoundCloud. At first, my artist name was more of a band, named Peace Ogre,” Pinedo said. “It had some poetic meaning behind it, but then I realized how terrible the name was. I realized that I wanted to make more songs like Mac DeMarco or David Bowie, where it’s just the artist himself and not a band.”

How did Pinedo come up with the new name?

“Well, I was watching Wayne’s World, and the name of the arcade was Noah’s Arcade. I thought it would be sick if I inserted my name—Israel’s Arcade,” Pinedo said. “It was also inspired by this artist named Bane’s World. I like the idea of a name and the possessive to something.”

Pinedo earned a degree of popularity on SoundCloud largely thanks to one track.

“There’s a song I wrote called ‘Obsessions of a Romantic,’” Pinedo said. “I wrote that song because I saw a trend of corny, lovey-dovey songs on SoundCloud getting a lot of attention. They’re all super-simple songs with super-simple riffs, so I thought that I could do that—but add more. I was being cocky, but now the song is at over 60,000 listens, which is fucking crazy, but I kind of knew it would happen. I really wanted to use it to gain traction for my other songs, stuff I care about making.”

It did indeed bring traction: “12 Regrets” is sitting at 42,500 listens as of this writing. I was curious to hear more about his recording process, which includes his debut EP, slated to be released on Oct. 31.

“AMP is where I met Will Sturgeon, who produced the album,” Pinedo said. “I was writing and performing songs with AMP, and Will really liked them and offered to record them. We started recording in 2016-2017, and we’ve just been making sure everything can sound as perfect as possible. It’s been ready, but since the process took so long, I didn’t want to force anything out. It’s going to be a self-titled EP to give the people a little taste of what’s to come.”

To celebrate, Pinedo is throwing—what else?—a live-music backyard bash with Enzo Langston, Foreign Andre, The Teddy’s and many others, at a house in Desert Hot Springs on Saturday, Oct. 26. If you want the details, you'll need to track down Pinedo for an invite.

“There are really no good venues out here, and my dad has a ton of equipment, so we like to make our own shows,” Pinedo said. “Honestly, I just want to party. I love to play music, dance and have fun. I don’t care about the genre; music is just great all the time. It’s going to be a little mini-festival with food and drinks and six hours of music. It’s in DHS at my drummer’s house, and it’s the perfect spot. It’s going to be so much fun!”

Pinedo is making all this happen while still being a 17-year-old high school student.

“It’s hard to juggle music and four A.P. classes at the same time,” Pinedo said. “Being the leader of the band, people look toward me and ask what the plan is for performance days and such. … Sometimes, I have to bail to read some passages or type an essay. If I had it my way, I’d be doing music all the time.

“I think I’ve developed ADHD somehow, because I’m always listening to music. Everywhere I go, there’s an ongoing jam-sesh drumbeat in my head.”