CVIndependent

Sat11282020

Last updateMon, 24 Aug 2020 12pm

5 out of 5 stars

Charlie Kaufman (writer of Being John Malkovich) directs and writes the adapted screenplay for I’m Thinking of Ending Things, a nice puzzler of a movie that will have you debating its plotline with friends for days.

On the heels of Christopher Nolan’s Tenet—which is not yet out in the Coachella Valley, but it will be … I promise—September is proving to be a fine month for moviegoers who like their films intelligently convoluted and crazy.

Young Woman (the amazing Jessie Buckley) is going on a strange date with her strange boyfriend, Jake (the equally amazing Jesse Plemons). They take a road trip in a snowstorm to meet Jake’s parents, even though Young Woman—as the title of the film suggests—is apparently thinking of ending things with Jake.

They have bizarre conversations during which their moods change in a snap, and their visit with the parents (Toni Collette and David Thewlis, relishing the chance to play in Kaufman-land) is even weirder—but their stop at an ice cream shop in the middle of a blizzard is off-the-charts nuts. It all comes to a conclusion that absolutely requires you watch the film again, with that second viewing being a completely different experience.

This is one of those movies, like Barton Fink and Mulholland Dr., that doesn’t make much sense while it is happening, but it comes together with post-movie thought. It’s also one of the year’s best, with the four stars all worthy of year-end awards.

I’m Thinking of Ending Things is now streaming on Netflix.

Published in DVDs/Home Viewing

While making my choice for 2015’s best film, it came down to Leonardo DiCaprio getting his face ripped off by a bear in The Revenant, or Charlie Kaufman’s daring stop-motion animation effort, Anomalisa.

I ultimately went with Leo and the bear, but on any given day, I could find myself thinking that Anomalisa is last year’s best film.

It’s certainly the year’s most original movie, and it’s definitely the year’s best animated film. It’s also the weirdest; Kaufman—who wrote Being John Malkovich and Eternal Sunshine of the Spotless Mind, does weird so well.

Anomalisa takes a rather mundane day in the life of rich businessman Michael Stone (voiced by David Thewlis) and somehow turns it into a wondrously imaginative journey. Utilizing stop-motion figures, Kaufman and his team come up with a way to make animated facial expressions that is nothing short of mind-blowing. These figures are creepily human, and never anything short of amazing.

The voice cast also includes Thewlis, Jennifer Jason Leigh as Lisa, and Tom Noonan. I don’t want to give away too much about what Noonan does, because I’d be giving away one of the film’s great surprises. Let’s just say Noonan gets a major opportunity to expand his vocal-acting horizons.

The film’s main plot: Michael goes to Cincinnati for a speaking engagement and takes a room in a hotel. Yes, that sounds fairly routine for a stop-motion animation movie, and it is. Yet Kaufman and crew capture so much detail in that little hotel room that it’s just as impressive as if they had re-created all of Manhattan.

In the subtlest of ways, Kaufman (who wrote the script and the play on which it is based) shows us that Michael is having some sort of breakdown. His marriage is lacking spark, and he has an abnormal obsession with a former lover with whom he’s trying to reconnect. Eventually, he gloms on to Lisa, a young fan of his staying at the hotel.

Michael finds something incredibly unique about Lisa, and he is beyond smitten. They ultimately share a night of lovemaking that rivals only Team America: World Police in the realm of puppet sex. Kaufman also gives us that night’s aftermath—and there’s something very human about this movie, even though dolls portray the action.

Michael’s view of the world is, to say the least, disturbing. Actually, Michael is a really, really disturbing man. There are moments in the film when he totally loses his grip on reality, and those moments are startling. When it comes down to it, Michael is probably one of the more despicable characters to occupy a movie in 2015. He’s as pathetic as a human being can be. And he’s a puppet.

That’s how good this movie is: You start believing you are watching a human story, not just a bunch of puppets jabbering at one another. These action figures possess amazing depth, and the script is brilliant. It’s Kaufman at his very best. His core idea for this story is so grim that it’s an achievement that the film still manages to be enjoyable, let alone entertaining. But entertaining, it is.

I have never felt such joy watching somebody’s ice bucket get filled up at a hotel before. It’s the little details in this movie that just take the breath away: little ice cubes, packs of cigarettes, coffee makers, rolling luggage. They all combine to make a movie miracle.

Anomalisa got edged out by Pixar’s Inside Out at this year’s Oscars. I loved Inside Out in a way that had me believing it couldn’t be beaten for that award when I saw it. But then I saw this movie. Without a doubt, this one should’ve taken home the prize.

A hundred years from now, when film historians are putting together lists of films like no other, Anomalisa should be near the top.

Anomalisa is now playing as part of a double-feature with Whiskey Tango Foxtrot at the Regal Palm Springs Stadium 9 (789 E. Tahquitz Canyon Way, Palm Springs; 844-462-7342) and the Regal Rancho Mirage Stadium 16 (72777 Dinah Shore Drive, Rancho Mirage; 844-462-7342). It’s also available via online sources including iTunes and Amazon.com.

Published in Reviews