CVIndependent

Fri09182020

Last updateMon, 24 Aug 2020 12pm

Director Kevin Smith almost croaked a while back thanks to a widow-maker heart attack—so it’s no surprise that his first film since that setback, Jay and Silent Bob Reboot, is a bit of a sap fest.

Smith and buddy Jason Mewes reprise the title roles in a film that follows most of the plot points of Smith’s 2001 magnum opus, Jay and Silent Bob Strike Back. The results aren’t as funny as I was hoping, but this is the first film in which Smith does a decent job of handling mushy, lubby-dubby, sentimental stuff.

Smith’s daughter, Harley Quinn Smith, steps in as Jay’s love child with Justice (Shannon Elizabeth)—and she knocks the role out of the park. She’s actually the most consistently funny person in the movie, and she handles the emotional stuff well, too, proving she’s got major chops.

The cameo list is long, including Matt Damon, Val Kilmer, Ben Affleck a very funny Chris Hemsworth, Melissa Benoist—and even Smith, playing himself (in addition to Silent Bob). Smith poking fun at his entertainment-show-hosting-self is a great running gag, especially during a post-credits scene.

While this is not as funny as the first Jay and Silent Bob, I’m happy this exists, mainly because it means Kevin Smith, now a vegan, is not dead.

Jay and Silent Bob Reboot is available via online sources including iTunes and Amazon.com.

Published in DVDs/Home Viewing

Writer-director Terrence Malick has shit the bed with his third consecutive film: His latest cinematic effort, Song to Song, is a joke.

I am a card-carrying, Malick-worshiping super fan who is in pain watching one of my directing heroes lose his way. After the triumph that was The Tree of Life, Malick shot To the Wonder and Knight of Cups out his film-making butt—and I hoped that would be the worst of it. Alas, Song to Song, which is supposed to be about people having love affairs amidst the Austin music scene, is Malick’s worst … by far.

For starters, I just have no idea what the fuck is supposed to be going on in this thing. Rooney Mara plays some kind of groupie who hooks up with a record producer played by Michael Fassbender. Then she starts dating wannabe musician Ryan Gosling. Then Gosling dumps her. Then Natalie Portman drowns. Then Mara becomes the guitar-player in Val Kilmer’s band, strumming away and looking like an idiot. Then Kilmer cuts his hair off onstage with a big knife. Then Mara starts dating Gosling again. The fucking end.

There’s no script; this film simply features a bunch of aimless, good-looking actors and actress walking around with nothing to do. If you can’t tell, I’m pissed about how much this sucked! And for a film about the Austin music scene … it doesn’t really have any music!

Still … I will be the first in line for the next Malick effort. He’s a master filmmaker who has already made his mark. He can screw up 100 times now, but he’s still made some of the greatest, most-beautiful films ever made. Song to Song is far from being one of them.

Song to Song is available on demand and via online sources including iTunes and Amazon.com.

Published in DVDs/Home Viewing