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Toy Story 3 seemed like a definitive end to the story of Woody (the voice of Tom Hanks), Buzz Lightyear (Tim Allen) and company. That movie was, in a word, perfect in the way it tied up the story of Andy and his lifelong toy companions.

I’m someone who thought Toy Story 3 should’ve been the final chapter in the franchise. And I’m now someone who is fine with one more chapter, thanks to the totally satisfying Toy Story 4.

Pixar and director Josh Cooley (making his feature directorial debut with the studio’s most-precious franchise) chose to mess with perfection and extend the story of Woody and friends. The results are less than perfect, but still very worthy of Toy Story lore; this is a welcome breath of fresh air in a summer movie season that thus far has been a series of big franchise stink bombs (Godzilla: King of the Monsters; Men in Black: International; Dark Phoenix).

After a recap in which Andy appears, the action goes to the home of Bonnie, the little girl Andy handed his toys over to at the end of Toy Story 3. Bonnie is gearing up for kindergarten and is a little freaked out, so Woody jumps into her backpack as moral support.

Woody witnesses Bonnie creating what will be a fantastic new character for the franchise in Forky (Tony Hale), crafted out of a plastic spork, pipe cleaners and Play-Doh. Woody immediately sees the importance of this new toy friend, and has himself some new missions: Make sure Forky accepts his new role as a toy instead of trash, and help Bonnie adjust to the rigors of kindergarten.

Bonnie’s day at kindergarten was only an orientation session, and her parents decide to take her on that ever-familiar movie trope: the road trip—in the family RV, no less. The family gets diverted, and the toys wind up getting themselves into trouble at an antique shop inhabited by Gabby Gabby, a deceptively adorable talking doll (Christina Hendricks). Gabby, of course, seems friendly at first (just like Ned Beatty’s purple bear in Toy Story 3), but she has evil intentions regarding a part of Woody’s anatomy—and she has an army of ventriloquist dummies to carry out her plans. Toy Story 4 ends up being as scary as it is funny when the action involves the dummy army. Damn, they are creepy!

Along with Forky and Gabby Gabby, other newcomers include Ducky and Bunny (Keegan-Michael Key and Jordan Peele) and, most spectacularly, stunt motorcycle-rider Duke Caboom, voiced by cinematic darling Keanu Reeves. Caboom, obviously modeled after Evel Knievel, is having his own existential crisis—low self-esteem, due to his prior child owner not being impressed with his jumping abilities.

Woody’s sweetheart, Bo Peep (Annie Potts), gets a prominent role in the new adventure. Sadly, the budding romance between Jessie (Joan Cusack) and Buzz that we saw in Toy Story 3 is not further explored. In fact, Jessie and Buzz are relegated mostly to background duty.

It’s not surprising that Toy Story 4 is the most visually impressive of the films. The folks at Pixar have had nearly a decade to hone their skills since the last chapter, so the likes of Woody, Buzz and Jessie have a new, refined beauty.

The ending of Toy Story 4 will again have fans and critics proclaiming that this must be the end for the franchise. The film certainly feels like a closing chapter, but we all said that about the last movie. The premise is still ripe for spinoffs (a Duke Caboom movie!), prequels—whatever. Heck, maybe Disney will do a live-action remake of the original, since that seems to be the trend.

Toy Story 4 is now playing at theaters across the valley, in a variety of formats.

Published in Reviews

The Bluths are back together again—with more simultaneous screen time than in Season 4—in the latest Arrested Development reunion on Netflix.

The plotting of this season involves a little too much crazy stuff regarding Lucille 2 (Liza Minnelli) and the shared girlfriend (Isla Fisher) of Michael (Jason Bateman) and George Michael (Michael Cera), making things a bit haphazard. That doesn’t stop it from being very funny.

There’s a lot of weirdness at play. Buster (Tony Hale) does jail time (during which he touches a mouse!), while Tobias (David Cross) obsesses with impersonating everybody in the family. Cross remains the funniest guy on this show; he goes full-blown insane this season. Gob (Will Arnett) is dealing with feelings for fellow magician Tony Wonder (Ben Stiller), so he makes a visit to a Closet Conversion facility (which is not what he thinks). Maeby (Alia Shawkat), for reasons I won’t explain, winds up brilliantly impersonating an old Jewish woman in a retirement community.

Even it is a bit frantic, Arrested Development remains one of the funniest shows on TV. (Who knew Henry Winkler was going to be so funny when he grew up?) When it slows down for stuff like a barbecue at Ron Howard’s house (including cameos by Bryce Dallas Howard and the rest of the Howard family), it’s as funny as it ever was.

Netflix currently has eight episodes streaming now, with eight more coming later this year.

Published in DVDs/Home Viewing