CVIndependent

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Last updateFri, 16 Sep 2016 12pm

Theater and Dance

14 Mar 2016
So the name of the play is Cock. All right, settle down. Even though the show takes place at the Desert Rose Playhouse, the valley’s LGBT theater, the name does not mean what you’re thinking. Think cock FIGHT. Like, roosters. OK? Included in the printed program is an actual fight card, listing the adversaries in each round. The setting is the next surprise: The audience sits around a square ring, inspired by the illegal sport, and the actors represent their chicken counterparts. Frankly, it’s the best seating arrangement I have seen at the Desert Rose: Everyone is so close to the action, and the raked back rows are on risers so we all can see perfectly. It’s great! Not all plays lend themselves to this format, but we hope that clever producer Paul Taylor will use this style again when possible. British playwright Mike Bartlett’s award-winning play opened last weekend,…
13 Mar 2016
Any of us born after World War II have heard such a variety of stories about the conflict. They range from the terrifying first-person tales of Holocaust survivors to the darkly inspirational diary of Anne Frank. However, the astonishing I Am My Own Wife, now playing at the Coachella Valley Repertory Company, tells the tale of a completely different aspect of WWII: a German transvestite who actually SURVIVED the Nazis and East German postwar Communism! How could it be? This extraordinary play won the Pulitzer Prize for Drama and the Tony Award for Best Play in 2004. Here, this one-man show stars New York-based actor Vince Gatton and is directed by Ron Celona. This is not fiction—it’s a true story, about Charlotte von Mahlsdorf, written by Doug Wright. The two-act play takes us through author Wright’s years of investigating Charlotte, with whom he becomes somewhat obsessed. Through the stories, we…
12 Mar 2016
Stormy weather! We squished our way through wild spring winds and swirling rain, grateful that traffic on “The 10,” as we call it, held steady and accident-free on Friday night, March 11. But arriving at the theater, we were immediately transported to a calm, lovely evening in New York’s Central Park … and people with storms inside them. Tony Padilla, always bursting with creativity, directs his own play Endangered Species at the Desert Ensemble Theatre Company. It plays only this weekend and next, so if you are committed to supporting original local theater, hurry over to the Palm Springs Woman’s Club to see it in the Pearl McManus Theater. It’s a one-act play which has been produced in Italy, and, amazingly, that translation won the International Medal at the Schegge d’Autore playwriting festival in Rome, in 2009. Go Tony! It’s easy to like the one-act format. Like a short story,…
13 Feb 2016
Imagine you are walking down the street, and suddenly you see … YOU, yourself, coming toward you. Your hair, face, hands, height and weight. It’s not a trick or illusion. It’s you. What do you do? A Number, presented by the Desert Ensemble Theatre Company, has opened at the Palm Springs Woman’s Club. It’s a one-act, five-scene, two-man, 55 minute play, written by Caryl Churchill and produced by Tony Padilla. Which fact is most surprising: A female playwright created a work for two men? The provocative topic of the show? Or the fact that you’re back out on the street before 8 p.m., when some other theaters’ curtains are just going up? The actors, Shawn Abramowitz and James E. Anderson III, work on a bare stage with only two tan leather chairs as the set. The color palette is limited to blues and some earth tones. Director Jerome Elliott has…
22 Jan 2016
A Class Act was nominated for five Tony Awards, and it won an Obie for Best Music and Lyrics. It’s now being presented locally by the Coachella Valley Repertory Theatre—and founding artistic Ron Celona readily admits that it’s the most ambitious (and expensive) effort in CV Rep’s history. Celona does keep raising the bar, doesn’t he? This time, he’s using an eight-member cast and a live four-piece band. Celona’s Little-Theater-That-Did is an inspiration for any start-up. This show, with music and lyrics by Edward Kleban (remember that name!) and book by Linda Kline and Lonny Price, takes us straight to Broadway musicals—an awesome topic for a regional theater. Here in Rancho Mirage, Ron Celona directs the show (of course), while Scott Storr is the musical director, and the choreography is by Mark Esposito. Before I go on, a disclaimer: CVEP presents two nights of preview shows for audiences before the…
17 Jan 2016
It’s a very good thing that the latest production by Desert Rose Playhouse, Tony Kushner’s Angels in America, Part One: Millennium Approaches, has settled in for a six-week run. That gives a large percentage of valley theater-lovers the chance to see it. And they should. The play, which won a Tony, a Drama Desk Award and the Pulitzer Prize for Drama in 1993, is an ambitious undertaking. The only way to do Kushner’s powerful script justice is with amazing acting—and director Jim Strait’s cast delivers. The story is set in 1985. Ronald Reagan is president, and AIDS has begun ravaging the gay population. We meet two couples: Prior Walter (Nick Edwards), who is battling the disease, and his lover, Louis Ironson (Daniel Gutierrez); and Joe Porter Pitt (Alex Updike), a devout Mormon lawyer in denial about his homosexuality, and his unstable, Valium-addicted wife, Harper (Allison Feist). Joe has gone to…